Album Details
Title: Purple Artist: Stone Temple Pilots Release Date: 5/31/1994 Re-Released On: 6/7/1994 Label: Atlantic Duration: 47:02 Album Type(s): lyrics/libretto UPCs: 075678260728, 756782607288 Genre: Rock Styles: Hard Rock, Alternative Pop/Rock, Grunge, Alternative/Indie Rock Moods: Brooding, Energetic, Intense, Reflective, Autumnal, Campy, Cathartic, Confrontational, Dramatic, Paranoid, Passionate, Provocative, Tense/Anxious, Yearning, Somber, Bittersweet, Fiery, Sensual, Theatrical, Gritty, Rousing, Aggressive, Angst-Ridden, Stylish Total Copies: 116 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Meat Plow
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Vasoline
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Lounge Fly
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Interstate Love Song
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Still Remains
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Pretty Penny
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Silver Gun Superman
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Big Empty
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Unglued
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Army Ants
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Kitchen Ware & Candy Bars
Additional Releases
| Year | Type | Label | Catalog # | | 1994 | CD | Atlantic | 82607 |
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Album Review
Stone Temple Pilots had hits with Core, but they got no respect. They suffered a barrage of savage criticism and it must have hurt, since their second effort seems a conscious effort to distinguish themselves as a band not indebted to grunge. That didn't get them anywhere, as they were attacked as viciously as before, but Purple is nevertheless a quantum leap over their debut, showcasing a band hitting its stride. They still aren't much for consistency, and there's more than a fair share of filler over this album's "12 Gracious Melodies." Still, this filler isn't cut-rate grunge, as it was on the debut; it has its own character, heavily melodic and slightly psychedelic. That's a fair assessment of the hits, as well, but there's a difference there -- namely, expert song and studiocraft. Yes, they were considerably more mainstream than their peers, but time has proven that that's their primary charm, since they were unafraid to temper their grunge with big arena hooks and swirling melodies. It works particularly well on the tight, concise "Vasoline" and the acoustic-based "Pretty Penny," but it really shines on the record's two masterpieces, "Big Empty" and "Interstate Love Song." "Big Empty" is ominous and foreboding, yet remains anthemic, a perfect encapsulation of mainstream alienation that is surpassed only by "Interstate Love Song," a concise epic as alluring as the open highway. These two songs are so good (really, mainstream hard rock didn't get better than these two cuts) that the unevenness of the rest of the record is all the more frustrating, but the filler here is better than before -- and those singles are proof positive that STP was the best straight-ahead rock singles outfit of their time. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Brendan O'Brien | Engineer, Producer, Mixing | | Caram Costanzo | Assistant Engineer | | Clay Harper | Assistant Engineer | | Dale Sizer | Illustrations | | Dean DeLeo | Guitar (Electric), Guitar (Acoustic), Percussion, Drums | | Eric Kretz | Drums, Percussion | | John Heiden | Design | | Nick DiDia | Engineer | | Paul Leary | Mellotron, Percussion, Guitar | | Robert DeLeo | Guitar, Percussion, Bass | | Scott Weiland | Percussion, Vocals, Guitar | | Stone Temple Pilots | Design |
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