Soft Machine - Third

1



Album Details

Title: Third
Artist: Soft Machine
Release Date: 6/1970
Re-Released On: 2/1/2008
Label: Columbia, Sony Music Distribution, Sbme Special Mkts., Sony/Columbia
Duration: 75:43
UPCs: 074643033923, 4562109408546, 4571191050717, 5099747140723, 5099751057529, 886972393421, 509975105752, 456210940854, 457119105071
Genre: Rock
Styles: Prog-Rock, Psychedelic, Experimental, Jazz-Rock, British Psychedelia, Canterbury Scene, Avant-Prog, Art Rock
Moods: Complex, Eccentric, Enigmatic, Fiery, Witty, Intense, Irreverent, Quirky, Spacey, Trippy, Energetic, Hypnotic, Literate, Rousing, Rollicking, Sophisticated, Cerebral, Playful
Total Copies: 0
Members Wishing: 9
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Facelift [Live]
  2. Slightly All the Time
  3. Moon in June
  4. Out-Bloody-Rageous

Additional Releases

YearTypeLabelCatalog #
2008CDSbme Special Mkts.723934
2007CDSony Music Distribution613
2005CDSony Music Distribution423
2003CDSony Music Distribution510575
1992CDSony/Columbia4714072
1991CDColumbiaCGK-30339

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Album Review

The Soft Machine plunged deeper into jazz and contemporary electronic music on this pivotal release, which incited the Village Voice to call it a milestone achievement when it was released. It's a double album of stunning music, with each side devoted to one composition -- two by Mike Ratledge, and one each by Hopper and Wyatt, with substantial help from a number of backup musicians, including Canterbury mainstays Elton Dean and Jimmy Hastings. The Ratledge songs come closest to fusion jazz, although this is fusion laced with tape loop effects and hypnotic, repetitive keyboard patterns. Hugh Hopper's "Facelift" recalls "21st Century Schizoid Man" by King Crimson, although it's more complex, with several quite dissimilar sections. The pulsing rhythms, chaotic horn and keyboard sounds, and dark drones on "Facelift" predate some of what Hopper did as a solo artist later (this song was actually culled from two live performances in 1970). Robert Wyatt draws on musical ideas from early 1967 demos done with producer Giorgio Gomelsky, on his capricious composition "Moon in June." Lyrically, it's a satirical alternative to the pretension displayed by a lot of rock writing of the era, and combined with the Softs' exotic instrumentation, it makes for quite a listen (the collection Triple Echo includes a BBC broadcast recording of this song, with different albeit equally fanciful lyrics). Not exactly rock, Third nonetheless pushed the boundaries of rock into areas previously unexplored, and it managed to do so without sounding self-indulgent. A better introduction to the group is either of the first two records, but once introduced, this is the place to go. ~ Peter Kurtz, All Music Guide

Credits

NameCredits
Andy KnightEngineer
Bob WoolfordEngineer
Elton DeanSax (Alto), Saxello, Saxophone
Hugh HopperBass, Guitar (Bass)
Jimmy HastingsFlute, Clarinet (Bass), Wind
John HaysCover Design
Jurgen D. EnsthalerPhotography
Lyn DobsonHorn, Sax (Soprano), Flute
Mike RatledgePiano, Organ, Keyboards
Nick EvansTrombone
Rab SpallViolin
Robert WyattDrums, Vocals
Soft MachineProducer