The Police - Outlandos d'Amour

While their subsequent chart-topping albums would contain far more ambitious songwriting and musicianship, the Police's 1978 debut, Outlandos d'Amour (translation: Outlaws of Love) is by far their most direct and straightforward release. Although Sting, Andy Summers, and Stewart Copeland were all superb instrumentalists with jazz backgrounds, it was much easier to get a record contract in late-'70s England if you were a punk/new wave artist, so the band decided to mask their instrumental prowess with a set of strong, adrenaline-charged rock, albeit with a reggae tinge. Some of it may have been simplistic ("Be My Girl-Sally," "Born in the '50s"), but Sting was already an ace songwriter, as evidenced by all-time classics like the good-girl-gone-bad tale of "Roxanne," and a pair of brokenhearted reggae-rock ditties, "Can't Stand Losing You" and "So Lonely." But like all other Police albums, the lesser-known album cuts are often highlights themselves -- the frenzied rockers "Next to You," "Peanuts," and "Truth Hits Everybody," as well as more exotic fare like the groovy album closer "Masoko Tanga" and the lonesome "Hole in My Life." Outlandos d'Amour is unquestionably one of the finest debuts to come out of the '70s punk/new wave movement. ~ Greg Prato, All Music Guide

Name Credits Andy Summers Arranger, Vocals, Guitar, Producer Bill Levenson Reissue Supervisor Bob Ludwig Mastering Brendan Morris Tape Research Chris Gray Engineer Dave Collins Mastering David Foster Tape Research David Lascelles Tape Research Jane Hitchin Tape Research Margaret Goldfarb Reissue Production Coordination Meire Murakami Reissue Design Nigel Gray Engineer Randy Aronson Tape Research Stewart Copeland Vocals, Drums, Producer Stewart Whitmore Compilation Producer Sting Vocals, Bass, Producer The Police Producer, Arranger Vartan Reissue Art Director Zoe Roberts Tape Research