Album Details
Title: Greatest Hits Artist: James Taylor Release Date: 11/1976 Re-Released On: 3/8/1988 Label: Warner Bros., WEA, WEA/Warner Duration: 42:31 Album Type(s): Greatest Hits UPCs: 075992733625, 081227809423, 4943674068104, 075992733618, 4943674061228 Genre: Rock Styles: Adult Contemporary, Soft Rock, Folk-Rock, Pop/Rock Moods: Calm/Peaceful, Poignant, Relaxed, Soothing, Warm, Wistful, Amiable/Good-Natured, Gentle, Laid-Back/Mellow, Literate, Refined/Mannered, Earnest, Intimate, Reflective, Sentimental, Carefree Total Copies: 106 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Something in the Way She Moves
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Carolina in My Mind
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Fire and Rain
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Sweet Baby James
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Country Road
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You've Got a Friend
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Don't Let Me Be Lonely Tonight
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Walking Man
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How Sweet It Is (To Be Loved by You)
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Mexico
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Shower the People
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Steamroller
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | WEA | 12514 | | 2004 | CD | Warner Bros. | 78094 | | 2002 | CD | WEA/Warner | 612 | | 1988 | CD | Warner Bros. | 2-3113 |
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Other Editions
- No other editions were found for this album.
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Album Review
James Taylor had scored eight Top 40 hits by the fall of 1976 when Warner Brothers marked the end of his contract with this compilation. One of those hits, the Top Ten gold single "Mockingbird," a duet with his wife Carly Simon, was on Elektra Records, part of the Warner family of labels and presumably available, but it was left off. "Long Ago and Far Away," a lesser hit (though it made the Top Ten on the easy listening charts), wasn't used either. In addition to the six hits -- "Fire and Rain," "Country Road," "You've Got a Friend," "Don't Let Me Be Lonely Tonight," "How Sweet It Is (To Be Loved by You)," and "Shower the People" -- that were included, the album featured a couple of less successful singles, "Mexico" and "Walking Man," the album track "Sweet Baby James," and three previously unreleased recordings -- a live version of "Steamroller" and newly recorded versions of "Something in the Way She Moves" and "Carolina in My Mind," songs featured on Taylor's 1968 debut album, recorded for Apple/Capitol. The result was a reasonable collection for an artist who wasn't particularly well-defined by his singles. One got little sense of Taylor's evolution from the dour, confessional songs of his first two albums to the more conventional pop songs of his sixth and seventh ones. But one did hear isolated examples of Taylor's undeniable warmth and facility for folk/ country-tinged pop. By the next summer, Taylor was back in the Top Ten on Columbia, and Greatest Hits was out of date. But it remains a good sampler of Taylor's more popular early work. ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Andrew Gold | Vocals (Background), Harmonium | | Andy Muson | Bass | | Bernie Grundman | Mastering | | Bill Lazerus | Engineer | | Blaise Castellano | Assistant, Assistant Engineer | | Bob West | Double Bass | | Byron Berline | Fiddle | | Carl King | Piano | | Carly Simon | Vocals, Gut String Guitar, Harmony Vocals | | Carole King | Piano | | Clarence McDonald | Hornorgan, Fender Rhodes, Piano | | Craig Doerge | Piano | | Dan Dugmore | Guitar (Steel), Pedal Steel | | Danny Kortchmar | Guitar (Electric), Conga, Guitar (Acoustic) | | David Crosby | Harmony Vocals, Gut String Guitar | | David Henson | Assistant, Assistant Engineer | | David Sanborn | Saxophone | | David Spinozza | Guitar (Acoustic), Producer, Guitar (Electric), Guitar (Electroacoustic) | | Gayle Levant | Harp | | Gene Orloff | Strings, Concert Master | | Graham Nash | Harmony Vocals, Gut String Guitar | | Harry Maslin | Engineer | | Herb Pedersen | Vocals (Background) | | James Taylor | Harmony Vocals, Guitar (Acoustic), Main Performer, Guitar (Electric), Vocals (Background), Gut String Guitar, Guitar, Vocals | | Jim Keltner | Drums | | John London | Bass | | Joni Mitchell | Vocals (Background) | | Kenny Ascher | Piano (Electric) | | Kosh | Art Direction, Cover Design, Design | | Lee Herschberg | Engineer | | Lee Sklar | Bass | | Leland Sklar | Bass | | Lenny Waronker | Producer | | Michael Brecker | Sax (Tenor) | | Milt Holland | Percussion | | Nick DeCaro | Vox Organ, Voice Organ, ?, Hornorgan | | Norman Seeff | Photography | | Peter Asher | Producer | | Phil Ramone | Engineer | | Ralph MacDonald | Percussion | | Randy Meisner | Bass | | Red Rhodes | Guitar (Steel) | | Richard Sanford Orshoff | Engineer | | Rick Marotta | Drums | | Robert Appere | Mixing | | Russ Kunkel | Cabasa, Conga, Tambourine, Shaker, Percussion, Drums, Cabassa | | Russ Titelman | Producer | | Ted Rhodes | Pedal Steel | | Val Garay | Mixing, Engineer | | Victor Feldman | Bells, Orchestra Bells, Vocals (Background), Vibraphone |
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