Album Details
Title: Beautiful Loser Artist: Bob Seger Release Date: 4/1975 Re-Released On: 9/30/2008 Label: Capitol Records, EMI-Capitol Special Markets, Collectables Records Duration: 32:39 UPCs: 077779142422, 090431106228, 096009211523, 724381982020, 077779142415 Genre: Rock Styles: Rock & Roll, Singer/Songwriter, Hard Rock, Album Rock, Heartland Rock, Detroit Rock Moods: Earthy, Exuberant, Hungry, Rollicking, Swaggering, Bittersweet, Fiery, Freewheeling, Fun, Passionate, Sentimental, Aggressive, Amiable/Good-Natured, Confrontational, Cynical/Sarcastic, Earnest, Energetic, Intense, Raucous, Rebellious, Reckless, Reflective, Trippy, Poignant, Rousing, Rowdy Total Copies: 2 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Beautiful Loser
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Black Night
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Katmandu
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Jody Girl
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Travelin' Man
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Momma
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Nutbush City Limits
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Sailing Nights
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Fine Memory
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Collectables Records | 1062 | | 2003 | CD | Capitol Records | 2115 | | 1998 | CD | EMI-Capitol Special Markets | 19820 | | 1988 | CD | Capitol Records | C2-91424 |
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Other Editions
- No other editions were found for this album.
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Album Review
Beautiful Loser winds up sounding more like Back in '72 than its immediate predecessor, Seven, largely because Bob Seger threaded reflective ballads and mid-tempo laments back into his hard-driving rock. He doesn't shy away from it, either, opening with the lovely title track. And why shouldn't he? These ballads were as much a part of his success as his storming rockers, since his sentimental streak seemed all the more genuine when contrasted with the rockers. If anything, Beautiful Loser might err a little bit in favor of reflection, with much of the album devoted to introspective, confessional mid-tempo cuts. There are a couple of exceptions to the rule, of course -- "Katmandu" roars with humor, and his cover of "Nutbush City Limits" shames Tina Turner's original -- but they are the only full-throttle rockers here, with "Black Night" coming in as a funky, swaggering cousin. It's the exact opposite of Seven, in other words, and in its own way, it's just as satisfying. Occasionally, it might be a little too sentimental for some tastes, but it's all heartfelt and he's written some terrific songs here, most notably the album's heart of "Jody Girl" and "Travelin' Man." Seger had started turning inward, searching his soul in a way he hadn't since the since-disowned Brand New Morning, and in doing so, he was setting the stage for his first genuine blockbuster. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Barry Beckett | Piano, Piano (Electric), Piano (Grand), Synthesizer, Keyboards, Producer, Organ | | Bob Seger | Piano, Producer, Guitar (Acoustic), Mixing, Harmonica, Vocals, Slide Guitar, Guitar | | Charles Rose | Trombone, Sax (Baritone) | | Charlie Allen Martin | Drums, ? | | Charlie Martin | Drums | | Chris Campbell | Guitar (Bass), Bass | | David Hood | Guitar (Bass), Bass, Producer | | Drew Abbott | Guitar | | Greg Smith | Engineer | | Harrison Calloway | Trumpet | | Harry Thompson | Sax (Tenor) | | Harvey Thompson | Sax (Tenor) | | Jerry Masters | Engineer | | Jim Bruzzese | Engineer | | Jimmy Johnson | Guitar (Rhythm), Producer | | Ken Bell | Guitar | | Kenny Bell | Guitar | | Muscle Shoals Horns | Horn | | Muscle Shoals Rhythm Section | Producer | | Paul Kingery | Guitar | | Pete Carr | Producer, Guitar, Guitar (Acoustic) | | Punch Andrews | Mixing, Producer | | Robin Robbins | Keyboards, Mellotron, Organ, Mellophonium | | Roger Hawkins | Drums, Percussion, Producer | | Ronnie Eades | Sax (Baritone), Saxophone | | Roy Kohara | Art Direction | | Silver Bullet Band | ?, Guitar | | Spooner Oldham | Producer, Piano (Electric), Organ | | Steve Melton | Engineer | | Stoney | Vocals (Background), Vocals | | Stoney & Rocky | Vocals (Background) | | Tom Bert | Photography | | Tom Cartmell | Saxophone | | Wally Traugott | Mastering |
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