Album Details
Title: Blowin' the Blues Away Artist: Horace Silver Release Date: 1959 Re-Released On: 3/11/2008 Label: Blue Note, Blue Note Records Duration: 42:18 Album Type(s): Instrumental UPCs: 077774652629, 4988006683662, 4988006822320, 724349534223, 0724349534254, 077778401742, 724349534254 Genre: Jazz Styles: Soul Jazz, Hard Bop, Jazz Instrument, Piano Jazz Moods: Amiable/Good-Natured, Cheerful, Earthy, Exuberant, Freewheeling, Fun, Humorous, Joyous, Organic, Playful, Sophisticated, Stylish, Bravado, Carefree, Dramatic, Earnest, Energetic, Gritty, Happy, Literate, Lively, Party/Celebratory, Passionate, Rousing, Searching, Slick, Street-Smart, Uplifting, Warm, Witty, Wry Total Copies: 0 Members Wishing: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Blowin' the Blues Away
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The St. Vitus Dance
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Break City
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Peace
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Sister Sadie
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The Baghdad Blues
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Melancholy Mood
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How Did It Happen [*]
Additional Releases
| Year | Type | Label | Catalog # | | 2004 | CD | Blue Note | 4017 | | 2004 | CD | Blue Note | 6421 | | 1999 | CD | Blue Note Records | 95342 | | 1990 | CD | Blue Note | 46526 | | 1987 | CD | Blue Note | B2-46526 |
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Album Review
Blowin' the Blues Away is one of Horace Silver's all-time Blue Note classics, only upping the ante established on Finger Poppin' for tightly constructed, joyfully infectious hard bop. This album marks the peak of Silver's classic quintet with trumpeter Blue Mitchell, tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer Louis Hayes; it's also one of the pianist's strongest sets of original compositions, eclipsed only by Song for My Father and Horace Silver and the Jazz Messengers. The pacing of the album is impeccable, offering up enough different feels and slight variations on Silver's signature style to captivate the listener throughout. Two songs -- the warm, luminous ballad "Peace" and the gospel-based call-and-response swinger "Sister Sadie" -- became oft-covered standards of Silver's repertoire, and the madly cooking title cut wasn't far behind. And they embody what's right with the album in a nutshell -- the up-tempo tunes ("Break City") are among the hardest-swinging Silver had ever cut, and the slower changes of pace ("Melancholy Mood") are superbly lyrical, adding up to one of the best realizations of Silver's aesthetic. Also, two cuts ("Melancholy Mood" and the easy-swinging "The St. Vitus Dance") give Silver a chance to show off his trio chops, and "Baghdad Blues" introduces his taste for exotic, foreign-tinged themes. Through it all, Silver remains continually conscious of the groove, playing off the basic rhythms to create funky new time patterns. The typical high-impact economy of his and the rest of the band's statements is at its uppermost level, and everyone swings with exuberant commitment. In short, Blowin' the Blues Away is one of Silver's finest albums, and it's virtually impossible to dislike. ~ Steve Huey, All Music Guide
Credits
| Name | Credits | | Alfred Lion | Producer | | Billy Mitchell | Sax (Tenor) | | Blue Mitchell | Trumpet | | Gene Taylor | Bass | | Horace Silver | Performer, Piano | | Ira Gitler | Liner Notes | | Junior Cook | Sax (Tenor) | | Louis Hayes | Drums | | Michael Cuscuna | Producer, Release Production, Liner Notes, Reissue Producer | | Paula Donohue | Illustrations, Cover Design | | Reid Miles | Cover Design, Design | | Ron McMaster | Digital Transfers | | Rudy Van Gelder | Engineer |
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