Album Details
Title: Sail Away Artist: Randy Newman Release Date: 1972 Re-Released On: 5/28/2008 Label: Reprise, Warner Bros. Duration: 30:07 Album Type(s): lyrics/libretto UPCs: 075992720328, 075992720311, 075992720342, 4943674079711 Genre: Rock Styles: Singer/Songwriter, Contemporary Pop/Rock, Baroque Pop Moods: Acerbic, Cynical/Sarcastic, Wry, Ironic, Literate, Playful, Provocative, Sardonic, Tense/Anxious, Witty, Bittersweet, Cerebral, Gentle, Humorous, Poignant, Quirky, Snide, Bitter, Intimate, Rollicking, Complex, Elegant, Laid-Back/Mellow, Plaintive, Restrained, Sophisticated, Theatrical, Autumnal, Confrontational, Reflective Total Copies: 0 Members Wishing: 6 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Sail Away
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Lonely at the Top
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He Gives Us All His Love
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Last Night I Had a Dream
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Simon Smith and the Amazing Dancing Bear
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Old Man
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Political Science
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Burn On
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Memo to My Son
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Dayton, Ohio 1903
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You Can Leave Your Hat On
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God's Song (That's Why I Love Mankind)
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Warner Bros. | 75402 | | 1987 | CD | Reprise | 2-2064 |
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Album Review
On his third studio album, Randy Newman found a middle ground between the heavily orchestrated pop of his debut and the more stripped-down, rock-oriented approach of 12 Songs, and managed to bring new strength to both sides of his musical personality in the process. The title track, which Newman has described as a sort of commercial jingle written for slave traders looking to recruit naïve Africans, and "Old Man," in which an elderly man is rejected with feigned compassion by his son, were set to Newman's most evocative arrangements to date and rank with the most intelligent and effective use of a large ensemble by anyone in pop music. On the other end of the scale, "Last Night I Had a Dream" and "You Can Leave Your Hat On" are lean, potent mid-tempo rock tunes, the former featuring some slashing and ominous slide guitar from Ry Cooder, and the latter a witty and willfully perverse bit of erotic absurdity that later became a hit for Joe Cocker (who sounded as if he took the joke at face value). Elsewhere, Newman cynically ponders the perils of a stardom he would never achieve ("Lonely at the Top," originally written for Frank Sinatra), offers a broad and amusing bit of political satire ("Political Science"), and concludes with one of the most bitter rants against religion that anyone committed to vinyl prior to the punk era ("God's Song [That's Why I Love Mankind]"). Whether he's writing for three pieces or 30, Newman makes superb use of the sounds available to him, and his vocals are the model of making the most of a limited instrument. Overall, Sail Away is one of Newman's finest works, musically adventurous and displaying a lyrical subtlety that would begin to fade in his subsequent works. ~ Mark Deming, All Music Guide
Credits
| Name | Credits | | Abe Most | Saxophone, Sax (Alto) | | Bob Kovach | Engineer | | Bruce Botnick | Engineer | | Chris Ethridge | Bass | | Donn Landee | Engineer | | Earl Palmer | Drums | | Emil Newman | Conductor | | Gene Parsons | Drums | | Jim Keltner | Drums | | Jimmy Bond | Bass | | Judy Maizel | Production Assistant | | Lanky | Engineer | | Larry Marks | Conductor | | Lee Herschberg | Mixing, Engineer | | Lenny Waronker | Producer | | Louis Kaufman | Concert Master | | Mike Salisbury | Photography, Artwork | | Milt Holland | Percussion | | Randy Newman | Composer, Arranger, Piano, Vocals | | Ron Elliott | Guitar | | Russ Titelman | Guitar, Bass, Producer | | Ry Cooder | Guitar | | Ry Titelman | Guitar | | Wilton Felder | Bass |
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