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Philip Glass - Low Symphony
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Philip Glass



Album Details

Title: Low Symphony
Artist: Philip Glass
Release Date: 1993
Label: Point Music, Polygram
Duration: 42:21
Album Type(s): Avant-garde
UPCs: 028943815024, 028943815048
Genre: Classical
Style: Minimalism
Moods: Ambitious, Cerebral, Circular, Epic, Complex, Elegant, Restrained, Sophisticated, Uncompromising, Calm/Peaceful, Reserved
Total Copies: 0
Members Wishing: 0
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Subterraneans [From Low Symphony]
  2. Some Are [From Low Symphony]
  3. Warszawa [From Low Symphony]

Additional Releases

YearTypeLabelCatalog #
1993CDPolygram438150
------CDPoint Music438150-2

Other Editions

  • No other editions were found for this album.

Similar CDs

  • No similar CDs were found for this album.

Review

When Philip Glass announced his next work would be based on works from the classic Brian Eno/David Bowie album Low, critics assumed that Glass was running out of ideas and that he'd just run some of his patented major-scale runs underneath some recognizable pop music, another example of that darned modern music trying to be cool like rock. But Low Symphony actually works (and haven't classical composers always copped melodies from popular tunes?), with Glass focusing on three pieces and exploring and expanding on the ideas within. The opening, "Subterraneans," maintains the meandering but tense feel of the original. When percussion builds in the mix, it suggests a resolution, but none comes. The middle movement is more of a revelation, based on a bonus track, "Some Are," that only made it to the Rykodisc pressings of Low. The original was more of a sketch, a half-whispered song backed by minimal piano and atmospherics. Glass resurrects this song and whips it into a forceful, stirring number that makes the pulse race. Listeners unfamiliar with Bowie's album may think it started out as an anthem. Finally, "Warszawa" returns to replicating the original track, transcribing Bowie's vocal for cello, bringing out a melody similar to Prokofiev. Highly listenable compositions that do not pander to either side of the pop/classical divide. ~ Ted Mills, All Music Guide

Credits

NameCredits
Andrew EcclesPhotography
Brooklyn Philharmonic OrchestraOrchestra
Dante de SoleEngineer
Dennis Russell DaviesConductor
Elane RooneyAssistant Engineer
Karen Kamensek?, Assistant Conductor
Kurt MunkasciExecutive Producer, Producer
Margery GreenspanArt Direction
Michael RiesmanProducer
Phil YarnallDesign
Philip GlassComposer, Performer, Main Performer, Liner Notes
Rory JohnstonExecutive Producer