Album Details
Title: Sarah Vaughan with Clifford Brown Artist: Sarah Vaughan and Clifford Brown Release Date: 1955 Re-Released On: 1/9/2009 Label: Emarcy, Verve, Universal Distribution, Jazz Track, Polygram Duration: 50:04 Album Type(s): Greatest Hits UPCs: 4988005355942, 731454330527, 0731454330527, 042281464126, 042281464140, 4988005330390, 4988005378675, 8436019589489, 602498607794 Genre: Vocal Music Styles: Bop, Cool, Standards, Traditional Pop, Vocal Jazz Moods: Elegant, Romantic, Soothing, Sophisticated, Stylish, Earnest, Intimate, Playful, Poignant, Refined/Mannered, Reflective, Smooth, Calm/Peaceful, Cheerful, Gentle, Happy, Innocent, Sensual, Sentimental, Wistful, Passionate, Nocturnal Total Copies: 0 Members Wishing: 3 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Lullaby of Birdland [composite master take]
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April in Paris
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He's My Guy
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Jim
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You're Not the Kind
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Embraceable You
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I'm Glad There Is You
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September Song
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It's Crazy
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Lullaby of Birdland [Partial Alternative Take][Alternate Take][*][Excer
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | Jazz Track | 948 | | 2004 | CD | Universal Distribution | 474839 | | 2003 | CD | Verve | 000112706 | | 2003 | CD | Universal Distribution | 5016 | | 2000 | CD | Polygram | 543305 | | 1992 | CD | Emarcy | 814641-2 | | 1990 | CD | Polygram | 8146412 |
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Album Review
This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark). Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards "April in Paris," "Jim," and "Lullaby of Birdland." As touching as Vaughan is, however, Brown almost equals her with his solos on "Lullaby of Birdland," "Jim," and "September Song," displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices. Quinichette's solos are magnificent as well, his feathery tone nearly a perfect match for Vaughan's voice. Ironically though, neither Brown nor Quinichette or Mann appear on the album's highlight, "Embraceable You," which Vaughan performs with close accompaniment from the rhythm section: Jimmy Jones on piano, Joe Benjamin on bass, and Roy Haynes on drums. Vaughan rounds the notes with a smile and even when she's steeping to reach a few low notes, she never loses the tremendous feeling conveyed by her voice. In whichever incarnation it's reissued, Sarah Vaughan With Clifford Brown is one of the most important jazz-meets-vocal sessions ever recorded. ~ John Bush, All Music Guide
Credits
| Name | Credits | | Bob Shad | Producer | | Bryan Koniarz | Reissue Producer | | Clifford Brown | Trumpet, Performer | | Ellen Fitton | Reissue Mastering | | Ernie Wilkins | Arranger, Conductor | | Herbie Mann | Flute | | Herman Leonard | Reissue Photography | | Hollis King | Reissue Art Director | | Jimmy Jones | Piano | | Joe Benjamin | Bass | | Ken Druker | Executive Producer | | Kiyoshi "Boxman" Koyama | Research | | Kiyoshi Tokiwa | Research, Remixing | | Mark Smith | Reissue Production Assistance | | Michael Bourne | Liner Notes | | Michael Ullman | Liner Notes | | Paul Quinichette | Sax (Tenor) | | Paul Ramey | CD Preparation | | Peter Keepnews | Notes Editing | | Richard Seidel | CD Preparation | | Robert Appleton | Reissue Design | | Roy Haynes | Drums (Snare), Drums | | Sarah Vaughan | Performer, Vocals | | Sherniece Smith | Art Coordinator | | William Claxton | Photography |
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