Album Details
Title: August and Everything After Artist: Counting Crows Release Date: 9/14/1993 Label: Geffen Duration: 51:42 Album Type(s): live, lyrics/libretto UPCs: 720642452820, 0720642452820, 015775166424, 020642452845 Genre: Rock Styles: Alternative Pop/Rock, Adult Alternative Pop/Rock, American Trad Rock, Alternative/Indie Rock Moods: Autumnal, Literate, Poignant, Somber, Bittersweet, Brooding, Cerebral, Earnest, Melancholy, Passionate, Reflective, Nocturnal, Stylish, Wistful, Yearning, Party/Celebratory, Theatrical, Ambitious Total Copies: 144 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Round Here
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Omaha
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Mr. Jones
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Perfect Blue Buildings
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Anna Begins
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Time and Time Again
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Rain King
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Sullivan Street
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Ghost Train
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Raining in Baltimore
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A Murder of One
Additional Releases
| Year | Type | Label | Catalog # | | ------ | CD | Geffen | DGCD-24528 |
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Album Review
When the prevailing guitar jingle of "Mr. Jones" cascaded over radio in the early '90s, it was a sure sign that the Counting Crows were a musical force to be reckoned with. Their debut album, August and Everything After, burst at the seams with both dominant pop harmonies and rich, hearty ballads, all thanks to lead singer Adam Duritz. The lone guitar work of "Mr. Jones" coupled with the sweet, in-front pull of Duritz's voice kicked off the album in full force. The starkly beautiful and lonely sounding "Round Here" captured the band's honest yet subtle talent for singing ballads, while "Omaha" is lyrically reminiscent of a Springsteen tune. The fusion of hauntingly smooth vocals with such instruments as the Hammond B-3 organ and the accordion pumped new life into the music scene, and their brisk sound catapulted them into stardom. On "Rain King," the piano takes over as its aloof flair dances behind Duritz with elegant crispness. The slower-paced "Raining in Baltimore" paints a perfectly gray picture and illustrates the band's ease at conveying mood by eliminating the tempo. Most of the songs here engage in overly contagious hooks that won't go away, making for a solid bunch of tunes. Containing the perfect portions of instrumental and vocal conglomeration, the Counting Crows showed off their appealing sound to its full extent with their very first album. ~ Mike DeGagne, All Music Guide
Credits
| Name | Credits | | Adam Duritz | Harmonica, Vocals, Piano | | Bill Dillon | Guitorgan, Guitar | | Brian Jackson | Design | | Charlie Gillingham | Chamberlin, Vocals, Accordion, Piano, Organ (Hammond) | | Clark Germain | Engineer | | David Bryson | Vocals, Guitar | | David Immerglück | Pedal Steel, Guitar, Vocals, Mandolin, Mandocello | | Denny Fongheiser | Drums, Percussion | | Gary Gersh | Executive Producer | | Gary Louris | Vocals (Background) | | Howard Willing | Engineer | | Larry Vigon | Art Direction, Design | | Maria McKee | Vocals (Background) | | Mark Guilbeault | Assistant Engineer | | Mark Olson | Vocals (Background) | | Matt Malley | Vocals, Guitar, Bass | | Michael Tighe | Photography | | Patrick McCarthy | Engineer, Mixing | | Robert Hart | Engineer | | Robin Sloane | Creative Director | | Steve Bowman | Drums, Vocals | | Steve Holroyd | Engineer | | T Bone Burnett | ?, Guitar, Producer |
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