Horace Silver Quintet with J.J. Johnson - The Cape Verdean Blues

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Album Details

Title: The Cape Verdean Blues
Artist: Horace Silver Quintet with J.J. Johnson
Release Date: 1965
Re-Released On: 3/23/2004
Label: Blue Note, Blue Note Records
Duration: 43:43
Album Type(s): Instrumental
UPCs: 077778422020, 4988006811454, 4988006864481, 724359083926, 0077778422051, 0724352113255, 077778422051, 724357675321, 724359083957
Genre: Jazz
Styles: Soul Jazz, Hard Bop, Jazz Instrument, Piano Jazz
Moods: Amiable/Good-Natured, Cheerful, Earthy, Exuberant, Freewheeling, Fun, Humorous, Joyous, Organic, Playful, Sophisticated, Stylish, Bravado, Carefree, Dramatic, Earnest, Energetic, Gritty, Happy, Literate, Lively, Party/Celebratory, Passionate, Rousing, Searching, Slick, Street-Smart, Uplifting, Warm, Witty, Wry
Total Copies: 0
Members Wishing: 1
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. The Cape Verdean Blues
  2. The African Queen
  3. Pretty Eyes
  4. Nutville
  5. Bonita
  6. Mo' Joe

Additional Releases

YearTypeLabelCatalog #
2004CDBlue Note5767532
2004CDBlue Note9514
2004CDBlue Note Records90839
2004CDBlue Note
1989CDBlue NoteB2-84220

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Album Review

After the success of Song for My Father and its hit title cut, Horace Silver was moved to pay further tribute to his dad, not to mention connect with some of his roots. Silver's father was born in the island nation of Cape Verde (near West Africa) before emigrating to the United States, and that's the inspiration behind The Cape Verdean Blues. Not all of the tracks are directly influenced by the music of Cape Verde (though some do incorporate Silver's taste for light exoticism); however, there's a spirit of adventure that pervades the entire album, a sense of exploration that wouldn't have been quite the same with Silver's quintet of old. On average, the tracks are longer than usual, and the lineup -- featuring tenor saxophonist Joe Henderson (a holdover from the Song for My Father sessions) and trumpeter Woody Shaw -- is one of the most modernist-leaning Silver ever recorded with. They push Silver into more advanced territory than he was normally accustomed to working, with mild dissonances and (especially in Henderson's case) a rawer edge to the playing. What's more, bop trombone legend J.J. Johnson appears on half of the six tracks, and Silver sounds excited to finally work with a collaborator he'd been pursuing for some time. Johnson ably handles some of the album's most challenging material, like the moody, swelling "Bonita" and the complex, up-tempo rhythms of "Nutville." Most interesting, though, is the lilting title track, which conjures the flavor of the islands with a blend of Latin-tinged rhythms and calypso melodies that nonetheless don't sound quite Caribbean in origin. Also noteworthy are "The African Queen," with its blend of emotional power and drifting hints of freedom, and "Pretty Eyes," Silver's first original waltz. Yet another worthwhile Silver album. ~ Steve Huey, All Music Guide

Credits

NameCredits
Alfred LionProducer
Bob BlumenthalLiner Notes
Bob CranshawBass
Francis WolffPhotography
Gordon JeeCreative Director
Horace SilverPerformer, Piano, Author
Horace Silver QuintetPerformer
J.J. JohnsonPerformer, Trombone
Joe HendersonSax (Tenor)
Leonard FeatherOriginal Liner Notes, Liner Notes
Micaela BolandArt Direction, Design
Michael CuscunaReissue Producer
Reid MilesPhotography, Design, Cover Photo
Roger HumphriesDrums
Ron McMasterDigital Transfers
Rudy Van GelderEngineer, Remastering
Woody ShawTrumpet