Album Details
Title: The Beatles [White Album] Artist: The Beatles Release Date: 11/22/1968 Re-Released On: 9/9/2009 Label: EMI Music Distribution, Toshiba EMI, EMI Europe Generic, Capitol Records, Apple Duration: 93:43 Album Type(s): lyrics/libretto, Enhanced CD-ROM UPCs: 077774644327, 077774644389, 094638246626, 4988006740037, 724349689527, 0077774644389, 077770001315, 077770010119, 077770010140, 077771184116, 077774644310, 077779146017, 4988006817173 Genre: Rock Styles: Rock & Roll, Hard Rock, Psychedelic, Contemporary Pop/Rock, Album Rock, British Psychedelia, AM Pop Moods: Ambitious, Bright, Complex, Exciting, Fun, Lively, Witty, Amiable/Good-Natured, Carefree, Happy, Poignant, Searching, Sentimental, Sweet, Warm, Whimsical, Wistful, Yearning, Cheerful, Exuberant, Gleeful, Humorous, Joyous, Laid-Back/Mellow, Literate, Lush, Melancholy, Quirky, Rollicking, Sophisticated, Swaggering, Trippy, Irreverent, Light, Playful, Romantic, Wry, Bittersweet, Eccentric, Party/Celebratory Total Copies: 0 Members Wishing: 96 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Back in the U.S.S.R.
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Dear Prudence
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Glass Onion
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Ob-La-Di, Ob-La-Da
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Wild Honey Pie
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The Continuing Story of Bungalow Bill
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While My Guitar Gentley Weeps
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Happiness Is a Warm Gun
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Martha My Dear
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I'm So Tired
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Blackbird
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Piggies
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Rocky Raccoon
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Don't Pass Me By
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Why Don't We Do It in the Road?
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I Will
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Julia
Track Listings Disc 2
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Birthday
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Yer Blues
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Mother Nature's Son
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Everybody's Got Something to Hide Except Me and My Monkey
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Sexy Sadie
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Helter Skelter
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Long, Long, Long
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Revolution I
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Honey Pie
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Savoy Truffle
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Cry Baby Cry
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Revolution 9
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Good Night
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The Beatles Mini-Documentary [Multimedia]
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | Apple | 82466 | | 2008 | CD | EMI Europe Generic | 746443 | | 1998 | CD | Toshiba EMI | 5111920 | | 1998 | CD | Capitol Records | 96895 | | 1987 | CD | EMI Music Distribution | 7464438 | | 1987 | CD | Capitol Records | C2-46443 |
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Other Editions
- No other editions were found for this album.
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Album Review
Each song on the sprawling double album The Beatles is an entity to itself, as the band touches on anything and everything it can. This makes for a frustratingly scattershot record or a singularly gripping musical experience, depending on your view, but what makes the so-called White Album interesting is its mess. Never before had a rock record been so self-reflective, or so ironic; the Beach Boys send-up "Back in the U.S.S.R." and the British blooze parody "Yer Blues" are delivered straight-faced, so it's never clear if these are affectionate tributes or wicked satires. Lennon turns in two of his best ballads with "Dear Prudence" and "Julia"; scours the Abbey Road vaults for the musique concrète collage "Revolution 9"; pours on the schmaltz for Ringo's closing number, "Good Night"; celebrates the Beatles cult with "Glass Onion"; and, with "Cry Baby Cry," rivals Syd Barrett. McCartney doesn't reach quite as far, yet his songs are stunning -- the music hall romp "Honey Pie," the mock country of "Rocky Raccoon," the ska-inflected "Ob-La-Di, Ob-La-Da," and the proto-metal roar of "Helter Skelter." Clearly, the Beatles' two main songwriting forces were no longer on the same page, but neither were George and Ringo. Harrison still had just two songs per LP, but it's clear from "While My Guitar Gently Weeps," the canned soul of "Savoy Truffle," the haunting "Long, Long, Long," and even the silly "Piggies" that he had developed into a songwriter who deserved wider exposure. And Ringo turns in a delight with his first original, the lumbering country-carnival stomp "Don't Pass Me By." None of it sounds like it was meant to share album space together, but somehow The Beatles creates its own style and sound through its mess. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Aaron Bremner | Photo Editing, Photo Research | | Alan Rouse | Liner Notes, Project Coordinator | | Alf Reece | Tuba | | Andy Morris | Saxophone, Trombone | | Bernard Miller | Violin | | Bill Povey | Trombone | | Billy Preston | Organ | | Chris E. Thomas | Producer | | Chris Thomas | Harpsichord, Producer, Mellotron | | David Smith | Clarinet | | Dennis McConnell | Violin | | Dennis Walton | Saxophone | | Derek Watkins | Trumpet | | Don Lang | Trombone | | Drew Lorimer | Redesign | | Eric Clapton | Guitar | | Freddy Clayton | Trumpet | | Frederick J. Alexander | Cello | | Gavin ONeill | Photo Retouching | | Geoff Emerick | Engineer | | George Harrison | Organ, Guitar (Rhythm), Violin, Vocals, Tambourine, Guitar, Guitar (Bass) | | George Martin | Horn, Piano, Producer, Orchestration | | Guy Massey | Remastering | | Harry Klein | Saxophone | | Henry Myerscough | Viola | | Jack Fallon | Violin | | Jim Chester | Saxophone | | John Lennon | Tambourine, Guitar (Bass), Organ, Horn, Saxophone, Guitar (Rhythm), Vocals, Harmonica, Guitar | | John Power | Trombone | | Ken Scott | Engineer | | Kevin Howlett | Historical Research, Liner Notes | | Leo Birnbaum | Viola | | Leon Calvert | French Horn, Trumpet | | Les Maddox | Violin | | Lou Sofier | Violin | | Mal Evans | Tambourine, Trumpet | | Maureen Starkey | Vocals (Background) | | Nicky Hopkins | Piano, Performer | | Patti Harrison | Vocals (Background) | | Paul McCartney | Guitar, Vocals, Flute, Drums, Bass, Organ (Hammond), Percussion, Guitar (Bass), Piano | | Pete Shotton | Tambourine | | Raymond Newman | Clarinet | | Reginald Kilbey | Cello | | Richard Hamilton | Design | | Ringo Starr | Bongos, Piano, Percussion, Drums, Marimba, Vocals, Tambourine | | Ron Hughes | Trumpet | | Ronald Chamberlain | Saxophone | | Stanley Reynolds | Trumpet | | Steve Rooke | Remastering | | Ted Barker | Tuba | | Tony Tunstall | French Horn | | Wendy Day | Project Manager | | Yoko Ono | Vocals (Background) |
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