Album Details
Title: Stop Making Sense Artist: Talking Heads Release Date: 1984 Re-Released On: 8/31/1993 Label: Warner Bros. Records, FAME, Toshiba EMI Duration: 44:51 Album Type(s): live UPCs: 4988006848900, 0724352245352, 075992512145, 075992518628, 075992518642, 077774606424 Genre: Rock Styles: Punk, New Wave, Contemporary Pop/Rock, Post-Punk, Punk-Pop, Alternative/Indie Rock, Punk/New Wave, Album Rock, New York Punk, American Punk, College Rock, Dance-Rock Moods: Detached, Freewheeling, Literate, Quirky, Brittle, Cynical/Sarcastic, Nocturnal, Party/Celebratory, Tense/Anxious, Whimsical, Wry, Bright, Cerebral, Cheerful, Fun, Lively, Ominous, Playful, Refined/Mannered, Rousing, Urgent, Angst-Ridden, Eccentric, Energetic, Ironic, Light, Paranoid, Searching, Witty, Atmospheric, Intense Total Copies: 12 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Psycho Killer [Live]
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Swamp
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Slippery People
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Burning Down the House
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Girlfriend Is Better
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Once in a Lifetime
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What a Day That Was
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Life During Wartime
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Take Me to the River
Additional Releases
| Year | Type | Label | Catalog # | | 1993 | CD | FAME | 3302 | | 1984 | CD | Warner Bros. Records | 25186 | | ------ | CD | Toshiba EMI | 53887 |
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Album Review
While there's no debating the importance of Jonathan Demme's classic film record of Talking Heads' 1983 tour, the soundtrack released in support of it is a thornier matter. Since its release, purists have found Stop Making Sense slickly mixed and, worse yet, incomprehensive. The nine tracks included jumble and truncate the natural progression of frontman David Byrne's meticulously arranged stage show. Cries for a double-album treatment -- à la 1982's live opus The Name of This Band Is Talking Heads -- were sounded almost immediately; more enterprising fans merely dubbed the VHS release of the film onto cassette tape. So, until a 1999 "special edition" cured the 1984 release's ills, fans had to make do with the Stop Making Sense they were given -- which is, by any account, an exemplary snapshot of a band at the height of its powers. Even with some of his more memorable tics edited out, Byrne is in fine voice here: Never before had he sounded warmer or more approachable, as evidenced by his soaring rendition of "Once in a Lifetime." Though almost half the album focuses on Speaking in Tongues material, the band makes room for one of Byrne's Catherine Wheel tunes (the hard-driving, elliptical "What a Day That Was") as well as up-tempo versions of "Pyscho Killer" and "Take Me to the River." If anything, Stop Making Sense's emphasis on keyboards and rhythm is its greatest asset as well as its biggest failing: Knob-tweakers Chris Frantz and Jerry Harrison play up their parts at the expense of the treblier aspects of the performance, and fans would have to wait almost 15 years for reparations. Still, for a generation that may have missed the band's seminal '70s work, Stop Making Sense proves to be an excellent primer. ~ Michael Hastings, All Music Guide
Credits
| Name | Credits | | Adelle Lutz | Photography, Cover Photo | | Alan Chinowsky | Engineer | | Alex Weir | Guitar, Vocals | | Allen Chinowsky | Engineer | | Bernie Worrell | Vocals, Keyboards | | Bob Ludwig | Mastering | | Brian K. Lee | Mastering | | Chris Frantz | Vocals, Mixing, Drums | | Dave Friedman | Photography | | David Byrne | Writer, Concept, Lighting Design, Re-Recording Supervisor, Guitar, Package Design, Liner Notes, Design, Vocals | | Edna Holt | Vocals (Background) | | Ednah Holt | Vocals (Background), Vocals | | Eric "ET" Thorngren | Mixing, Engineer | | Gary Goetzman | Re-Recording Supervisor, Producer | | Gary Kurfirst | Executive Producer | | Glenn Rosenstein | Mixing Assistant, Assistant Engineer | | Hugh Brown | Photography | | Jack Skinner | Original Mastering, Mastering | | Jeffrey Kent Ayeroff | Writer, Design, Liner Notes, Package Design | | Jerry Harrison | Guitar, Mixing, Re-Recording Supervisor, Keyboards, Vocals | | Joel Moss | Engineer | | Jonathan Demme | Re-Recording Supervisor, Director | | Linda Randazzo | Mixing Assistant, Assistant Engineer | | Lisa Day | Editing | | Lynn Mabry | Vocals, Vocals (Background) | | Mark Wolfson | Engineer | | Michael Hodgson | Liner Notes, Package Design, Design | | Nick Delre | Mixing Assistant, Assistant Engineer | | Pablo Ferro | Title | | Robert Thomas, Jr. | Camera Operator | | Robin Laine | Mixing Assistant, Assistant Engineer | | Sandy McLeod | Visual Consultant | | Steve Scales | Percussion | | Talking Heads | Producer | | Ted Jensen | Mastering, Original Mastering | | Tina Weymouth | Bass, Vocals |
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