George Benson with the Count Basie Orchestra - Big Boss Band

1




Album Details

Title: Big Boss Band
Artist: George Benson with the Count Basie Orchestra
Release Date: 1990
Re-Released On: 9/11/1990
Label: Warner Bros., Wounded Bird Records
Duration: 41:21
Album Type(s): Instrumental
UPCs: 075992629522, 664140262928, 075992629515
Genre: Jazz
Styles: Contemporary Jazz, Modern Big Band, Crossover Jazz, Jazz Instrument, Guitar Jazz
Moods: Elegant, Intimate, Laid-Back/Mellow, Refined/Mannered, Soothing, Sophisticated, Amiable/Good-Natured, Gentle, Reserved, Stylish, Earthy, Energetic, Playful, Rollicking, Romantic
Total Copies: 11
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Without a Song
  2. Ready Now That You Are
  3. How Do You Keep the Music Playing?
  4. On Green Dolphin Street
  5. Baby Workout
  6. I Only Have Eyes for You
  7. Portrait of Jennie
  8. Walkin' My Baby Back Home
  9. Skylark
  10. Basie's Bag

Additional Releases

YearTypeLabelCatalog #
1990CDWarner Bros.2-26295
1990CDWounded Bird Records2629

Other Editions

  • No other editions were found for this album.

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Album Review

This project had its genesis back in 1983 with a Benson promise to Count Basie that he would record an album in his style, a promise partially fulfilled the following year with 20/20's "Beyond the Sea." Focusing on standards that steer commendably clear from tunes normally associated with Basie, Benson takes on the dual challenge of big-band singer and lead guitarist and succeeds with authority in both roles. The robust playing of the Basie band under Frank Foster poses absolutely no problems for Benson's muscular guitar, for he punches out the notes and octaves in irresistibly swinging fashion (for prime mature Benson, check out "Basie's Bag"). As a vocalist, he sounds solid and debonair, blending well with Basie vocalist Carmen Bradford on "How Do You Keep the Music Playing?" There are two deviations from the format, though. "Baby Workout" starts out as an electronic dance number, augmented by horns, that harks back to his run of routine '80s albums. The sole Robert Farnon-arranged track, a lush orchestral treatment of "Portrait of Jennie" recorded in London, was salvaged from an aborted project that was promised back in 1988. Clearly Benson had wrestled control of his music from the accountants, and though the direction is conservative, it makes better use of his talents. ~ Richard S. Ginell, All Music Guide

Credits

NameCredits
Al SchmittProducer, Assistant Producer, Mixing, Engineer
Alexander WhiteHair Stylist, Stylist
Barry EastmondKeyboards, Piano
Bashiri JohnsonPercussion
Bob OjedaTrumpet, Soloist, Group Member, Arranger
Byron StriplingSoloist, Trumpet, Group Member
Carl CarterGroup Member
Carmen BradfordVocal Harmony, Vocals
Charlton JohnsonGroup Member
Clarence BanksGroup Member
Cleveland EatonGroup Member
Count BasiePerformer, ?
Danny Turner?
Dave RussellEngineer
David GlasserSoloist, Sax (Alto), Group Member
David RussellEngineer
David WithamKeyboards
Doug Miller?
Douglas Miller?
Duffy JacksonGroup Member
Earl GardnerHorn, Group Member
Ed RakMixing
Eith O'QuinnHorn
Elliot ScheinerEngineer
Frank FosterArranger, Sax (Tenor)
George BensonLiner Notes, Vocals, Producer, Performer, Guitar
George CohenGroup Member
George Cohn?
Greg CalbiMastering
James PughHorn, Group Member
Jeff TooneEngineer
John Williams?
Jon FaddisGroup Member, Horn
Keith O'QuinnHorn, Group Member
Kenny HingGroup Member
Larry FarrellGroup Member, Horn
Lew SoloffGroup Member, Horn
Little Johnny WilliamsGroup Member
Lorna StovallDesign
Mary Ann DibsArt Direction
Mel WanzoGroup Member
Mike "Love" WilliamsGroup Member
Mike Williams?
New York Horns?
Paul FauliseHorn, Group Member
Peter DarmiEngineer
Ralph MacDonaldPercussion
Randy BreckerGroup Member, Horn
Richard TeeKeyboard Bass
Robert FarnonArranger
Robert Farnon Orchestra?
Robert HakalskiPhotography
Robin LynchGrooming
Ron CarterBass
Terry BurrusKeyboards
Tim "T-Bone" WilliamsTrombone
William HughesGroup Member