Siouxsie and the Banshees - Peepshow

3



Album Details

Title: Peepshow
Artist: Siouxsie and the Banshees
Release Date: 1988
Re-Released On: 9/6/1988
Label: Geffen, Wonderland
Duration: 42:33
Album Type(s): lyrics/libretto
UPCs: 720642420522, 0042283724020, 042283724020, 075992420549, 720642420546
Genre: Rock
Styles: Alternative Pop/Rock, Post-Punk, College Rock, Dance-Rock
Moods: Cathartic, Cerebral, Detached, Dramatic, Stylish, Theatrical, Angst-Ridden, Brooding, Cynical/Sarcastic, Passionate, Provocative, Exuberant, Fiery, Hypnotic, Intense, Literate, Lush, Nocturnal, Sensual, Sophisticated, Tense/Anxious, Wistful, Aggressive, Brash, Complex, Earnest, Melancholy, Reflective, Sexy, Visceral, Whimsical, Campy, Harsh, Nihilistic, Ethereal
Total Copies: 0
Members Wishing: 0
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Peek-A-Boo
  2. The Killing Jar
  3. Scarecrow
  4. Carousel
  5. Burn-Up
  6. Ornaments of Gold
  7. Turn to Stone
  8. Rawhead and Bloodybones
  9. The Last Beat of My Heart
  10. Rhapsody

Additional Releases

YearTypeLabelCatalog #
1995CDWonderland8372402
1988CDGeffen2-24205

Other Editions

  • No other editions were found for this album.

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Album Review

The switch to Yet Another Banshees Guitarist in Specimen vet Jon Klein might have been seen as a cue for a time of tentative rebuilding -- the more so because another new member, cellist Martin McCarrick, was recruited at the same time. Anything but -- heralded by the spectacular "Peek-A-Boo," interpolating what sounded like the Charleston into hip-hop rhythms with a brilliant, choppy arrangement, Peepshow proved the band's best album in years. Once again showcasing the band's ace in the hole -- the ability to always provide an accomplished variety of sound and approach while still recognizably maintaining a uniquely Banshees style -- Peepshow is the sound of a band reenergized. Siouxsie's thrilling call and response with herself on "Peek-A-Boo" really can't be beat, but her star turns throughout the album all deserve notice, especially with the bravura one-two conclusion of the stately "The Last Beat of My Heart" and the dramatic, lives-up-to-the-title "Rhapsody." McCarrick's cello work is excellently integrated into the music, adding a purring extra bite on songs like the pummeling "The Killing Jar," while both Steven Severin and Budgie acquit themselves well as always. If their moments of total flash are subsumed for the overall arrangements, it's to the benefit of the songs, overseen with another fine production job from semi-regular Banshees studio cohort Mike Hedges. The band's knack for a combination of title, lyric, and atmosphere remains strong -- "Carousel" sounds indeed like a slightly demented version of such a thing, while "Rawhead and Bloodybones," appropriately for two English bogeyman characters, is quiet, creepy, and very much sneaking-up-on-you-in-the-night. "Scarecrow" is a secret highlight, ominous guitar and bass tones and swirling arrangements supporting a great Siouxsie turn, while the hints of flamenco on "Turn to Stone" perhaps inadvertently suggest where the Creatures would end up with their next album two years later. ~ Ned Raggett, All Music Guide

Credits

NameCredits
Angie NewmanAssistant Engineer
BudgiePercussion, Harmonica, Drums
Chris BlairMastering
Curtis SchwartzAssistant Engineer
John KleinGuitar
Jon KleinGuitar
Jonathan DeeAssistant Engineer
Martin McCarrickCello, Accordion, Keyboards
Mike HedgesEngineer
Siouxsie and the BansheesMain Performer
Siouxsie SiouxVocals
Steven SeverinBass (Electric)
Stuart BrownAssistant Engineer