Album Details
Title: Savage Amusement Artist: Scorpions Release Date: 1988 Re-Released On: 1/23/2002 Label: Mercury, EMI Music Distribution, Island/mercury, Inactive, Windsong International, Toshiba EMI Duration: 37:19 Album Type(s): lyrics/libretto UPCs: 042283296329, 724353515829, 0042283296329, 042283296312, 077774670425, 4988006797789 Genre: Rock Styles: Hard Rock, Heavy Metal, Arena Rock, Album Rock Moods: Dramatic, Energetic, Hedonistic, Rebellious, Intense, Party/Celebratory, Rowdy, Aggressive, Confident, Fiery, Raucous, Rousing, Sleazy, Theatrical Total Copies: 5 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Don't Stop at the Top
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Rhythm of Love
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Passion Rules the Game
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Media Overkill
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Walking on the Edge
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We Let It Rock...You Let It Roll
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Every Minute Every Day
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Love on the Run
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Believe in Love
Additional Releases
| Year | Type | Label | Catalog # | | 2002 | CD | EMI Music Distribution | 535158 | | 2002 | CD | Toshiba EMI | 53209 | | 1999 | CD | Windsong International | 7467042 | | 1988 | CD | Island/mercury | 832963 | | 1988 | CD | Inactive | | | 1987 | CD | Mercury | 832963-2 |
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Other Editions
- No other editions were found for this album.
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Album Review
The Scorpions' two previous releases, Blackout and Love at First Sting, were mostly successful due to the band's ability to adjust with the times; with Blackout, they used the classic power rock introduced by bands like Van Halen, and for Sting they used similar melodies, but with a harder, tighter sound akin to the work of such bands as Dokken and REO Speedwagon. With Savage Amusement, the group's first studio recording in almost four years, the Scorpions experimented with more polished pop melodies that Def Leppard and the like had made popular. The end result is polished and often predictable music that, while good, on the whole fails to be as infectious as the music on their previous albums. Die-hard fans will certainly find their share of worthwhile songs, such as "Don't Stop at the Top" and "Believe in Love," but they still may find Savage Amusement to be incomparable to its predecessors. ~ Barry Weber, All Music Guide
Credits
| Name | Credits | | Caroline Greyshock | Photography | | Dieter Dierks | Arranger, Mixing, Engineer, Producer | | Francis Buchholz | Bass, Guitar (Bass), Vocals (Background) | | Fred Swanson | Retouching | | Gerd Rautenbach | Engineer | | Gert Gliniorz | Project Coordinator | | Greg Gorman | Photography | | Herman Rarebell | Drums, ?, Vocals (Background) | | Howie Weinberg | Mastering | | Ian Taylor | Engineer | | John Cremer | Digital Remastering | | Jurgen Joisten | Assistant | | Klaus Meine | Vocals (Background), Vocals, ? | | Lee Aaron | Vocals (Background) | | Mark Flannery | Mixing Assistant | | Matthias Jabs | ?, Vocals (Background), Guitar (Rhythm), Voice Box, Guitar, Guitar (Acoustic), Vocals | | Matthias Mineur | Text | | Michael Narten | Reissue Art, Reissue Design | | Mike Flannery | Assistant | | Mike Shipley | Mixing | | Nigel Green | Mixing | | Peter Baltes | Vocals (Background), Vocals | | Peter Brandt | Assistant, Mixing Assistant | | Rudolf Schenker | Slide Guitar, Guitar (Rhythm), Vocals (Background), Guitar, ?, Guitar (Acoustic) | | Scorpions | Mixing |
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