Album Details
Title: Paid Vacation Artist: Richard Marx Release Date: 2/8/1994 Re-Released On: 2/7/1994 Label: Capitol Records Duration: 81:30 UPCs: 020831474924, 077778123224, 0077778972952, 077778123248, 077778972921 Genre: Rock Styles: Adult Contemporary, Contemporary Pop/Rock Moods: Amiable/Good-Natured, Light, Poignant, Smooth, Yearning, Earnest, Reflective, Rousing, Sentimental, Sweet, Theatrical, Wistful Total Copies: 60 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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The Way She Loves Me
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One More Try
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Silent Scream
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Nothing to Hide
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Soul Motion
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Now and Forever
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Goodbye Hollywood
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Heaven's Waiting
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Nothing Left Behind Us
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What You Want
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One Man
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Baby Blues
Additional Releases
| Year | Type | Label | Catalog # | | 1994 | CD | Capitol Records | 2208 | | ------ | CD | Capitol Records | 81232 |
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Album Review
With 1993's Paid Vacation, Richard Marx's career was steered from more rock-leaning territory to the softer and friendlier landscape of adult contemporary, and the resulting album was much warmer and organic than his previous releases, most notably 1991's dark and brooding Rush Street. Paid Vacation's lead single, the acoustic ballad "Now and Forever," became a massive pop and adult contemporary hit in a time when popular music had changed from the corporate rock of the '80s to the angst-ridden grunge and rap of the '90s. Paid Vacation also produced a Top 20 hit with the light-hearted soul nugget "The Way She Loves Me," which also proved to be Marx's last American Top 40 hit of the decade. Other highlights include the melodic, mid-tempo hit "Nothing Left Behind Us" (which was unfortunately left off his Greatest Hits album), as well as the soaring up-tempo track "Nothing to Hide" and two more of Marx's trademark cautionary tales about the pitfalls of Hollywood and fame, "Silent Scream" and "Goodbye Hollywood." Not all the album resides in softer territory, however. "What You Want" and "Heaven's Waiting" are two upbeat, neo- rockabilly offerings which stand out among the other cuts. All in all, Paid Vacation is an engaging set which signaled a big change in musical direction for Richard Marx, one of the late '80s and early '90s most consistent hitmakers. ~ Jose F. Promis, All Music Guide
Credits
| Name | Credits | | Alan Silfen | Photography | | Bill Champlin | Organ, Vocals (Background) | | Bill Drescher | Engineer, Mixing | | Bill Payne | Piano, Organ, Keyboards | | Brian Jackson | Design | | Bruce Gaitsch | Engineer, Guitar, Arranger, Guitar (Acoustic), Mandolin | | Charlie Bisharat | Strings | | Cheryl Lynn | Vocals (Background) | | Chris Trujillo | Percussion | | Dave Innis | Organ | | Farhad Behroozi | Strings | | Fee Waybill | Producer | | Felix Krish | Guitar | | Gail Cruz | Strings | | Greg Phillinganes | Keyboards | | Henry Corbett | Strings | | Israel Baker | Strings | | James Getzoff | Strings | | Jerry Goodman | Strings | | Joe Porcaro | Drums | | Jonathan Moffett | Drums | | Juke Logan | Harmonica | | Larry Vigon | Design, Art Direction | | Lee Thornburg | Horn | | Leland Sklar | Arranger, Bass | | Lionel Richie | Vocals (Background) | | Luis Conte | Percussion | | Luther Vandross | Vocals (Background) | | Marilyn Martin | Vocals (Background) | | Max Carl | Vocals (Background) | | Mike Shipley | Mixing | | Nathan East | Bass | | Nels Israelson | Photography | | Paul Warren | Guitar | | Pavel Farkas | Strings | | Randy Jackson | Bass | | Richard Marx | Keyboards, Vocals (Background), Piano, Engineer, Horn, Vocals, Guitar (Acoustic), Producer, Arranger | | Rob Jacobs | Engineer | | Ross Garfield | Snaps | | Russ Kunkel | Drums | | Sid Page | Strings | | Steve Grove | Horn | | Susanne Edgren | Production Coordination | | Terry Thomas | Vocals (Background), Engineer, Arranger, Producer, Guitar | | Timothy B. Schmit | Vocals (Background) | | Tony Beard | Drums | | Vince Gill | Vocals (Background) | | Wally Traugott | Mastering |
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