Album Details
Title: Streetlights Artist: Bonnie Raitt Release Date: 1974 Label: Warner Bros., Rhino/Warner Bros., Rhino Duration: 37:05 UPCs: 075992728621, 081227838027, 075992728614, 075992728645, 603497978304, 759927286218 Genre: Rock Styles: Blues-Rock, Singer/Songwriter, Soft Rock, Contemporary Pop/Rock, Album Rock Moods: Confident, Earthy, Organic, Summery, Exuberant, Party/Celebratory, Passionate, Rollicking, Amiable/Good-Natured, Freewheeling, Laid-Back/Mellow, Refined/Mannered, Reflective, Romantic, Rousing, Sensual Total Copies: 0 Members Wishing: 2 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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That Song About the Midway
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Rainy Day Man
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Angel from Montgomery
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I Got Plenty
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Streetlights
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What Is Success
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Ain't Nobody Home
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Everything That Touches You
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Got You on My Mind
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You Got to Be Ready for Love (If You Wanna Be Mine)
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Rhino/Warner Bros. | | | 2001 | CD | Rhino | 78380 | | 1988 | CD | Warner Bros. | 2-2818 |
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Other Editions
- No other editions were found for this album.
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Album Review
Bonnie Raitt had delivered three stellar albums, but chart success wasn't forthcoming, even if good reviews and a cult following were. So, she teamed with producer Jerry Ragovoy for Streetlights and attempted to make the crossover record that Warner so desperately wished she'd release. Over the years, the concessions that she made here -- particularly the middle-of-the road arrangements (as opposed to the appealingly laid-back sounds of her previous records), the occasional use of strings, but also some of the song selections -- have consigned Streetlights to noble failure status. There's no denying that's essentially what Streetlights is, but that makes it out to seem worse than it really is. It winds up paling to the wonderful ease and warm sensuality of her first three albums -- she only occasionally hits that balance -- but it's still undeniably pleasant, and there are moments here where she really pulls off some terrific work, including the opening cover of Joni Mitchell's "That Song About the Midway," a good version of John Prine's "Angel From Montgomery," and the much-touted take on Allen Toussaint's "What Is Success." It may be easy to lament the suppression of the laid-back sexiness and organic feel of Raitt's earlier records, but there's still enough here in that spirit to make this worthwhile. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Arthur Jenkins | Percussion | | Blaise Castellano | Engineer | | Bob Babbitt | Bass, Bass (Electric) | | Bonnie Raitt | Guitar, Vocals | | Bruce Tergesen | Engineer | | Carl Hall | Vocals (Background), Vocals | | Charlie Brown | Guitar | | David Lasley | Vocals, Vocals (Background) | | David Matthews | Horn, Strings | | David Spinozza | Guitar | | Don Groinick | Keyboards | | Don Grolnick | Keyboards | | Freebo | Bass (Electric), Bass, Vocals | | Gregg Geller | Series Producer | | Harry Maslin | Engineer, Remixing | | Jeff Mironov | Guitar | | Jerry Friedman | Guitar | | Jerry Ragovoy | Producer, Arranger | | Jo Motta | Project Coordinator | | John Hall | Guitar | | John Tropea | Guitar | | Jon Mayer | Keyboards | | Larry Wilcox | String Arrangements, Strings, Horn, Horn Arrangements | | Lee Herschberg | Remastering | | Leon Pendarvis | Keyboards | | Lou Courtney | Vocals (Background), Vocals | | Natalie Venable | Vocals, Vocals (Background) | | Natalie Veneable | Vocals (Background) | | Paul Griffin | Keyboards | | Ralph MacDonald | Percussion | | Richard Davis | Bass, Bass (Electric) | | Robert Mann | Guitar | | Sharon Redd | Vocals (Background), Vocals | | Steve Gadd | Drums | | Tasha Thomas | Vocals (Background), Vocals |
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