Album Details
Title: Greatest Artist: Bee Gees Release Date: 10/1979 Re-Released On: 10/25/1990 Label: RSO, Polydor Duration: 41:48 Album Type(s): Greatest Hits UPCs: 042280007126, 042282539045, 3259180007126 Genre: Rock Styles: Disco, Adult Contemporary, Soft Rock, Contemporary Pop/Rock Moods: Party/Celebratory, Romantic, Sentimental, Sweet, Theatrical, Cheerful, Gentle, Laid-Back/Mellow, Lush, Soothing, Sophisticated, Stylish, Yearning, Poignant, Amiable/Good-Natured, Innocent, Melancholy, Wistful, Carefree, Eerie Total Copies: 8 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Jive Talkin'
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Night Fever
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Tragedy
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You Should Be Dancing
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Stayin' Alive
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How Deep Is Your Love
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Love So Right
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Too Much Heaven
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(Our Love) Don't Throw It All Away [#]
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Fanny (Be Tender with My Love)
Track Listings Disc 2
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If I Can't Have You
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You Stepped into My Life
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Love Me
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More Than a Woman
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Rest Your Love on Me
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Nights on Broadway
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Spirits (Having Flown)
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Love You Inside Out
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Wind of Change
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Children of the World
Additional Releases
| Year | Type | Label | Catalog # | | 1990 | CD | Polydor | 800071-2 | | ------ | CD | RSO | 800071 |
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Album Review
In its original form, this double-LP compilation was a very generous repackaging of four years' worth of hits and notable album tracks, plus the Andy Gibb-authored "(Our Love) Don't Throw It All Away." It was a perfect distillation of the sound that had put the Bee Gees on top of the pop music world from 1975 onward. At the time, it did elicit some unspoken resentment from older fans who knew their hits from the 1960s, but as a collection of first-rate '70s dance music it was unimpeachable. It's also a statement of just how successful the Bee Gees were at the time that this was a double LP, representing just those four years, and how generous the group and RSO Records could afford to be -- indeed, anything less would have seemed like exploitation of the fans, but extending it out past the obvious hits (including the Saturday Night Fever material) made this collection an event of sorts, and a release that could stand alongside their albums from Mr. Natural (where their '70s sound really begins) through Spirits Having Flown. Gathering all of this material together was, in some ways, also a sign that the era was drawing to a close. And listening to it today, one does feel the definite pull of nostalgia, for a time when life seemed much simpler -- without a war in Iraq (or the necessity of a War on Terror), before AIDS and other STDs -- and the world seemed a little more manageable, at least potentially. On that basis alone, beyond the appeal of the songs (which is massive), this collection still exerts a strong pull. In fact, just about the only better way to recall the era is to listen to the Bee Gees' original albums of the same period. ~ Bruce Eder, All Music Guide
Credits
| Name | Credits | | Alan Kendall | Guitar, Guitar (Steel), Bass, Guitar (Electric) | | Albhy Galuten | Horn, Conductor, Producer | | Arif Mardin | Horn Arrangements, Woodwind Arrangement, String Arrangements, Producer | | Barry Gibb | Guitar (Rhythm), Guitar, Vocals | | Bee Gees | Band, ?, Producer | | Bill Purse | Horn | | Blue Weaver | Keyboards, Synthesizer | | Boneroo Horns | Horn | | Dennis Bryon | Drums, Percussion | | Ed Caraeff | Photography | | Gene Orloff | Concert Master, Conductor | | George "Chocolate" Perry | Percussion | | Glenn Ross | Art Direction | | Joe Farrell | Woodwind Arrangement, Sax (Tenor), String Arrangements, Horn Arrangements | | Joe Lala | Percussion | | Karl Richardson | Producer | | Kenneth Faulk | Horn | | Maurice Gibb | Bass, Guitar (Electric), Guitar, Vocals | | Neal Bonsanti | Horn | | Peter Graves | Horn | | Ray Barretto | Conga, Sax (Tenor) | | Robin Gibb | Vocals | | Stanley Webb | Horn | | Stephen Stills | Percussion | | Tom Nikosey | Design | | Whit Sidener | Horn |
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