Album Details
Title: Welcome to the Beautiful South Artist: The Beautiful South Release Date: 10/1989 Re-Released On: 4/30/1991 Label: Mercury, Go! Discs Duration: 50:39 Album Type(s): lyrics/libretto UPCs: 042284208024, 075596091725, 0042284208024 Genre: Rock Styles: Alternative Pop/Rock, Contemporary Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock Moods: Bittersweet, Cynical/Sarcastic, Ironic, Plaintive, Searching, Wistful, Acerbic, Eccentric, Elegant, Humorous, Irreverent, Literate, Quirky, Sophisticated, Stylish, Witty, Wry, Earnest, Indulgent, Poignant, Relaxed, Slick, Smooth, Theatrical, Autumnal, Calm/Peaceful, Intimate, Lush Total Copies: 0 Members Wishing: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
-
Song for Whoever
-
Have You Ever Been Away
-
From Under the Covers
-
I'll Sail This Ship Alone
-
Girlfriend
-
Straight in at 37' [*]
-
You Keep It All In
-
Woman in the Wall
-
Oh Blackpool
-
Love Is
-
I Love You (But You're Boring)
Additional Releases
| Year | Type | Label | Catalog # | | 1991 | CD | Mercury | 8420802 | | 1990 | CD | Go! Discs | 60917-2 |
|
Other Editions
- No other editions were found for this album.
|
|
Similar CDs
Members who requested this CD also requested:
Album Review
The Beautiful South's 1989 debut would be important if only to mark the partial continuance of the Housemartins' legacy. But when vocalist Paul Heaton and drummer Dave Hemmingway greeted the world with Welcome to the Beautiful South, the handshake came with a Cheshire grin. Nothing in The Beautiful South was as it seemed. Where there was jaunty, jazzy pop, crossed fingers warned of murderous lyrics. If a single featured a fluttering flute, it was filled with familial terror. "Woman in the Wall," featuring one of the year's most memorable melodies and Heaton's plaintive lead vocal, also featured lines like "He'd enjoyed the thought of killing her before" and "when the rotting flesh began to stink." But even in the album's most gruesome moments, the streak of cynical, caustic sarcasm running through it was as clear as crop circles. This fact only made Welcome's twee goodness that much more fun, for with each well-placed barb it further proved what the Housemartins had started: pop didn't have to be stupid. ~ Johnny Loftus, All Music Guide
Credits
| Name | Credits | | Brian Corrigan | Vocals | | Dave Meegan | Engineer | | Gary Barnacle | Flute, Saxophone | | Ian Grimble | Engineer | | Jan Saudek | Photography | | John Rowley | Producer | | John Thirkell | Trumpet, Flugelhorn | | John Woods | Photography | | Martin Ditcham | Percussion | | Mel Wesson | Keyboards, Producer, Drum Programming | | Michael Hedges | Producer | | Mike Hedges | Producer | | Paul Cox | Photography | | Pete Wingfield | Keyboards, Piano | | Peter Thoms | Trombone |
|
|