Album Details
Title: Portrait of an American Family Artist: Marilyn Manson Release Date: 7/12/1994 Re-Released On: 12/1/2003 Label: Interscope Records Album Type(s): Explicit lyrics sticker, lyrics/libretto UPCs: 606949234423, 0606949234423, 0643346012117, 643346012117, 765449234422 Genre: Rock Styles: Heavy Metal, Alternative Metal, Industrial Metal Moods: Acerbic, Aggressive, Angst-Ridden, Bleak, Campy, Confrontational, Eerie, Harsh, Hostile, Malevolent, Menacing, Nihilistic, Ominous, Playful, Quirky, Stylish, Theatrical, Freewheeling, Paranoid, Suffocating, Tense/Anxious, Wry, Angry, Bitter, Cathartic, Cynical/Sarcastic, Witty, Brooding, Dramatic, Gloomy, Indulgent, Nocturnal, Raucous, Refined/Mannered, Snide, Visceral Total Copies: 3 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Prelude (The Family Trip)
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Cake and Sodomy
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Lunchbox
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Organ Grinder
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Cyclops
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Dope Hat
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Get Your Gunn
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Wrapped in Plastic
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Dogma
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Sweet Tooth
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Snake Eyes and Sissies
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My Monkey
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Misery Machine
Additional Releases
| Year | Type | Label | Catalog # | | 1994 | CD | Interscope Records | 92344 |
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Other Editions
- No other editions were found for this album.
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Album Review
Coming up screaming from the depths of Florida -- there being no scarier state in the union -- Marilyn Manson cannily positioned themselves as a goth- industrial hybrid on their debut album, Portrait of an American Family. At this stage in their evolution, Marilyn Manson was clearly a band, not just the project of Brian Warner, aka Mr. Manson, who would later simply adopt his band's name as his own. Also, horror-show schlock was a bigger factor than it would be later on, when he wanted to be the Antichrist Superstar for the world at large. In other words, it's Manson at his silliest, singing about "My Monkey" and "Snake Eyes and Sissies." Nevertheless, beneath all the camp shock there are signs of Warner's unerring eye for genuine outrage and musical talent, particularly on the trio of "Cake and Sodomy," "Lunchbox," and "Dope Hat." ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Alan Moulder | Engineer, Mixing, Assistant, Assistant Producer | | Barry Goldberg | Assistant Engineer, Assistant | | Beavan | Brass, Assistant Producer, Programming, Editing | | Brian Pollack | Assistant Engineer, Assistant | | Brian Scheuble | Assistant Engineer, Assistant | | Charles Clouser | Editing, Digital Editing, Drums, Programming, Drums (African) | | Chris Meyer | Engineer | | Chris Vrenna | Programming, Percussion, Assistant Engineer | | Daisy Berkowitz | Guitar, Guitar (Acoustic) | | Gary Talpas | Packaging | | Hope Nichols | ?, Vocals (Background), Saxophone | | Jeffrey Weiss | Photography | | Madonna Wayne Gacy | Overdubs, Brass, Organ (Hammond), Saxophone, Theremin, Loops, Calliope, Sound Effects | | Marilyn Manson | Logo, Loops, Adaptation, Vocals, Artwork, Brass, Art Direction, Producer | | Mark Gruber | Assistant, Assistant Engineer | | Mr. Manson | Producer, Producer | | Robin Perine | Photography | | Roli Mosimann | Engineer | | Sara Lee Lucas | Sound Effects, Drums | | Sean Beavan | Digital Editing, Assistant Producer, Programming, Editing, Mixing, Assistant | | Tom Baker | Mastering | | Trent Reznor | Executive Producer, Editing, Digital Editing, Producer, Pandora, Guitar, Programming, Mixing, Brass, ? | | Twiggy Ramirez | Bass, ? |
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