Album Details
Title: The Road to You: Recorded Live in Europe
Artist: Pat Metheny Group
Release Date: 1993
Re-Released On: 2/7/2006
Label: Geffen Records, Geffen, Universal/Geffen, Nonesuch Records
Duration: 70:12
Album Type(s): live
UPCs: 075597994124, 720642460122, 0720642460122, 075597994162, 4988067012135, 720642460146
Genre: Jazz
Styles: World Fusion, Contemporary Jazz, Brazilian Jazz, Crossover Jazz, Jazz Instrument, Guitar Jazz
Moods: Amiable/Good-Natured, Cerebral, Cold, Complex, Freewheeling, Intense, Knotty, Passionate, Playful, Poignant, Precious, Refined/Mannered, Reflective, Sophisticated, Sparse, Stylish, Sweet, Wistful, Atmospheric, Dramatic, Earnest, Energetic, Exuberant, Literate, Lively, Rousing, Searching, Self-Conscious, Sprawling, Stately, Warm, Witty, Wry
Total Copies: 1
Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Have You Heard
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First Circle
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The Road to You
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Half Life of Absolution
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Last Train Home
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Better Days Ahead
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Naked Moon
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Beat 70
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Letter from Home
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Third Wind
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Solo from More Travels
Additional Releases
| Year | Type | Label | Catalog # | | 2006 | CD | Geffen | | | 2006 | CD | Nonesuch Records | 79941 | | 2003 | CD | Universal/Geffen | 124 | | 1993 | CD | Geffen Records | 24601 |
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Other Editions
- No other editions were found for this album.
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Album Review
When Metheny celebrates his cerebral side, he usually follows up with something more accessible. After his difficult yet rewarding collaboration with John Scofield, I Can See Your House from Here, Metheny stresses accessibility with this captivating live album. The primary focus is on his Brazilian-influenced material from Still Life (Talking) and Letter from Home, and the very cohesive Pat Metheny Group offers characteristically expressive versions of such favorites as "Have You Heard," "Beat 70," and "Better Days Ahead." While he could have offered a wider variety of material and perhaps revisited some of his early gems, everything that he does include comes across as honest and heartfelt. Thankfully, Metheny's emphasis on accessibility and crowd-pleasing doesn't come at the expense of his artistic integrity. ~ Alex Henderson, All Music Guide
Credits
| Name | Credits | | Andrew Reid | Art Direction, Design | | Armando Marcal | Percussion, Vocals, Timbales, Conga | | Armando Marsal | Conductor, Vocals, Timbales, Percussion, Conga | | C.J. Allen | Photography | | David Oakes | Assistant Producer, Producer, Mixing Assistant | | David Sholemson | Project Coordinator | | Guido Harari | Photography | | J.M. Birraux | Photography | | Jim Metheny | Guitar (Synthesizer), Producer, Guitar | | John Harris | Assistant Engineer | | John Mark Harris | Assistant Engineer | | Lyle Mays | Keyboards, Associate Producer, Piano | | Neil Perry | Mixing Assistant, Mixing Assistant | | Niki Gatos | Assembly, Digital Editing, Digital Assembly | | Pat Metheny | Guitar, Producer, Guitar (Synthesizer), Performer | | Pat Metheny Group | Performer | | Paul Werteco | Drums, Percussion | | Paul Wertico | Percussion, Drums | | Pedro Aznar | Melodica, Vibraphone, Drums, Vocals, Drums (Steel), Guitar (Acoustic), Marimba, Guitar, Saxophone, Percussion | | Peter Mews | Assembly, Digital Assembly, Digital Editing | | Randy Ezratty | Assistant Engineer | | Rene Weis | Assistant Engineer | | Ricardo Murad | Photography | | Rob Eaton | Photography, Engineer, Associate Producer, Mixing | | Steve Robby | Bass (Electric), Assistant Producer, Bass (Acoustic) | | Steve Rodby | Producer, Bass (Electric), Bass (Acoustic), Bass | | Ted Jensen | Mastering, Remastering, Original Mastering | | Vincent Pitras | Assistant Engineer | | Yves Jaget | Assistant Engineer |
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