Album Details
Title: What a Crying Shame Artist: The Mavericks Release Date: 1994 Label: MCA Duration: 39:44 UPCs: 008811096120, 0008811096120, 008811935320 Genre: Country Styles: Country-Rock, Contemporary Country, New Traditionalist, Neo-Traditionalist Country, Americana Moods: Witty, Earnest, Literate, Organic, Sophisticated, Amiable/Good-Natured, Bittersweet, Freewheeling, Fun, Melancholy, Playful, Poignant, Rollicking, Rousing, Yearning Total Copies: 43 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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There Goes My Heart
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What a Crying Shame
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Pretend
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I Should Have Been True
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The Things You Said to Me
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Just a Memory
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All That Heaven Will Allow
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Neon Blue
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O What a Thrill
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Ain't Found Nobody
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The Losing Side of Me
Additional Releases
| Year | Type | Label | Catalog # | | 1997 | CD | MCA | 19353 | | 1994 | CD | MCA | MCAD-10961 |
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Other Editions
- No other editions were found for this album.
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Album Review
The Mavericks fully hit their stride with their third album, 1994's What a Crying Shame, in which the band's blend of rootsy country and vintage pop sounds finally found the balance they'd been searching for. While producer Don Cook gave the band a significantly glossier sound than that of their first two albums, with a hefty number of guest musicians (and guest songwriters) on board, remarkably enough The Mavericks' personality wasn't subsumed in the process; if anything, the high-priced help seemed to have prodded the boys into playing at the top of their game. Raul Malo's keening tenor gets a superb workout on "I Should Have Been True" and the title cut (the latter of which boasts a guitar hook Roger McGuinn would have been proud to come up with), while "Pretend" and "There Goes My Heart" are honky tonk floor-fillers of the first order. Robert Reynolds and Paul Deakin are a rhythm section who can give these songs the nervy drive of a rock band without betraying The Mavericks' country leanings, and they give the covers of "All That Heaven Will Allow" and "O What a Thrill" a taut foundation most contemporary Nashville acts lack. Truth to tell, What a Crying Shame doesn't have a single dud track, and offers encouraging proof that it's still possible to make an engaging and idiosyncratic country album while signed to the Nashville division of a major label...and the best news is, the band managed to turn that accomplishment into a hat trick over the next few years. ~ Mark Deming, All Music Guide
Credits
| Name | Credits | | Alan Umstead | Violin | | Brent Mason | Guitar (Electric) | | Bruce Bouton | Guitar (Steel) | | Buddy Jackson | Art Direction | | Carl Gorodetzky | Violin | | Connie Ellisor | Violin | | Dennis Burnside | Conductor, String Arrangements | | Dennis Wilson | Vocals (Background) | | Don Cook | Producer | | Gary VanOsdale | Viola | | Glenn Worf | Bass (Upright), Bass | | James House | Vocals (Background) | | Jim Herrington | Photography | | John Barlow Jarvis | Piano, Organ (Hammond) | | John Jarvis | Organ, Piano | | John Wesley Ryles | Vocals (Background) | | Joy White | Vocals (Background) | | Kris Wilkinson | Viola | | Lee Larrison | Violin | | Mark Casstevens | Guitar, Guitar (Acoustic) | | Mike Bradley | Engineer, Mixing | | Nick Kane | Main Performer, Guitar | | Paul Deakin | Drums, Main Performer | | Raul Malo | Guitar (Rhythm), Main Performer, Guitar, Vocals | | Rob Hajacos | Fiddle | | Robert Reynolds | Main Performer, Bass (Electric) | | Stan Lynch | Claves, Cabassa, Tambourine, Tympani [Timpani], Conga | | Ted Madsen | Violin | | The Mavericks | Main Performer | | Trisha Yearwood | Vocals (Background) |
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