Album Details
Title: Nilsson Schmilsson Artist: Harry Nilsson Release Date: 11/1971 Re-Released On: 10/22/2008 Label: BMG, RCA Records Duration: 34:48 UPCs: 078635451528, 078636659923, 4988017663370, 0035628346421, 078635346442, 743217574512, 766486262423 Genre: Rock Styles: Singer/Songwriter, Soft Rock, Contemporary Pop/Rock, Baroque Pop, Album Rock, AM Pop Moods: Playful, Quirky, Whimsical, Gentle, Literate, Poignant, Sardonic, Warm, Witty, Bittersweet, Amiable/Good-Natured, Cerebral, Complex, Cynical/Sarcastic, Earnest, Eccentric, Hedonistic, Humorous, Plaintive, Reflective, Sentimental, Sophisticated, Wistful, Innocent, Laid-Back/Mellow, Messy, Silly, Sweet, Freewheeling, Melancholy, Outrageous, Rollicking, Snide, Soothing Total Copies: 0 Members Wishing: 6 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Gotta Get Up
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Driving Along
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Early in the Morning
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The Moonbeam Song
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Down
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Without You
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Coconut
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Let the Good Times Roll
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Jump into the Fire
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I'll Never Leave You
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | BMG | 34411 | | 1995 | CD | RCA Records | 66599 | | ------ | CD | RCA Records | 4515 |
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Album Review
Harry Nilsson had a hit, a Grammy, and critical success, yet he still didn't have a genuine blockbuster to his name when it came time to finally deliver a full-fledged follow-up to Nilsson Sings Newman, so he decided it was time to make that unabashed, mainstream pop/rock album. Hiring Barbra Streisand producer Richard Perry as a collaborator, Nilsson made a streamlined, slightly domesticated, unashamed set of mature pop/rock, with a slight twist. This is an album, after all, that begins by pining for the reckless days of youth, then segues into a snapshot of suburban disconnectedness before winding through a salute to and covers of old r&b tunes ("Early in the Morning" and "Let the Good Times Roll," respectively), druggie humor ("Coconut"), and surging hard rock ("Jump Into the Fire"). There are certainly hints of the Nilsson of old, particularly in his fondness for Tin Pan Alley and McCartney melodicism -- as well as his impish wit -- yet he hadn't made a record as cohesive as this since his first time out, nor had he ever made something as shiny and appealing as this. It may be more accessible than before, yet it's anchored by his mischievous humor and wonderful idiosyncrasies. Chances are that those lured in by the grandly melodramatic "Without You" will not be prepared for either the subtle charms of "The Moonbeam Song" or the off-kilter sensibility that makes even his breeziest pop slightly strange. In short, it's a near-perfect summary of everything Nilsson could do; he could be craftier and stranger, but never did he achieve the perfect balance as he did here. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Acy Lehman | Graphic Design | | Bobby Keys | Saxophone | | Caleb Quaye | Guitar | | Chris Spedding | Guitar | | Curtis Armstrong | Liner Notes | | Dean Torrence | Photography | | Dennis Smith | Engineer | | Gary Wright | Piano | | George Tipton | Arranger, Horn Arrangements, Conductor, String Arrangements | | Harry Nilsson | Piano, Performer, Mellotron, Organ, Vocals | | Henry Krein | Accordion | | Herbie Flowers | Bass | | Ian Duck | Guitar (Acoustic), Guitar | | Jim Gordon | Drums | | Jim Keltner | Drums | | Jim Price | Arranger, Trombone, Trumpet | | Jimmy Webb | Piano | | John Uribe | Guitar (Acoustic), Guitar, Guitar (Electric) | | Keith Munro | Project Coordinator | | Klaus Voormann | Bass, Guitar (Acoustic), Guitar | | Paul Buckmaster | Conductor, String Arrangements, Horn Arrangements | | Phill Brown | Engineer | | Richard Perry | Producer, Percussion, Mellotron | | Richie Schmitt | Engineer | | Robin Geoffrey Cable | Engineer | | Roger Coolen | Organ | | Roger Pope | Drums | | Tony Arnold | Engineer, Producer, Mixing, Editing | | William Harris | Project Coordinator |
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