Album Details
Title: Texas Flood Artist: Stevie Ray Vaughan and Double Trouble Release Date: 1983 Label: Epic, Epic/Legacy, Sony, Sony Mid-Price, Sony/BMG, Sony/Epic Duration: 38:52 UPCs: 074643873420, 074646587027, 074643873444, 0886971462821, 4988010779320, 5099746095123, 5099746095192, 5099749412927, 828768675021, 074643873482, 088697146282 Genre: Rock Styles: Modern Electric Blues, Electric Blues, Blues-Rock, Electric Texas Blues, Texas Blues, Contemporary Blues, Modern Electric Texas Blues, Album Rock Moods: Brash, Confident, Earnest, Earthy, Rousing, Rowdy, Theatrical, Visceral, Boisterous, Exuberant, Fiery, Intense, Passionate, Raucous, Reflective, Rollicking, Energetic, Gritty, Rambunctious, Amiable/Good-Natured, Poignant, Sensual, Stylish Total Copies: 4 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Love Struck Baby
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Pride and Joy
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Texas Flood
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Tell Me
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Testify
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Rude Mood
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Mary Had a Little Lamb
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Dirty Pool
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I'm Cryin'
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Lenny
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SRV Speaks [#][*]
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Tin Pan Alley (AKA Roughest Place in Town) [#][*]
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Testify [Live][#][*]
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Mary Had a Little Lamb [Live][#][*]
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Wham! [Live][#][*]
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | Sony/BMG | 88697146282 | | 2006 | CD | Sony/Epic | 82876867502 | | 1999 | CD | Epic/Legacy | 65870 | | 1999 | CD | Sony | 4941292 | | 1998 | CD | Sony Mid-Price | 4609519 | | 1991 | CD | Epic | 38734 | | 1990 | CD | Epic | 38734 | | 1990 | CD | Epic | EK-38734 |
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Review
It's hard to overestimate the impact Stevie Ray Vaughan's debut, Texas Flood, had upon its release in 1983. At that point, blues was no longer hip, the way it was in the '60s. Texas Flood changed all that, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. Vaughan became a genuine star and, in doing so, sparked a revitalization of the blues. This was a monumental impact, but his critics claimed that, no matter how prodigious Vaughan's instrumental talents were, he didn't forge a distinctive voice; instead, he wore his influences on his sleeve, whether it was Albert King's pinched yet muscular soloing or Larry Davis' emotive singing. There's a certain element of truth in that, but that was sort of the point of Texas Flood. Vaughan didn't hide his influences; he celebrated them, pumping fresh blood into a familiar genre. When Vaughan and Double Trouble cut the album over the course of three days in 1982, he had already played his set lists countless times; he knew how to turn this material inside out or goose it up for maximum impact. The album is paced like a club show, kicking off with Vaughan's two best self-penned songs, "Love Struck Baby" and "Pride and Joy," then settling into a pair of covers, the slow-burning title track and an exciting reading of Howlin' Wolf's "Tell Me," before building to the climax of "Dirty Pool" and "I'm Crying." Vaughan caps the entire thing with "Lenny," a lyrical, jazzy tribute to his wife. It becomes clear that Vaughan's true achievement was finding something personal and emotional by fusing different elements of his idols. Sometimes the borrowing was overt, and other times subtle, but it all blended together into a style that recalled the past while seizing the excitement and essence of the present. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Al Quaglieri | Research Assistant | | Allen Weinberg | Art Direction, Artwork | | Andy Denemark | Producer | | Andy Schwartz | Editorial Director | | Bob Irwin | Reissue Producer | | Chris Layton | Drums | | Danny Kadar | Mixing | | Darcy Proper | Dialogue Editor | | Don Hunstein | Photography, Tray Photo | | Don Wershba | Mixing Assistant, Mixing, Assistant | | Double Trouble | Producer | | George Deahl | Research Assistant | | Harry Spiridakis | Mixing Assistant, Mixing, Assistant | | James Geddes | Assistant, Assistant Engineer, Engineer | | John Berg | Artwork, Art Direction | | John Hammond, Jr. | Executive Producer | | John Hammond, Sr. | Executive Producer, Producer | | John Naatjes | Research Assistant | | Josh Cheuse | Art Direction, Artwork | | Ken Robertson | Mastering | | Lincoln Clapp | Mix Down, Mixing, Mixing Engineer, Engineer | | Matthew Kelly | Research Assistant | | Michael Ventura | Liner Notes | | Mike Harris | Production Assistant | | Mikie Harris | Production Assistant | | Norm Pattiz | Executive Producer | | Richard Mullen | Producer, Engineer | | Stevie Ray Vaughan | Performer, Vocals, Main Performer, Guitar, Producer | | Stevie Ray Vaughan and Double Trouble | Performer | | Tim White | Author, Producer | | Timothy White | Producer | | Tommy Shannon | Bass | | Tony Martell | Executive Producer | | Vic Anesini | Mastering, Engineer |
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