Album Details
Title: Under the Pink Artist: Tori Amos Release Date: 12/7/1994 Label: Atlantic, Wea International Duration: 56:40 Album Type(s): lyrics/libretto UPCs: 075678256721, 075678256769, 075678256714 Genre: Rock Styles: Alternative Pop/Rock, Adult Alternative Pop/Rock Moods: Cathartic, Intense, Cerebral, Complex, Literate, Passionate, Playful, Provocative, Theatrical, Bittersweet, Brooding, Confrontational, Nocturnal, Poignant, Rebellious, Stylish, Earnest, Earthy, Ethereal, Quirky, Sensual, Soothing, Sophisticated, Wintry, Angst-Ridden, Autumnal, Melancholy, Wistful, Confident, Eerie, Intimate, Reflective Total Copies: 67 Number of Discs/SwapaCD Credits: 1 |
Track Listings
-
Pretty Good Year
-
God
-
Bells for Her
-
Past the Mission
-
Baker Baker
-
The Wrong Band
-
The Waitress
-
Cornflake Girl
-
Icicle
-
Cloud on My Tongue
-
Space Dog
-
Yes, Anastasia
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | Atlantic | | | 2002 | CD | Wea International | 93027 | | 1994 | CD | Atlantic | 82567 |
|
|
Review
After sharing personal and emotional accounts on her stunning debut, Little Earthquakes, Tori Amos stirs those sensations up for an eclectic yet beautiful account of female security on Under the Pink. Being a woman, she's always in question of her actions, calling out and interrogating the opposite sex for her own pleasure. But it's not necessarily with a scolding tone. She's playful with her signature piano accompaniment, but allows for a twisted mess of guitars, violins, and bass loops, which are quite enigmatic like Kate Bush as well. "Baker Baker" and "Bells for Her" are aching with ballad-esque beauty, but the seething "The Waitress" sparks Amos' inner devil. She's quaint at first, but rages into a scalding vocal queen. It makes her even more a pioneer for female originality and independence. Singles such as "God" and "Cornflake Girl" are sultry and provocative, depicting that she's everything but shy. Under the Pink is typically melodic, but it contains a heavy desire. Amos is still breaking into something more definitive as both a woman and a singer/songwriter. The lyrical imagery is much more wide open, something that will become Amos' ever-changing swan song. ~ MacKenzie Wilson, All Music Guide
Credits
| Name | Credits | | Alan Reinl | Design | | Avril McIntosh | Mixing Assistant | | Bob Ludwig | Mastering | | Carlo Nuccio | Drums | | Chris Reutinger | Violin | | Cindy Palmano | Art Direction, Photography | | Cynthia Morrow | Viola | | Dane Little | Cello | | Eric Rosse | Engineer, Producer | | Ezra Killinger | Violin | | Francine Walsh | Violin | | George Porter, Jr. | Bass | | Jimbo Ross | Viola | | John Acevedo | Viola | | John Beverly Jones | Engineer | | John Fundi | Assistant Engineer | | John Philip Shenale | Strings, Organ (Hammond) | | John Wittenberg | Violin | | Julie Larson | Production Coordination | | Kevin Killen | Mixing | | Melissa "Missy" Hasin | Cello | | Michael Allen Harrison | Violin | | Nancy Roth | Violin | | Nancy Stein-Ross | Cello | | Paul McKenna | Engineer, Producer | | Paulinho Da Costa | Percussion | | Robert Mills | Copyist | | Ross Cullum | Mixing | | Shaun DeFeo | Assistant Engineer | | Steve Caton | Guitar | | Tori Amos | Vocals, Main Performer, Piano, Producer | | Trent Reznor | Vocals |
|
|