The Beautiful South - Welcome to the Beautiful South

The Beautiful South - Welcome to the Beautiful South
2



Album Details

Title: Welcome to the Beautiful South
Artist: The Beautiful South
Release Date: 10/1989
Re-Released On: 4/30/1991
Label: Mercury, Go! Discs
Duration: 50:39
Album Type(s): lyrics/libretto
UPCs: 042284208024, 075596091725, 0042284208024
Genre: Rock
Styles: Alternative Pop/Rock, Contemporary Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock
Moods: Bittersweet, Cynical/Sarcastic, Ironic, Plaintive, Searching, Wistful, Acerbic, Eccentric, Elegant, Humorous, Irreverent, Literate, Quirky, Sophisticated, Stylish, Witty, Wry, Earnest, Indulgent, Poignant, Relaxed, Slick, Smooth, Theatrical, Autumnal, Calm/Peaceful, Intimate, Lush
Total Copies: 0
Members Wishing: 1
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Song for Whoever
  2. Have You Ever Been Away
  3. From Under the Covers
  4. I'll Sail This Ship Alone
  5. Girlfriend
  6. Straight in at 37' [*]
  7. You Keep It All In
  8. Woman in the Wall
  9. Oh Blackpool
  10. Love Is
  11. I Love You (But You're Boring)

Additional Releases

YearTypeLabelCatalog #
1991CDMercury8420802
1990CDGo! Discs60917-2

Other Editions

  • No other editions were found for this album.

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Album Review

The Beautiful South's 1989 debut would be important if only to mark the partial continuance of the Housemartins' legacy. But when vocalist Paul Heaton and drummer Dave Hemmingway greeted the world with Welcome to the Beautiful South, the handshake came with a Cheshire grin. Nothing in The Beautiful South was as it seemed. Where there was jaunty, jazzy pop, crossed fingers warned of murderous lyrics. If a single featured a fluttering flute, it was filled with familial terror. "Woman in the Wall," featuring one of the year's most memorable melodies and Heaton's plaintive lead vocal, also featured lines like "He'd enjoyed the thought of killing her before" and "when the rotting flesh began to stink." But even in the album's most gruesome moments, the streak of cynical, caustic sarcasm running through it was as clear as crop circles. This fact only made Welcome's twee goodness that much more fun, for with each well-placed barb it further proved what the Housemartins had started: pop didn't have to be stupid. ~ Johnny Loftus, All Music Guide

Credits

NameCredits
Brian CorriganVocals
Dave MeeganEngineer
Gary BarnacleFlute, Saxophone
Ian GrimbleEngineer
Jan SaudekPhotography
John RowleyProducer
John ThirkellTrumpet, Flugelhorn
John WoodsPhotography
Martin DitchamPercussion
Mel WessonKeyboards, Producer, Drum Programming
Michael HedgesProducer
Mike HedgesProducer
Paul CoxPhotography
Pete WingfieldKeyboards, Piano
Peter ThomsTrombone