Album Details
Title: Lionel Richie Artist: Lionel Richie Release Date: 1982 Re-Released On: 2/2/1998 Label: Motown, Polydor Duration: 37:45 Album Type(s): lyrics/libretto UPCs: 737463600729, 037463600744, 050109600717, 050109600724, 0501096007442, 731453002623 Genre: Rhythm & Blues Styles: Urban, Adult Contemporary, Soft Rock, Contemporary Pop/Rock, Quiet Storm Moods: Elegant, Intimate, Laid-Back/Mellow, Soothing, Amiable/Good-Natured, Gentle, Poignant, Romantic, Sentimental, Earnest, Passionate, Refined/Mannered, Sensual, Sweet, Silly, Playful Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Serves You Right
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Wandering Stranger
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Tell Me
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My Love
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Round and Round
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Truly
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You Are
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You Mean More to Me
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Just Put Some Love in Your Heart
Additional Releases
| Year | Type | Label | Catalog # | | 1998 | CD | Polydor | 5300262 | | 1992 | CD | Motown | 6007 | | 1992 | CD | Motown | 6007-2 |
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Album Review
Lionel Richie's solo career began while he was still in the Commodores, as he wrote and sang (as a duet with Diana Ross) the theme to the Brooke Shields romance Endless Love, which became a bigger hit than any of the group's singles, thereby setting the stage for his departure and his 1982 self-titled solo debut. He wasn't working in unfamiliar territory, or with new musicians. The Commodores decided to work as their own band, so their producer, James Anthony Carmichael, was able to devote his energy to working on Richie's album. Using the pop-crossover ballad style of "Endless Love," "Three Times a Lady," and "Easy" as their template, the duo turned Lionel Richie into a sleek, state-of-the-art record that, at its best, provides some irresistible pop pleasures. The key to its success -- and the reason it was scorned by some Commodores fans -- is that Richie doesn't even make a pretense of funk here, leaving behind the loose, elastic grooves of his previous bands (a move that makes sense, since his voice never suited that style particularly well), choosing to concentrate on ballads and sparkly mid-tempo pop, peppered with a few stylish dance grooves. The ballads, of course, provided two big hits with "My Love" and "Truly," two numbers that illustrate that he was moving ever-closer to mainstream pop, since these are unapologetic AOR slow-dance tunes. The other big hit, "You Are," is an effervescent, wonderful pop tune that showcases Richie at his sunniest; it's one of his greatest singles. Throughout the first part of the record, the dance numbers are served up and they're very good -- "Serves You Right" has a shiny, propulsive groove, while "Tell Me" jams nicely. After "You Are," the record bogs down with a couple of ballads that are on the wrong side of adult contemporary -- too formless, too hookless to really catch hold -- but they don't hurt the first seven songs, which form a dynamic mainstream pop-soul record, one of the best the early '80s had to offer. It's the sound of Lionel Richie finding his solo voice, and, the next time out, he knew how to use it even better than he does here. [The 2003 reissue of Lionel Richie includes two bonus tracks: a solo demo of "Endless Love" which not only fits perfectly with this record, but is less cloying, and an instrumental of "You Are" whose primary worth is to hear the detail and expertise in the production Richie and Carmichael assembled.] ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | A. Maebe | French Horn | | Alan DeVeritch | Viola | | Allan Harshman | Viola, Strings | | Armand Karpoff | Strings, Celli, Cello | | Arni Egilsson | Bass, Double Bass | | Arthur Maebe | Horn | | Assa Drori | Vocals, Strings, Violin | | B. Douglas | Violin, Vocals | | B. Findlay | Trumpet | | B. O'Conner | French Horn | | Bernie Grundman | Mastering | | Bill Reichenbach Jr. | Trombone | | Brenda Harvey Ritchie | Production Assistant | | Brian O'Connor | Horn | | Buell Neidlinger | Double Bass, Bass | | Calvin Harris | Mixing Engineer, Engineer | | Charles Veal | Vocals | | Charles Veal, Jr. | Violin | | Chuck Findley | Trumpet | | Clarence McDonald | Fender Rhodes, Keyboards | | D. Palmer | Violin | | Darrell Jones | Guitar (Acoustic), Guitar (Electric) | | Darryl Jones | Guitar, Guitar (Electric) | | Dave Cochran | Saxophone, Vocals, Synthesizer, Guitar | | David Alexander | Photography | | David Cochrane | Soloist, Arranger, Guitar (Electric), Vocals (Background), Guitar (Bass), Synthesizer Bass, Piano, Prophet 5, Synthesizer, Saxophone | | David Duke | Horn, French Horn | | David Palmer | Vocals | | David Schwartz | Strings | | David Speltz | Strings | | Deborah Thomas | Vocals, Vocals (Background) | | Dennis Karmazyn | Celli, Strings | | Don Ashworth | Woodwind, Wind | | E. Cipriano | Woodwind | | E. Watts | Saxophone | | Endre Granat | Vocals, Violin | | Ernie Watts | Saxophone | | Erno Neufeld | Strings | | F. Sekura | Strings | | Fred Law | Mixing Engineer | | Fred Tackett | Guitar (Acoustic), Guitar | | G. Vant | Harp | | G.A. Grant | Trumpet | | Gareth "Garry" Nuttycombe | Cello, Viola | | Gary Grant | Trumpet | | Gary Herbig | Woodwind, Saxophone | | Gary LeVant | Harmonica, Harp | | Gene Cipriano | Wind | | Gene Page | Arranger | | Greg Phillinganes | Arranger, Vocals, Fender Rhodes, Mini Moog, Keyboards, Synthesizer, Jupiter 8, Moog Synthesizer | | H. Roth | Vocals, Violin | | Harry Bluestone | Strings, Concert Master | | Henry Ferber | Strings | | Henry Sigismonti | French Horn | | Howard Kenney | Vocals (Background) | | Howard Kenny | Vocals, Vocals (Background) | | J. Llyle | Vocals, Strings | | J. Shulman | Violin, Vocals | | James Anthony Carmichael | Producer, Vocals | | James Atkinson | French Horn | | Jane Clark | Mixing | | Jerry Hey | Trumpet | | Jesse Ehrlich | Cello, Celli | | Jim Atkinson | Horn, French Horn | | Jim Cassell | Engineer | | Jimmy Connors | Vocals (Background), Vocals | | Joe Chemay | Guitar (Bass), Bass | | Joe Walsh | Soloist, Guitar | | John "J.R." Robinson | Drums | | Johnny Lee | Art Direction, Art Direction | | Kenny Rogers | Vocals, Vocals (Background) | | Kin Vassy | Vocals (Background), Vocals | | L. Williams | Woodwind | | LaMar Nathan Watts | Bass | | Larry Williams | Wind | | Le Vant, G. | Harp | | Lenny Castro | Percussion | | Leon "Ndugu" Chancler | Drums | | Leonard Castro | Percussion | | Lew McCreary | Trombone | | Lionel Richie | Rhythm Arrangements, Drums, Vocals, Vocal Arrangement, Piano, Producer, Fender Rhodes, Vocals (Background), Arranger, Keyboards | | Louise Di Tullio | Flute | | Mari Botnick | Strings | | Mari Tsumura | Vocals | | Mari Tsumura-Botnick | Violin | | Michael "Mike Dee" Johnson | Mixing Engineer | | Michael Boddicker | Synthesizer, Vocoder | | Michael Lang | Keyboards, Fender Rhodes, Piano | | Morty Corb | Bass | | Myron Sandler | Strings | | Nancy Ross | Strings | | Nathan East | Bass, Brass | | Nathan Ross | Strings | | Nathan Watts | Bass | | P. Hochalter | Cello, Celli | | P. Shure | Strings, Violin, Vocals | | Paul Jackson, Jr. | Guitar, Guitar (Electric) | | Paul Leim | Drums | | Paul Liem | Drums | | Paulinho Da Costa | Percussion | | R. Brown | Bass | | Ray Brown | Bass | | Richard Marx | Vocals (Background), Vocals | | Richard Perissi | French Horn | | Richie Zito | Guitar, Soloist | | Rick Shlosser | Percussion | | Rob Dale | Strings | | Rollice Dale | Strings | | Ronald Folsom | Strings | | S. Sanov | Violin, Vocals | | Stephan Smith | Mixing Engineer | | Stephen Amate Smith | Mixing Engineer | | Terry Williams | Vocals, Vocals (Background) | | Tibor Zelig | Strings | | Tim May | Guitar, Guitar (Acoustic) | | Virginia Majewski | Viola, Cello | | W. Green | Saxophone | | W. Henderson | Strings | | W. Johnson | Trumpet | | W. Kurash | Strings | | W. Lucning | Trumpet | | Warren Luening | Trumpet | | William Green | Saxophone | | William Kurash | Strings | | William Payne | Keyboards, Fender Rhodes | | William Reichenbach | Trombone |
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