Album Details
Title: Bigger Hands Artist: John Anderson Release Date: 6/9/2009 Label: Country Crossing UPC: 812432010089 Genre: Country Styles: Contemporary Country, New Traditionalist Moods: Earthy, Plaintive, Reflective, Rollicking, Sentimental, Passionate, Relaxed, Rousing, Amiable/Good-Natured, Romantic, Swaggering, Warm, Wistful, Bittersweet, Intimate, Laid-Back/Mellow, Rowdy, Earnest, Melancholy Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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How Can I Be So Thirsty
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Better News
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Hawaia in Hawaii
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The Greatest Story Never Told
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Shuttin' Detroit Down
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Cold Coffee and Hot Beer
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Bar Room Country
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Missing Her Again
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Shorty's Long Gone
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What Used to Turn Me On
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Fade Out
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Bigger Hands
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | Country Crossing | 01003 |
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Other Editions
- No other editions were found for this album.
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Album Review
Country singer and songwriter John Anderson came roaring back to the front lines on his 2007 star-studded, John Rich-produced album Easy Money. Bigger Hands is a sound horse of a different color. Being on the independent Country Crossing label, Anderson didn't have the same budget he had on Easy Money. In addition, Anderson co-produced the set with James Stroud and wrote or co-wrote everything on the set. While Bigger Hands is not as flashy as its predecessor, it may be a more consistent recording. Anderson does his rowdy, rollicking "too much to drink the night before" thing -- which so many of contemporary country's aces like Trace Adkins have "borrowed" wholesale -- on "How Can I Be So Thirsty." But the album's true strengths lie in the ballads and midtempo honky tonk songs such as "Hawaia in Hawaii," "The Greatest Story Never Told," and "Missing Her Again." That said, some of his honky tonk songs are among the best he's written. Check the single "Cold Coffee and Hot Beer," "What Used to Turn Me On," and "Fade Out." There's also a killer anthem for the end of the industrial economy in "Shuttin' Detroit Down," another single on the set. While the tune is a midtempo two-step, it's really a modern labor and protest song that goes far beyond party implications or the North-South divide and deserves to be heard far and wide. Anderson is at the top of his game here, and it would be a real shame if Nash Vegas radio didn't sit up and take notice again. Everything about this record is contemporary, from the sound of its production to its instrumentation, yet Anderson's songcraft is timeless country music traditionalism. ~ Thom Jurek, All Music Guide
Credits
| Name | Credits | | Biff Watson | Musician, Guitar (Acoustic) | | Brent Mason | Guitar (Electric), Musician | | Chip Martin | Musician, Guitar (Acoustic) | | Doug Rich | Production Assistant | | Eddie Bayers | Musician, Drums | | Elliot Parry | Audio Engineer | | Glen Rose | Photography | | Hank Williams | Mastering, Remastering | | Jake Burns | Audio Engineer | | Jake Burns & The Big Wheel | Engineer, Assistant | | James Stroud | Producer, Audio Production | | Jeff Crump | Art Direction, Package Layout | | Joe Spivey | Musician, Mandolin, Fiddle | | John Anderson | Guitar, Producer, Audio Production | | Julian King | Audio Engineer, Mixing, Engineer | | Larry Paxton | Bass, Musician | | Luellyn Latocki | Art Direction | | Mike Brignardello | Guitar (Bass), Bass, Musician | | Paul Franklin | Guitar (Steel), Dobro | | Rich H. Hanson | Audio Engineer | | Richard Hanson | Assistant, Engineer | | Scotty Sanders | Guitar (Steel), Dobro | | Steve Nathan | Piano, Keyboards | | Tammy Luker | Production Assistant | | Wes Hightower | Musician, Vocals (Background) |
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