Album Details
Title: The Rhythm of the Saints Artist: Paul Simon Release Date: 10/1990 Re-Released On: 11/27/2006 Label: Warner Bros., WEA Duration: 44:34 Album Type(s): lyrics/libretto UPCs: 075992609821, 075992609814, 759926098218, 081227890551 Genre: Rock Styles: Singer/Songwriter, Adult Contemporary, Worldbeat, Contemporary Pop/Rock, International Fusion Moods: Calm/Peaceful, Earnest, Poignant, Reflective, Reserved, Wistful, Amiable/Good-Natured, Bittersweet, Cheerful, Melancholy, Organic, Restrained, Sentimental, Soothing, Witty, Cerebral, Detached, Intimate, Refined/Mannered, Sophisticated, Autumnal, Delicate, Exuberant, Fun, Happy, Nocturnal, Plaintive, Playful, Quirky, Reverent, Rousing, Summery, Sweet, Whimsical, Gentle, Laid-Back/Mellow, Literate, Precious Total Copies: 45 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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The Obvious Child
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Can't Run But
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The Coast
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Proof
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Further to Fly
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She Moves On
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Born at the Right Time
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The Cool, Cool River
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Spirit Voices
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The Rhythm of the Saints
Additional Releases
| Year | Type | Label | Catalog # | | 2006 | CD | WEA | 8122789055 | | 1990 | CD | Warner Bros. | 2-26098 |
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Album Review
Though he recorded the album's prominent percussion tracks in Brazil, Paul Simon fashioned The Rhythm of the Saints as a deliberate follow-up to the artistic breakthrough and commercial comeback that was the South Africa-tinged Graceland. Several of the musicians who had appeared previously were back, along with some of the New York session players who had worked with Simon in the 1970s, and the overall sound was familiar to fans of Graceland. Further, Simon's nonlinear lyrical approach was carried over: he continued to ruminate about love, aging, and the onslaught of modern life in disconnected phrases and images that created impressions rather than telling straightforward stories. But where Graceland had seamlessly merged its styles into an exuberant whole, The Rhythm of the Saints was less well digested. Those drum tracks never seemed integrated effectively into what had been dubbed over them; at the same time, they tended to lock the songs into musical patterns that reined them in from the kind of excitement the South African music on Graceland generated, making the melodies harder to grasp. At the same time, Simon sang his lyrics in a less involved way, which sometimes made them seem like collections of random lines rather than the series of striking observations Graceland seemed to contain. No Paul Simon album could be lacking in craft or quality, and The Rhythm of the Saints was a typically tasteful effort. But this time around, Simon hadn't quite succeeded in bringing the wide-ranging elements together; the album sold about half as many copies as Graceland (that is to say, a none-too-shabby two million), and that's about right -- where Graceland was an exotic adventure, The Rhythm of the Saints was more of an anthropology lesson. ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Adrian Belew | Synthesizer | | Alain Hatot | Saxophone | | Andre Manga | Bass | | Anthony Carrillo | Bongos | | Antonio Luis Alves de Souza | Director | | Armand Sabal-Lecco | Bass | | Armandinho | Guitar | | Artur Andres | ? | | Asante | Drums | | Bakithi Khumalo | Bass | | Beloba | Percussion | | Briz | Vocals (Background) | | Bruce Keen | Engineer | | Bruno Barbey | Photography | | C.J. Chenier | Accordion | | Canegal | Percussion | | Charles Doherty | Sax (Alto), Sax (Tenor) | | Charlotte M'bango | Vocals (Background) | | Clifton Anderson | Trombone | | Clifton Chenier | Accordion | | Clyde Mitchell | Trumpet | | Danny Harrison | Coordination | | Dave Bargeron | Horn, Euphonium | | Decio Ramos | ? | | Djana'd | Vocals (Background) | | Don Chacal | Bongos, Conga, Bata, Gourd | | Elolongue Mbango Catherine | Vocals (Background) | | Errol Ince | Trumpet | | Felix Sabal-Lecco | Drums | | Florence Gnimagnon | Vocals (Background) | | Francisco Aguabella | Conga | | George Seba | Guitar (Electric) | | Giovanni Hidalgo | Conga | | Gordinho | ?, Sordu | | Greg Calbi | Mastering | | Greg Phillinganes | Keyboards, Synthesizer | | Grupo Cultural | Drums | | Hugh Masekela | Flugelhorn | | Isaak Asante | Percussion | | J.J. Cale | Percussion, Guitar | | Jacques Bolognesi | Trombone | | Jimmy McDonald | Accordion | | Jorge Ferreira da Silva | Percussion | | Jude Bethel | Sax (Tenor) | | Justin Tchounou | Synthesizer | | Karen Bernod | Vocals (Background) | | Kia Jeffries | Vocals (Background) | | Kim Wilson | Harmonica | | Kofi Electrik | Guitar, Guitar Arrangements | | Ladysmith Black Mambazo | Vocals (Background) | | Lizzie Bravo | Translation | | Madeleine Yayodele Nelson | Chekere, ? | | Marc Silag | Coordination | | Marçalzinho | Percussion | | Martin Atangana | Guitar (Electric) | | Mazzola | Arranger, Chicote, Percussion | | Mequinho | Engineer | | Michael Brecker | Synthesizer, Percussion, Saxophone | | Miguel Rio Branco | Photography | | Milton Nascimento | Vocals | | Mingo Araujo | Drums, Casinette, Go Go Bell, Triangle, Percussion, Castanets, African Bells, Conga, Cymbals, Shaker | | Myrna Lynn Gomila | Vocals (Background) | | Naná Vasconcelos | Percussion, Triangle, Gourd, Conga, Vocals, Berimbau | | Paul Santos | Percussion | | Paul Simon | Guitar Arrangements, Vocals (Background), Guitar, Horn Arrangements, Producer, Vocals | | Paulinho Santos | ? | | Paulo Sérgio Santos | ?, Chicote | | Pedro Sorongo | Percussion, Scraper | | Phillipe Slominski | Trumpet | | Randy Brecker | Trumpet, Piccolo Trumpet, Synthesizer | | Raphael Rabello | Guitar | | Ray Phiri | Guitar Arrangements, Guitar | | Remi Kabaka | Percussion | | Remy Kabocka | Drums | | Richard Travali | Engineer, Assistant Engineer | | Ringo Starr | Guitar | | Roy Halee | Engineer | | Sidinho Moreira | Conga, ?, Bongos, Bottle, Drums, Water Bowl | | Steve Gadd | Drums | | Sylvia Plachy | Photography | | Vincent Nguini | Guitar Arrangements, Guitar, Bass, Clavinet, Horn Arrangements | | Wilson DasNeves | Percussion, Cowbell | | Yo Yo De La Nelson | Chakeire | | Yolanda Cuomo | Art Direction, Design |
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