Harry Nilsson - Nilsson Schmilsson

Harry Nilsson - Nilsson Schmilsson
9



Album Details

Title: Nilsson Schmilsson
Artist: Harry Nilsson
Release Date: 11/1971
Re-Released On: 10/22/2008
Label: BMG, RCA Records
Duration: 34:48
UPCs: 078635451528, 078636659923, 4988017663370, 0035628346421, 078635346442, 743217574512, 766486262423
Genre: Rock
Styles: Singer/Songwriter, Soft Rock, Contemporary Pop/Rock, Baroque Pop, Album Rock, AM Pop
Moods: Playful, Quirky, Whimsical, Gentle, Literate, Poignant, Sardonic, Warm, Witty, Bittersweet, Amiable/Good-Natured, Cerebral, Complex, Cynical/Sarcastic, Earnest, Eccentric, Hedonistic, Humorous, Plaintive, Reflective, Sentimental, Sophisticated, Wistful, Innocent, Laid-Back/Mellow, Messy, Silly, Sweet, Freewheeling, Melancholy, Outrageous, Rollicking, Snide, Soothing
Total Copies: 0
Members Wishing: 6
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Gotta Get Up
  2. Driving Along
  3. Early in the Morning
  4. The Moonbeam Song
  5. Down
  6. Without You
  7. Coconut
  8. Let the Good Times Roll
  9. Jump into the Fire
  10. I'll Never Leave You

Additional Releases

YearTypeLabelCatalog #
2008CDBMG34411
1995CDRCA Records66599
------CDRCA Records4515

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Album Review

Harry Nilsson had a hit, a Grammy, and critical success, yet he still didn't have a genuine blockbuster to his name when it came time to finally deliver a full-fledged follow-up to Nilsson Sings Newman, so he decided it was time to make that unabashed, mainstream pop/rock album. Hiring Barbra Streisand producer Richard Perry as a collaborator, Nilsson made a streamlined, slightly domesticated, unashamed set of mature pop/rock, with a slight twist. This is an album, after all, that begins by pining for the reckless days of youth, then segues into a snapshot of suburban disconnectedness before winding through a salute to and covers of old r&b tunes ("Early in the Morning" and "Let the Good Times Roll," respectively), druggie humor ("Coconut"), and surging hard rock ("Jump Into the Fire"). There are certainly hints of the Nilsson of old, particularly in his fondness for Tin Pan Alley and McCartney melodicism -- as well as his impish wit -- yet he hadn't made a record as cohesive as this since his first time out, nor had he ever made something as shiny and appealing as this. It may be more accessible than before, yet it's anchored by his mischievous humor and wonderful idiosyncrasies. Chances are that those lured in by the grandly melodramatic "Without You" will not be prepared for either the subtle charms of "The Moonbeam Song" or the off-kilter sensibility that makes even his breeziest pop slightly strange. In short, it's a near-perfect summary of everything Nilsson could do; he could be craftier and stranger, but never did he achieve the perfect balance as he did here. ~ Stephen Thomas Erlewine, All Music Guide

Credits

NameCredits
Acy LehmanGraphic Design
Bobby KeysSaxophone
Caleb QuayeGuitar
Chris SpeddingGuitar
Curtis ArmstrongLiner Notes
Dean TorrencePhotography
Dennis SmithEngineer
Gary WrightPiano
George TiptonArranger, Horn Arrangements, Conductor, String Arrangements
Harry NilssonPiano, Performer, Mellotron, Organ, Vocals
Henry KreinAccordion
Herbie FlowersBass
Ian DuckGuitar (Acoustic), Guitar
Jim GordonDrums
Jim KeltnerDrums
Jim PriceArranger, Trombone, Trumpet
Jimmy WebbPiano
John UribeGuitar (Acoustic), Guitar, Guitar (Electric)
Keith MunroProject Coordinator
Klaus VoormannBass, Guitar (Acoustic), Guitar
Paul BuckmasterConductor, String Arrangements, Horn Arrangements
Phill BrownEngineer
Richard PerryProducer, Percussion, Mellotron
Richie SchmittEngineer
Robin Geoffrey CableEngineer
Roger CoolenOrgan
Roger PopeDrums
Tony ArnoldEngineer, Producer, Mixing, Editing
William HarrisProject Coordinator