Album Details
Title: Naked Artist: Talking Heads Release Date: 3/1988 Re-Released On: 8/31/1993 Label: Fly Records, EMI Music Distribution Duration: 52:17 Album Type(s): lyrics/libretto UPCs: 075992565424, 0077779015658, 075992565448, 077779015627, 5099930869721 Genre: Rock Styles: Contemporary Pop/Rock, Post-Punk, Alternative/Indie Rock, Album Rock, College Rock, Dance-Rock Moods: Detached, Freewheeling, Literate, Quirky, Brittle, Cynical/Sarcastic, Nocturnal, Party/Celebratory, Tense/Anxious, Whimsical, Wry, Bright, Cerebral, Cheerful, Fun, Lively, Ominous, Playful, Refined/Mannered, Rousing, Urgent, Angst-Ridden, Eccentric, Energetic, Ironic, Light, Paranoid, Searching, Witty, Atmospheric, Intense Total Copies: 12 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Blind
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Mr. Jones
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Totally Nude
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Ruby Dear
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(Nothing But) Flowers
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The Democratic Circus
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The Facts of Life
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Mommy Daddy You and I
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Big Daddy
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Bill
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Cool Water
Additional Releases
| Year | Type | Label | Catalog # | | 1993 | CD | EMI Music Distribution | 3300 | | 1988 | CD | EMI Music Distribution | 3086972 | | 1987 | CD | Fly Records | 2-25654 |
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Album Review
Talking Heads' last proper studio album before their protracted breakup finds them returning to the dynamic that produced their best work, with inspired results. As swan songs go, Naked proves to be a pretty good one: Alternately serious and playful, it once again allows frontman David Byrne to worry about the government, the environment, and the plight of the working man as it frees up the rest of the band to trade instruments and work with guest musicians. It's closest in spirit to Remain in Light -- arguably too close: The first side is a collection of funky, syncopated, almost danceable tunes; the second, a murky, darkly philosophical rumination on identity and human nature. The major difference is a latin influence replacing Light's African rhythm experimentation, most evident on the album openers "Blind" and "Mr. Jones," as well as in drummer Chris Frantz's decision to use brushes and softer percussion instruments (as opposed the big beat sound he offered up on Little Creatures and True Stories). With the venerable Steve Lillywhite behind the boards and such luminaries as Johnny Marr, Kirsty MacColl, and Yves N'Djock punctuating the credits, the album sounds technically perfect, but there's little of the loose, live feel the band achieved with former mentor Brian Eno. It's quite a feat to pull of a late-career album as ambitious as Naked, and the Heads do so with style and vitality. But no matter how much the liner notes may boast of free-form invention and boundless creativity, the album's elegiac, airtight tone betrays the sound of four musicians growing tired of the limits they've imposed on one another. ~ Michael Hastings, All Music Guide
Credits
| Name | Credits | | Abdou M'Boup | Bells, Conga, Drums | | Al Acosta | Sax (Tenor) | | Angel Fernandez | Trumpet | | Bobby Porcelli | Sax (Alto) | | Brice Wassy | Percussion, Maracas | | Charlie Sepulveda | Trumpet | | Chris Frantz | Drums | | Dale Turk | Trombone | | David Byrne | Guitar, Artwork, Vocals (Background), Vocals, Keyboards | | Don Brooks | Harmonica | | Earl Gardner | Trumpet | | James Fearnley | Accordion | | Jerry Harrison | Piano, Organ (Hammond), Keyboards, Marimba | | Johnny Marr | Guitar | | José Jerez | Trumpet | | Laurie Frink | Trumpet | | Lenny Pickett | Sax (Tenor) | | M&Co. | Cover Design | | Manolo Badrena | Percussion, Conga, Bells | | Mitch Frohman | Sax (Alto) | | Mory Kanté | Kora | | Moussa Cissokho | Percussion | | Nino Gioia | Percussion | | Paula Wright | Artwork | | Philippe Servain | Accordion | | Richard Manwaring | Engineer | | Robin Eubanks | Trombone | | Stan Harrison | Sax (Alto) | | Steve Elfon | Sax (Baritone) | | Steve Gluzband | Trumpet | | Steve Lillywhite | Producer | | Steve Sachs | Sax (Baritone) | | Talking Heads | Producer | | Tina Weymouth | Flute, Guitar (Bass), Keyboards | | Wally Badarou | Keyboards | | Yves N'Djock | Guitar |
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