Emmylou Harris - All I Intended to Be

In 1995, Emmylou Harris made a decisive break with her creative past, recording the album Wrecking Ball with producer Daniel Lanois and abandoning the traditional country purity of her best-known work for lovely but spectral musical landscapes and exploring her muse as a songwriter in a way she had never attempted before. After Wrecking Ball, Harris recorded three albums in which she made the most of her new creative freedom and honed her impressive gifts as a songwriter, but All I Intended to Be, her first new release in five years, finds her reaching back toward a sound and style that recall the country and folk influences of her earlier work. But All I Intended to Be is clearly the work of an artist who is looking to the past entirely on her own terms, and with the lessons learned since 1995 clearly audible at all times. All I Intended to Be was produced by Brian Ahern, who was behind the controls for most of her albums of the '70s and '80s, and it features a handful of session players who worked with Harris and Ahern in the past, while Harris' occasional partner in harmony Dolly Parton contributes backing vocals to "Gold" (as does Vince Gill). The album's largely acoustic textures manage to sound both homey and fresh; if the melodies and the arrangements nod politely to traditional country sounds (and hold hands on "Gold"), the space in the production and the unpretentious artfulness of the songs reflect an intelligence and restraint largely absent from country music in the new millennium. Harris wrote or co-wrote six of these 13 songs, leaving more room for covers than on Red Dirt Girl or Stumble into Grace, but the tone of the album is consistent throughout, and she brings a streamlined passion to material by Patty Griffin, Billy Joe Shaver, and Merle Haggard that makes them her own. (Harris also writes and sings several tunes with Kate and Anna McGarrigle in what continues to be a truly inspired collaboration.) And as always, the most memorable thing about All I Intended to Be is Emmylou Harris' voice; there are few singers in any genre with a greater natural skill and better instincts, and as wonderful as these songs are and as fine a band as she and Ahern have on hand, it's her glorious voice that turns these simple materials into gold, and she only improves with the passage of the years. The surfaces of this album may seem less bold than the albums that immediately preceded it, but All I Intended to Be is the work of a consummate artist who is still reaching out to new places even when she points to her creative history. ~ Mark Deming, All Music Guide

Name Credits Anna McGarrigle Vocals Barbara de Wilde Design Bill Payne Keyboards Borza Ghomeshi Engineer, Guitar Engineer, Vocal Recording Brian Ahern Tic Tac, Producer, Guitar (Electric Baritone), Bass (Acoustic), Photography, Guitar (12 String), Afuche, Banjo Buddy Miller Vocals, Harmony, Vocals (Background) Dave Pomeroy Bass Dolly Parton Vocal Harmony Donivan Cowart Engineer, Audio Engineer Eli Cane Production Coordination Emmylou Harris Vocals, Bouzouki, Guitar (Baritone), Guitar (Acoustic), Guitar, Harmony Emory Gordy Bass Fats Kaplan Mandolin Gene Nash Engineer Ghian Wright Engineer Glen D. Hardin Keyboards Glenn Worf Guitar (Bass), Bass Greg Leisz Weissenborn, Mandocello, Pedal Steel, Slide Guitar Harry Stinson Drums Jack Routh Harmony Jim Horn Recorder John McPhee Cordovox, Guitar (Electric) John Starling Vocals, Duet, Guitar (Acoustic) Karen Brooks Harmony Karina Benznicki Production Supervisor Kate McGarrigle Gut String Guitar, Vocals, Soloist, Banjo Keith Knudsen Drums Kenny Vaughn Guitar (Electric) Kyle Ford Engineer Lynn Langham Harmony Marc André Bellefleur Engineer, Guitar Engineer, Vocal Recording Maria Verel Make-Up, Hair Stylist Mary Ann Kennedy Harmony, Vocals, Mandolin Mike Auldridge Vocals, Dobro Noland O'Boyle Engineer, Photography Pamela Rose Vocals, Guitar (Acoustic), Harmony Patrick Warren Keyboards Phil Madeira Accordion Randy Sharp Harmony, Vocal Arrangement Richard Dennison Photography Richard Rodney Bennett Guitar (Acoustic) Rocky Schenck Photography Ronen Givony Editorial Coordinator Steve Fishell Pedal Steel Stuart Duncan Mandolin, Fiddle Tim Goodman Guitar (Acoustic) Vince Gill Vocal Harmony