Album Details
Title: Horses Artist: Patti Smith Release Date: 11/1975 Re-Released On: 7/21/2009 Label: Arista, RCA Records, Sony UK, BMG, BMG International Duration: 43:10 Album Type(s): lyrics/libretto UPCs: 078221882729, 4988017649237, 4988017663448, 828767144528, 0078221882729, 078221836210, 0886973524527, 4024572321345, 886975466023, 4988017671955, 078221882712 Genre: Rock Styles: Rock & Roll, Punk, Proto-Punk, Punk/New Wave, New York Punk Moods: Cathartic, Fiery, Hungry, Fierce, Intense, Rousing, Theatrical, Confrontational, Intimate, Rebellious, Visceral, Earnest, Poignant, Reflective, Sophisticated, Angry, Cerebral, Earthy, Literate, Passionate Total Copies: 0 Members Wishing: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Gloria: In Excelsis Deo/Gloria [Van Morrison Version]
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Redondo Beach
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Birdland
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Free Money
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Kimberly
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Break It Up
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Land: Horses/Land of a Thousand Dances/La Mer (De)
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Elegie
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My Generation [Live][*]
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | BMG | 20050 | | 2008 | CD | RCA Records | 88697352452 | | 2007 | CD | BMG | 37927 | | 2005 | CD | BMG International | 671445 | | 1996 | CD | Arista | 18827 | | 1975 | CD | Sony UK | 7546602 | | ------ | CD | Arista | ARCD-8362 |
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Album Review
It isn't hard to make the case for Patti Smith as a punk rock progenitor based on her debut album, which anticipated the new wave by a year or so: the simple, crudely played rock & roll, featuring Lenny Kaye's rudimentary guitar work, the anarchic spirit of Smith's vocals, and the emotional and imaginative nature of her lyrics -- all prefigure the coming movement as it evolved on both sides of the Atlantic. Smith is a rock critic's dream, a poet as steeped in '60s garage rock as she is in French Symbolism; "Land" carries on from the Doors' "The End," marking her as a successor to Jim Morrison, while the borrowed choruses of "Gloria" and "Land of a Thousand Dances" are more in tune with the era of sampling than they were in the '70s. Producer John Cale respected Smith's primitivism in a way that later producers did not, and the loose, improvisatory song structures worked with her free verse to create something like a new spoken word/musical art form: Horses was a hybrid, the sound of a post-Beat poet, as she put it, "dancing around to the simple rock & roll song." ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Allen Lanier | Keyboards, Guitar, Producer | | Bernie Kirsh | Engineer, Mastering | | Bob Gruen | Photography | | Bob Heimall | Design | | Bob Irwin | Mastering, Reissue Mastering | | Bob Ludwig | Mastering | | Chuck Krall | Photography | | Danny Fields | Photography | | Edie Baskin | Photography | | Frank d'Augusta | Assistant Engineer | | Huey "Piano" Smith & the Clowns | Inspiration | | Ivan Král | Bass, Keyboards, Guitar, Vocals | | Jay Dee Daugherty | Drums, Musical Consultant | | John Cale | Bass, Producer | | Lenny Kaye | Bass, Vocals, Guitar | | Patti Smith | Liner Notes, Vocals, Guitar | | Richard Aaron | Photography | | Richard Sohl | Piano | | Robert Mapplethorpe | Photography | | Sherri Whitmarsh | Reissue Design, Design | | Tom Verlaine | Guitar | | Vic Anesini | Mastering |
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