Liz Phair - Exile in Guyville

Liz Phair - Exile in Guyville
15




Album Details

Title: Exile in Guyville
Artist: Liz Phair
Release Date: 6/22/1993
Re-Released On: 12/15/1999
Label: Capitol/EMI Records, Matador
Duration: 55:51
Album Type(s): Explicit lyrics sticker
UPCs: 724352322725, 744861005124, 0724352322756, 724352322749, 724352322756, 744861005117, 744861005148
Genre: Rock
Styles: Alternative Pop/Rock, Lo-Fi, Indie Rock, Alternative/Indie Rock
Moods: Gutsy, Ironic, Literate, Provocative, Sexual, Bittersweet, Confident, Confrontational, Cynical/Sarcastic, Freewheeling, Humorous, Quirky, Reflective, Rousing, Sexy, Stylish, Witty, Wry, Brash, Melancholy, Playful, Poignant, Refined/Mannered, Snide, Summery, Theatrical, Acerbic, Bravado, Cathartic, Detached, Irreverent, Party/Celebratory, Sophisticated, Sprawling, Intimate
Total Copies: 16
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. 6'1"
  2. Help Me Mary
  3. Glory
  4. Dance of the Seven Veils
  5. Never Said
  6. Soap Star Joe
  7. Explain It to Me
  8. Canary
  9. Mesmerizing
  10. Fuck and Run
  11. Girls, Girls, Girls
  12. Divorce Song
  13. Shatter
  14. Flower
  15. Johnny Sunshine
  16. Gunshy
  17. Stratford-On-Guy
  18. Strange Loop

Additional Releases

YearTypeLabelCatalog #
1999CDCapitol/EMI Records23227
1993CDMatador51

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Album Review

If Exile in Guyville is shockingly assured and fully formed for a debut album, there are a number of reasons why. Most prominent of these is that many of the songs were initially essayed on Liz Phair's homemade cassette Girlysound, which means that the songs are essentially the cream of the crop from an exceptionally talented songwriter. Second, there's its structure, infamously patterned after the Stones' Exile on Main St., but not the song-by-song response Phair promoted it as. (Just try to match the albums up: is the "blow-job queen" fantasy of "Flower" really the answer to the painful elegy "Let It Loose"?) Then, most notably, there's Phair and producer Brad Wood's deft studio skills, bringing a variety of textures and moods to a basic, lo-fi production. There is as much hard rock as there are eerie solo piano pieces, and there's everything in between from unadulterated power pop, winking art rock, folk songs, and classic indie rock. Then, there are Phair's songs themselves. At the time, her gleefully profane, clever lyrics received endless attention (there's nothing that rock critics love more than a girl who plays into their geek fantasies, even -- or maybe especially -- if she's mocking them), but years later, what still astounds is the depth of the writing, how her music matches her clear-eyed, vivid words, whether it's on the self-loathing "Fuck and Run," the evocative mood piece "Stratford-on-Guy," or the swaggering breakup anthem "6'1"," or how she nails the dissolution of a long-term relationship on "The Divorce Song." Each of these 18 songs maintains this high level of quality, showcasing a singer/songwriter of immense imagination, musically and lyrically. If she never equaled this record, well, few could. ~ Stephen Thomas Erlewine, All Music Guide

Credits

NameCredits
Brad WoodBongos, Vocals (Background), Percussion, Drums, Guitar, Organ, Feedback, Synthesizer, Drones, Engineer, Bass, Producer
Casey RiceCymbals, Vocals (Background), Guitar, Handclapping, Assistant Engineer
Liz PhairDesign, Producer, Guitar, Vocals, Arranger

Member Reviews

James B. (wandersoul73) wrote on 2/16/2008...

This is without a doubt her masterpiece. And I should know, I've been a fan for years.

Sonoko F. wrote on 1/21/2007...

1 of 1 member(s) found this review helpful.
Liz Phair's low tech, high emotion debut caused a sensation upon its release. Critics praised the low-fidelity sound and bitingly honest lyrics. She's commented the album was a song-by-song reply to the Rolling Stones' "Exile on Main Street." Not an exact match but can be seen as a commentary to the Rolling Stones. No. 1 for Spin Magazine's 1993 year-end critics poll and Village Voice Pazz & Jop critics poll. No. 15 in Spin's "100 Greatest Albums, 1985-2005." Ranked no. 328 on Rolling Stone magazine's 2003 list of 500 greatest albums of all time. Catch Phair at her gritty beginnings.

Lisa K. (ldk) wrote on 8/14/2006...

0 of 1 member(s) found this review helpful.
OMG.