Album Details
Title: Billie's Best Artist: Billie Holiday Release Date: 1992 Re-Released On: 9/29/1992 Label: Verve Duration: 59:48 Album Type(s): Greatest Hits UPCs: 731451394324, 0731451394324 Genre: Vocal Music Styles: Classic Female Blues, Traditional Pop, Vocal Jazz Moods: Bittersweet, Brooding, Cathartic, Elegant, Intimate, Plaintive, Poignant, Sad, Warm, Yearning, Delicate, Dramatic, Dreamy, Searching, Sentimental, Soothing, Stylish, Weary, Autumnal, Earthy, Melancholy, Nocturnal, Romantic, Sophisticated, Wistful, Confident, Laid-Back/Mellow, Sensual Total Copies: 22 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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What a Little Moonlight Can Do
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A Foggy Day
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Come Rain or Come Shine
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Comes Love
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He's Funny That Way
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Stars Fell on Alabama
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Gone With the Wind
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They Can't Take That Away from Me
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East of the Sun (And West of the Moon)
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Everything I Have Is Yours
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Stormy Blues
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Speak Low
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April in Paris
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I've Got My Love to Keep Me Warm
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Some Other Spring
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All the Way
Additional Releases
| Year | Type | Label | Catalog # | | 1992 | CD | Verve | 314-513943-2 |
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Other Editions
- No other editions were found for this album.
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Album Review
There is no end in sight to the debate over Billie Holiday's career as a vocalist: Is the essence of her art to be found in her early recordings for Columbia or in the recordings she made for Verve at the end of her short and, by all accounts, miserable life? The early work finds her in clearer voice and singing with energy and conviction, while in the later recordings her voice is ravaged, yet more soulful and perhaps more nuanced. In 1992 Verve made its case for the latter position by releasing a monumental ten-disc box set containing everything Holiday recorded for the company between 1945-1959, and simultaneously released this 16-track sampler as a palliative to those who didn't have 150 dollars lying around. Nothing here will settle the argument for good, but this album does offer a good cross section of the latter part of her career, from the small-ensemble work with pianists Oscar Peterson and Jimmy Rowles to a nice performance of "All the Way" with an orchestra conducted by Ray Ellis. This probably should not be anyone's only Billie Holiday album, but it's a valuable, and at times moving, document of the end of a sad but illustrious career. ~ Rick Anderson, All Music Guide
Credits
| Name | Credits | | Aaron Bell | Bass | | Alvin Stoller | ?, Drums | | Barney Kessel | Guitar (Electric) | | Ben Webster | Sax (Tenor) | | Benny Carter | Sax (Alto) | | Billie Holiday | Vocals | | Billy Bauer | Guitar (Electric) | | Billy Taylor | Piano | | Bobby Tucker | Piano | | Budd Johnson | Sax (Tenor) | | Charlie Shavers | Tenor (Vocal), Trumpet | | Chico Hamilton | ?, Drums | | Cliff Preiss | Producer, Assistant Producer | | Cozy Cole | Drums | | David Lau | Design | | Ed Shaughnessy | Drums | | Flip Phillips | Sax (Tenor) | | Freddie Green | Guitar | | Gus Johnson | Drums | | Hank Jones | Piano, Cello | | Harry "Sweets" Edison | Trumpet, Tenor (Vocal) | | Herb Ellis | Guitar (Electric) | | Janet Putnam | Harp | | Jimmy Rowles | Piano | | Joe Benjamin | Bass | | Joe Mondragon | Bass | | Joe Newman | Trumpet, Tenor (Vocal) | | John Simmons | Bass | | Kenny Burrell | Guitar (Electric) | | Larry Bunker | Drums | | Lenny McBrowne | Drums, ? | | Leonard Gaskin | Bass | | Leroy Lovett | Director | | Michael Bays | Art Direction | | Michael Lang | Sequencing | | Oscar Peterson | Piano | | Osie Johnson | Drums | | Paul J. Hoeffler | Photography | | Paul Quinichette | Sax (Tenor) | | Peter Pullman | Assistant Producer, Producer | | Phil Schaap | Producer, Research, Remastering, Restoration, Assistant Producer | | Ray Brown | Bass | | Ray Ellis | Arranger, Conductor | | Red Callender | Bass | | Red Mitchell | Bass | | Robin Carson | Photography | | Romeo Penque | Clarinet (Bass), Sax (Alto), Bass, Clarinet | | Tom "Curly" Ruff | Remastering | | Tony Scott | Clarinet | | Willie Smith | Sax (Alto) | | Wynton Kelly | Piano |
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