Album Details
Title: Year of the Cat Artist: Al Stewart Release Date: 1976 Re-Released On: 4/27/2004 Label: Arista, EMI Music Distribution, Rhino Records Duration: 38:34 Album Type(s): lyrics/libretto UPCs: 078221822923, 081227806521, 0724353545659, 077779577323, 078221832649, 081227806569, 643346023717 Genre: Rock Styles: Singer/Songwriter, Psychedelic, Soft Rock, Folk-Rock, Contemporary Pop/Rock, Album Rock, Art Rock Moods: Elegant, Laid-Back/Mellow, Literate, Precious, Soft, Autumnal, Bittersweet, Earnest, Enigmatic, Intimate, Melancholy, Poignant, Soothing, Sophisticated, Whimsical, Wistful, Delicate, Eccentric, Gentle, Organic, Refined/Mannered, Reflective, Theatrical, Ambitious, Amiable/Good-Natured Total Copies: 0 Members Wishing: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Lord Grenville
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On the Border
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Midas Shadow
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Sand in Your Shoes
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If It Doesn't Come Naturally, Leave It
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Flying Sorcery
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Broadway Hotel
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One Stage Before
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Year of the Cat
Additional Releases
| Year | Type | Label | Catalog # | | 2004 | CD | Rhino Records | 78065 | | 1999 | CD | EMI Music Distribution | 3253 | | ------ | CD | Arista | ARCD-8229 |
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Album Review
Al Stewart had found his voice on Past, Present & Future and found his sound on Modern Times. He then perfected it all on 1976's Year of the Cat, arguably his masterpiece. There is no overarching theme here, as there was on its two immediate predecessors, but the impossible lushness of Alan Parsons' production and Stewart's evocative Continental narratives give the record a welcome feeling of cohesion that keeps the record enchanting as it moves from "Lord Grenville" to "Midas Shadow" to "Broadway Hotel," before it ends with the haunting title track. Along the way, Stewart doesn't dwell too deeply in any area, preferring to trace out mysteries with his evocative lyrical imagery and a spinning array of self-consciously sophisticated music, songs that evoke American and European folk and pop with a deliberate grace. This could be unbearably precious if it didn't work so well. Stewart is detached from his music, but only in the sense that he gives this album a stylish elegance, and Parsons is his perfect foil, giving the music a rich, panoramic sweep that mimics Stewart's globe-trotting songs. The result is a tremendous example of how good self-conscious progressive pop can be, given the right producer and songwriter -- and if you're a fan of either prog or pop and haven't given Al Stewart much thought, prepare to be enchanted. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Al Stewart | Vocals, Guitar, Keyboards, Vocals (Background) | | Alan Parsons | Producer | | Andrew Powell | Strings, String Arrangements, Arranger | | Bill Inglot | Remastering | | Bobby Bruce | Violin | | Cheryl Pawelski | Project Assistant | | Chris Bellman | Remastering | | Colin Elgie | Cover Design | | Dan Hersch | Remastering | | David Pack | Vocals (Background), Vocals | | Don Lobster | Keyboards | | Emily Cagan | Project Assistant | | George Ford | Bass | | Ginger Dettman | Project Assistant | | Graham Smith | Harmonica | | Hugh Brown | Art Direction | | John G. Perry | Vocals, Vocals (Background) | | John Perry | Vocals (Background) | | Julee Stover | Project Assistant | | Luke O'Reilly | Direction, ? | | Marion Driscoll | Triangle, Percussion | | Nancy L. Hopkins | Design, Art Direction | | Neville Judd | Photography | | Patrick Milligan | Reissue Coordination | | Peter White | Keyboards, Guitar | | Peter Wood | Keyboards | | Phil Kenzie | Saxophone, Sax (Alto) | | Rob Brimson | Photography | | Steve Chapman | Project Assistant | | Steve Woolard | Project Assistant | | Stuart Elliot | Vocals (Background), Drums, Percussion | | Stuart Elliott | Drums, Percussion, Vocals (Background) | | Thane Tierney | Liner Notes | | Tim Renwick | Guitar | | Tony Rivers | Vocals, Vocals (Background) | | Tony Rivers & The Castaways | Vocals (Background) |
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