Album Details
Title: Hello Stranger: The Best of Barbara Lewis Artist: Barbara Lewis Release Date: 7/19/1994 Re-Released On: 7/12/2005 Label: Rhino Records, WEA International Duration: 50:29 Album Type(s): Greatest Hits UPCs: 081227161927, 081227161972 Genre: Rhythm & Blues Styles: Soul, Early R&B, Early Pop/Rock, Pop-Soul, Uptown Soul Moods: Passionate, Bright, Carefree, Fun, Gutsy, Sophisticated, Tender, Dramatic, Gritty, Intimate, Playful, Refined/Mannered, Reflective, Stylish, Sweet, Warm Total Copies: 0 Members Wishing: 5 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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My Heart Went Do Dat Da
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My Mama Told Me
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Puppy Love
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Hello Stranger
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Think a Little Sugar
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Straighten Up Your Heart
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Snap Your Fingers
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How Can I Say Goodbye
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Spend a Little Time
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Someday We're Gonna Love Again
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Pushin' a Good Thing Too Far
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Baby, I'm Yours
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Make Me Your Baby
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Don't Forget About Me
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Make Me Belong to You
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Baby What Do You Want Me to Do
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I Remember the Feeling
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I'll Make Him Love Me
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Thankful for What I Got
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Sho-Nuff (It's Got to Be Your Love)
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | WEA International | 271619 | | 1994 | CD | Rhino Records | 71619 |
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Album Review
Some soul singers run hot, some run cool. Barbara Lewis ran cool, and thrillingly so. She was classy and sophisticated, even in the early to mid-'60s, a time where smooth pop-soul was the standard. Her voice was as soft as silk, and Atlantic gave her productions to match, resulting in an alluring body of work that still sounds seductive, yet comforting, years after their relief. During the mid-'60s, she hit the r&b charts steadily, crossing over to the pop charts with the number three "Hello Stranger," plus the Top 15 "Baby, I'm Yours," and "Make Me Your Baby." Those three, along with the bulk of her r&b hits, are all on Rhino's excellent compilation, Hello Stranger: The Best of Barbara Lewis. Since her work was so consistently good, there are inevitably some fan favorites missing, but everything here is excellent, representing her at her very best -- and that means it's among the very best pop-soul of its time (or ever, for that matter). ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Al Duncan | Drums | | Al Gorgoni | Guitar | | Alvin Rogers | Percussion | | Andrew "Mike" Terry | Conductor, Arranger | | Arif Mardin | Arranger, String Arrangements, Conductor | | Arthur Kaplan | Bass | | Artie Butler | Conductor, Arranger | | Barbara Lewis | Vocals | | Benny Powell | Trombone | | Bernard "Pretty" Purdie | Drums | | Bert Berns | Director, Producer, Direction | | Bill Lacey | Digital Remastering, Audio Restoration | | Bill Suyker | Guitar | | Bob Bateman | Conductor, Arranger, Producer | | Bob Bushnell | Bass (Electric) | | Bob Gallo | Conductor, Arranger, Producer | | Buddy Lucas | Sax (Tenor) | | Carl Lynch | Guitar | | Charles "Honeyman" Otis | Drums, Percussion | | Charles Macey | Guitar | | Charlie Brown | Sax (Tenor) | | Chuck Barksdale | Bass (Vocal) | | Chuck Rainey | Bass (Electric) | | Clark Terry | Trumpet | | Dave Booth | Research | | Dave Burns | Trumpet | | David Nathan | Sequencing, Repertoire, Liner Notes | | Dick Romoff | Bass (Electric) | | Dickie Harris | Trombone | | Dicky Harris | Trombone | | Dud Bascomb | Trumpet | | Earl Backus | Guitar | | Ernie Hayes | Piano | | Floyd Morris | Organ | | Fred Klein | ? | | Gary Chester | Drums | | Geoff Gans | Artwork, Art Direction | | George Butcher | Piano | | Harold "Money" Johnson | Trumpet | | Haywood Henry | Bass | | Jack Jennings | Percussion | | James Mack | Flute | | James Oliver | Drums, Percussion | | Jimmy Cleveland | Trombone | | Jimmy Johnson | Percussion | | Jimmy Lewis | Bass (Electric) | | Jimmy Nottingham | Trumpet | | Joe Newman | Trumpet | | Joe Newman Quartet | Trumpet | | Joe Tekula | ? | | Johnny Carter | Vocals | | Johnny Messner | Trombone | | Johnny Young | Piano | | Leroy Glover | Arranger, Piano | | Lou Courtney | Arranger, Producer, Conductor | | Louis Mauro | ? | | Marvin Junior | Tenor (Vocal) | | Mel Davis | Trumpet | | Melvin Davis | Trumpet | | Michael Mazzarella | Research | | Mickey McGill | Baritone (Vocal) | | Money Johnson | Trumpet | | Ollie McLaughlin | Producer | | Palmer Williams | Compilation Producer, Sequencing, Repertoire | | Pat Brown | Piano | | Patrick Browne | Piano | | Paul Williams | Sequencing, Repertoire Selection, Compilation Producer | | Paul Griffin | Piano | | Paul Winter | Saxophone | | Paul Winter Consort | Saxophone | | Phil Bodner | Flute | | Quentin Jackson | Trombone | | Rachel Gutek | Design | | Rail Wilson | Bass | | Reggie Boyd | Guitar | | Riley Hampton | Conductor, Arranger | | Sonny Russo | Trombone | | Tasha Thomas | Vocals (Background), Vocals | | Teacho Wiltshire | Conductor, String Conductor, String Arrangements, Arranger | | Ted Myers | Project Assistant | | Todd Sommer | Percussion | | Tony Studd | Trombone (Bass) | | Trade Martin | Guitar | | Vern Allison | Tenor (Vocal) | | Vince Bell | Guitar | | Warren Kime | Vocals (Background), Vocals | | Warren Smith | Percussion, Drums | | Zal Schreiber | Digital Transfers |
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