Album Details
Title: Peepshow Artist: Siouxsie and the Banshees Release Date: 1988 Re-Released On: 9/6/1988 Label: Geffen, Wonderland Duration: 42:33 Album Type(s): lyrics/libretto UPCs: 720642420522, 0042283724020, 042283724020, 075992420549, 720642420546 Genre: Rock Styles: Alternative Pop/Rock, Post-Punk, College Rock, Dance-Rock Moods: Cathartic, Cerebral, Detached, Dramatic, Stylish, Theatrical, Angst-Ridden, Brooding, Cynical/Sarcastic, Passionate, Provocative, Exuberant, Fiery, Hypnotic, Intense, Literate, Lush, Nocturnal, Sensual, Sophisticated, Tense/Anxious, Wistful, Aggressive, Brash, Complex, Earnest, Melancholy, Reflective, Sexy, Visceral, Whimsical, Campy, Harsh, Nihilistic, Ethereal Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Peek-A-Boo
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The Killing Jar
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Scarecrow
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Carousel
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Burn-Up
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Ornaments of Gold
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Turn to Stone
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Rawhead and Bloodybones
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The Last Beat of My Heart
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Rhapsody
Additional Releases
| Year | Type | Label | Catalog # | | 1995 | CD | Wonderland | 8372402 | | 1988 | CD | Geffen | 2-24205 |
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Other Editions
- No other editions were found for this album.
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Album Review
The switch to Yet Another Banshees Guitarist in Specimen vet Jon Klein might have been seen as a cue for a time of tentative rebuilding -- the more so because another new member, cellist Martin McCarrick, was recruited at the same time. Anything but -- heralded by the spectacular "Peek-A-Boo," interpolating what sounded like the Charleston into hip-hop rhythms with a brilliant, choppy arrangement, Peepshow proved the band's best album in years. Once again showcasing the band's ace in the hole -- the ability to always provide an accomplished variety of sound and approach while still recognizably maintaining a uniquely Banshees style -- Peepshow is the sound of a band reenergized. Siouxsie's thrilling call and response with herself on "Peek-A-Boo" really can't be beat, but her star turns throughout the album all deserve notice, especially with the bravura one-two conclusion of the stately "The Last Beat of My Heart" and the dramatic, lives-up-to-the-title "Rhapsody." McCarrick's cello work is excellently integrated into the music, adding a purring extra bite on songs like the pummeling "The Killing Jar," while both Steven Severin and Budgie acquit themselves well as always. If their moments of total flash are subsumed for the overall arrangements, it's to the benefit of the songs, overseen with another fine production job from semi-regular Banshees studio cohort Mike Hedges. The band's knack for a combination of title, lyric, and atmosphere remains strong -- "Carousel" sounds indeed like a slightly demented version of such a thing, while "Rawhead and Bloodybones," appropriately for two English bogeyman characters, is quiet, creepy, and very much sneaking-up-on-you-in-the-night. "Scarecrow" is a secret highlight, ominous guitar and bass tones and swirling arrangements supporting a great Siouxsie turn, while the hints of flamenco on "Turn to Stone" perhaps inadvertently suggest where the Creatures would end up with their next album two years later. ~ Ned Raggett, All Music Guide
Credits
| Name | Credits | | Angie Newman | Assistant Engineer | | Budgie | Percussion, Harmonica, Drums | | Chris Blair | Mastering | | Curtis Schwartz | Assistant Engineer | | John Klein | Guitar | | Jon Klein | Guitar | | Jonathan Dee | Assistant Engineer | | Martin McCarrick | Cello, Accordion, Keyboards | | Mike Hedges | Engineer | | Siouxsie and the Banshees | Main Performer | | Siouxsie Sioux | Vocals | | Steven Severin | Bass (Electric) | | Stuart Brown | Assistant Engineer |
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