Album Details
Title: Hints Allegations and Things Left Unsaid [Atlantic] Artist: Collective Soul Release Date: 3/22/1994 Label: Atlantic Duration: 45:20 Album Type(s): lyrics/libretto UPCs: 075678259623, 043617711822 Genre: Rock Styles: Rock & Roll, Hard Rock, Alternative Pop/Rock, Post-Grunge, Alternative/Indie Rock Moods: Angst-Ridden, Brooding, Distraught, Melancholy, Plaintive, Aggressive, Bittersweet, Cathartic, Earnest, Intimate, Poignant, Reflective, Theatrical Total Copies: 109 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Shine
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Goodnight, Good Guy
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Wasting Time
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Sister Don't Cry
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Love Lifted Me
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In a Moment
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Heaven's Already Here
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Pretty Donna [Instrumental]
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Reach
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Breathe
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Scream
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Burning Bridges
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All
Additional Releases
| Year | Type | Label | Catalog # | | 1994 | CD | Atlantic | 82596 | | ------ | CD | Atlantic | 82596 |
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Other Editions
- No other editions were found for this album.
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Album Review
Collective Soul never claimed it was an alt-rock band, but it arrived with the debut Hints Allegations and Things Left Unsaid when anything with guitars was marketed as anti-establishment, underground rock. In retrospect, it's sort of hard to see how this record, with its loving debts to Southern rock and AOR anthems, ever shared airplay on modern rock radio stations and 120 Minutes, but that's just the way things were in the heady days of 1994. Ironically, Collective Soul succeeded where cult heroes Urge Overkill couldn't -- making late-'70s arena rock popular. Urge, of course, was a band of hardcore ironists, where the members of Collective Soul were dogged traditionalists, which sells better with a mainstream audience, and that's part of the reason why this debut was a hit. The other reason is that the band hits the riff jackpot a couple of times here: "Wasting Time" and "Love Lifted Me" are strong classicist rock, but "Shine" is a tremendous guilty pleasure, built on a guitar riff so indelible you swear it's stolen, blessed by a sighing melody that makes this a fine album-rock single that would have sounded as good in '74 as it did in '94. This is the song that signaled that the group had the skills and smarts to be a first-rate singles band, even if the rest of the record vacillates between pleasant and forgettable filler. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Bill Richardson | Executive Producer | | Brian Howell | Bass | | Daniel Laufer | Cello | | David Braitberg | Violin | | Dean Roland | Guitar | | Ed Roland | Vocals, Guitar, Mixing, Producer, Engineer | | Jun-Ching Lin | Violin | | Matt Serletic | Engineer, Producer, Mixing, Mastering, Trombone, Keyboards, String Arrangements | | Matthew Serletic | Engineer | | Paul Murphy | Viola | | Ross Childress | Guitar | | Shane Evans | Drums | | Will Turpin | Bass |
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