Album Details
Title: Mavericks [1990] Artist: The Mavericks Release Date: 9/23/2003 Re-Released On: 8/19/2003 Label: Hip-O Records, MCA Records, Cross Three Duration: 45:54 UPCs: 076744011329, 753568940324, 0076744011329, 076744011343, 766487930222 Genre: Country Styles: Progressive Country, Country-Rock, Latin Pop, Contemporary Country, New Traditionalist, Neo-Traditionalist Country, Americana, Son, Cuban Pop, Cuban Traditions Moods: Witty, Earnest, Literate, Organic, Sophisticated, Amiable/Good-Natured, Bittersweet, Freewheeling, Fun, Melancholy, Playful, Poignant, Rollicking, Rousing, Yearning Total Copies: 0 Members Wishing: 2 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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You'll Never Know
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End of the Line (Jim Baker)
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This Broken Heart
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Mr. Jones
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Tomorrow Never Comes
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The Lonely Waltz
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Watch over Me
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A Better Way
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Another Lonely Life [Paul's Song]
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I Don't Care If You Love Me Anymore
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Keep Moving On
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I'll Give You Back (When You Belong to Me)
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Stength to Say Goodbye
Additional Releases
| Year | Type | Label | Catalog # | | 2003 | CD | MCA Records | 7674401132 | | 1998 | CD | Hip-O Records | 40113 | | 1994 | CD | Cross Three | 9403 |
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Album Review
The Mavericks' debut album was a pale shadow of the music they'd be putting on plastic a few years later, but it's strong enough to make clear this was a significantly more interesting band than one would expect to hear on the country charts in 1990. Vocalist (and principle songwriter) Raul Malo was still learning how to control his spacious, Orbison-esque tenor, but anyone with ears could tell the man already had a great voice, and if the group would become more adventurous with time, this material sounds tight, enthusiastic, and pretty ambitious for a band aiming toward the mainstream recording market (and cutting the sessions on their own dime). It's significant that four of the best songs from this album would be re-recorded for The Mavericks' major-label debut in 1992, and that by that time guitarist Ben Peeler (whose style is solid but more than a bit rote) would be out of the picture, but The Mavericks is hardly an embarrassing place for a band this good to start their recording career; it's a stylish and enthusiastic album from a band who would get much better with time. ~ Mark Deming, All Music Guide
Credits
| Name | Credits | | Ben Peeler | Guitar (Steel), Guitar (Acoustic), Lap Steel Guitar, Dobro, Guitar (Electric), Mixing, Banjo, Mandolin | | Bill Ashton | Assistant | | Debbie Spring | Fiddle | | Dennis Hetzendorfer | Accordion | | Fro Sosa | Vocals (Background) | | Froilan Sossa | Vocals (Background) | | Gail Ghezzi | Art Direction | | Homer Willis | Harmonica | | Louis Angel | Assistant Engineer | | Paul Deakin | Drums | | Raul Malo | Producer, Guitar (Acoustic), Guitar (Bass), Vocals, Mixing, Piano, Guitar (Electric) | | Rick Reed | Engineer, Mixing | | Robert Reynolds | Screams, Guitar (Bass), Vocals (Background), Sound Effects | | Steve Newton | Bass | | The Mavericks | Arranger, Producer |
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