Album Details
Title: The Queen Is Dead Artist: The Smiths Release Date: 6/1986 Re-Released On: 7/7/2009 Label: Sire, Warner Bros., WEA, Warner Music France Duration: 36:47 Album Type(s): lyrics/libretto UPCs: 075992542623, 4943674066193, 4943674085798, 745099189624, 075992542616, 075992542647, 745099189662 Genre: Rock Styles: Alternative Pop/Rock, Alternative/Indie Rock, Indie Pop, College Rock Moods: Intimate, Literate, Melancholy, Reflective, Wistful, Witty, Angst-Ridden, Bittersweet, Cathartic, Cerebral, Cynical/Sarcastic, Distraught, Gentle, Gloomy, Passionate, Sad, Somber, Wry, Boisterous, Brash, Brooding, Confrontational, Playful, Refined/Mannered, Stylish, Lively, Rousing, Sophisticated, Sparkling, Bright, Complex, Dreamy, Rollicking, Stately, Warm, Ironic, Plaintive, Theatrical Total Copies: 0 Members Wishing: 9 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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The Queen Is Dead (Take Me Back to Dear Old Blighty) [Medley]
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Frankly, Mr. Shankly
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I Know It's Over
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Never Had No One Ever
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Cemetry Gates
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Bigmouth Strikes Again
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The Boy With the Thorn in His Side
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Vicar in a Tutu
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There Is a Light That Never Goes Out
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Some Girls Are Bigger Than Others
Additional Releases
| Year | Type | Label | Catalog # | | 2006 | CD | WEA | 12441 | | 2004 | CD | Warner Music France | | | 1993 | CD | Warner Bros. | 4509918962 | | 1985 | CD | Sire | 2-25426 |
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Other Editions
- No other editions were found for this album.
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Album Review
Meat Is Murder may have been a holding pattern, but The Queen Is Dead is the Smiths' great leap forward, taking the band to new musical and lyrical heights. Opening with the storming title track, The Queen Is Dead is a harder-rocking record than anything the Smiths had attempted before, but that's only on a relative scale -- although the backbeat is more pronounced, the group certainly doesn't rock in a conventional sense. Instead, Johnny Marr has created a dense web of guitars, alternating from the minor-key rush of "Bigmouth Strikes Again" and the faux rockabilly of "Vicar in a Tutu" to the bouncy acoustic pop of "Cemetry Gates" and "The Boy With the Thorn in His Side," as well as the lovely melancholy of "I Know It's Over" and "There Is a Light That Never Goes Out." And the rich musical bed provides Morrissey with the support for his finest set of lyrics. Shattering the myth that he is a self-pitying sap, Morrissey delivers a devastating set of clever, witty satires of British social mores, intellectualism, class, and even himself. He also crafts some of his finest, most affecting songs, particularly in the wistful "The Boy With the Thorn in His Side" and the epic "There Is a Light That Never Goes Out," two masterpieces that provide the foundation for a remarkable album. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Alain Delon | Photography | | Andy Rourke | Bass, Guitar (Bass) | | Ann Coates | Vocals (Background) | | Caryn Gough | Artwork | | John Porter | Engineer | | Johnny Marr | Guitar, String Arrangements, Songwriter, Producer | | Mike Joyce | Drums | | Morrissey | Lyricist, Producer, Voices, Vocals, Sleeve Art | | Stephen Street | Engineer | | Steve Wright | Photography |
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