Album Details
Title: The Unforgettable Fire Artist: U2 Release Date: 10/1/1984 Re-Released On: 11/3/2009 Label: Island, Island/Universal, U2/Island Catalog, Universal Distribution Duration: 42:19 Album Type(s): lyrics/libretto UPCs: 042282289827, 4988005374141, 0042282289827, 015775120716, 042282289810, 075679023124, 4988005313584, 600753030363, 602517924017, 0602517924147, 498800537414 Genre: Rock Styles: Alternative Pop/Rock, Contemporary Pop/Rock, Post-Punk, Alternative/Indie Rock, Album Rock, College Rock Moods: Bravado, Cathartic, Confident, Freewheeling, Hungry, Passionate, Theatrical, Ambitious, Earnest, Energetic, Fiery, Plaintive, Poignant, Rollicking, Stylish, Yearning, Dramatic, Earthy, Fun, Literate, Lively, Reflective, Reverent, Rousing, Sexy, Swaggering, Intimate, Playful, Provocative, Visceral, Sophisticated, Aggressive, Bittersweet, Brash, Confrontational, Intense, Searching, Sensual, Somber Total Copies: 22 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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A Sort of Homecoming
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Pride (In the Name of Love)
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Wire
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The Unforgettable Fire
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Promenade
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4th of July
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Bad
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Indian Summer Sky
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Elvis Presley and America
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MLK
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | Island/Universal | 001320102 | | 2009 | CD | U2/Island Catalog | | | 2005 | CD | Universal Distribution | 9711 | | 2002 | CD | Island/Universal | 2359 | | 1990 | CD | Island | 422-822898-2 |
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Album Review
In many ways, U2 took their fondness for sonic bombast as far as it could go on War, so it isn't a complete surprise that they chose to explore the intricacies of the Edge's layered, effects-laden guitar on the follow-up, The Unforgettable Fire. Working with producers Brian Eno and Daniel Lanois, U2 created a dark, near-hallucinatory series of interlocking soundscapes that are occasionally punctuated by recognizable songs and melodies. In such a setting, the band both flourishes and flounders, creating some of their greatest music, as well as some of their worst. "Elvis Presley and America" may well be Bono's most embarrassing attempt at poetry, yet it is redeemed by the chilling and wonderful "Bad," a two-chord elegy for an addict that is stunning in its control and mastery. Similarly, the wet, shimmering textures of the title track, the charging "A Sort of Homecoming," and the surging Martin Luther King, Jr. tribute "Pride (In the Name of Love)" are all remarkable, ranking among U2's very best music, making the missteps that clutter the remainder of the album somewhat forgivable. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Adam Clayton | Bass | | Anne Louise Kelly | Management | | Anton Corbijn | Concept, Sleeve Design, Realization | | Bono | Vocals | | Brian Celler | Production Coordination | | Brian Eno | Producer, Instrumentation, Engineer, Treatments, Keyboards, Vocals, Liner Notes | | Candida Bottaci | Production Coordination | | Cheryl Engels | Research, Remastering Producer | | Clayton | Guitar (Bass) | | Colm Henry | Photography | | Daniel Lanois | Engineer, Liner Notes, Vocals, Instrumentation, Treatments, Producer | | Dennis Sheahan | Crew | | Ellen Darst | Management | | Gary Kelly | Package Design | | Joe O'Herlihy | Crew | | Kevin Killen | Engineer | | Larry Mullen, Jr. | Drums | | Lord Henry Mountcharles | Crew | | Noel Kelehan | String Arrangements, Arranger | | Paul Barrett | Fairlight, Fairlight, Keyboards | | Paul McGuinness | Management | | Peter Williams | Crew, Band | | Randy Ezratty | Assistant Engineer | | Scott Sedillo | Remastering | | Slane Castle | Engineer | | Steve Averill | Art Direction, Cover Design, Sleeve Design, Concept | | Steve Iredale | Crew | | Steve Rainford | Crew | | The Edge | Guitar, Keyboards, Vocals | | Thomas May "Beno" | Technical Support | | Tim Buckley | Crew, Band | | Tom Mullally | Crew |
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