In the
Peggy Lee discography, half a dozen LPs intervene between Then Was Then, Now Is Now!, originally released in the fall of 1965, and Bridge Over Troubled Water, which appeared four and a half years later in April 1970. The obvious question, then, is why mail-order reissue label Collectors' Choice Music decided in 2008 to license the albums from Capitol Records and reissue them, with a few extra tracks, together on a single CD. The answer, as revealed in the company's marketing materials, turns out to be equally obvious: these happen to be two LPs that somehow never got reissued on CD before. That's not an artistic reason, of course, and in fact the albums don't quite flow together. Then Was Then, Now Is Now! wasn't actually recorded as an album per se. It was really one of those grab-bag LPs assembled by the record company from recently issued singles ("The Shadow of Your Smile," "I Go to Sleep," and "Free Spirits," the last a Top Five easy listening hit) and stray tracks from recording sessions dating back more than two years (though never previously released, "Leave It to Love" had been recorded on May 31, 1963), probably just to have something new by
Lee in the record stores during the 1965 fall buying season. That said, it had a point to make about the singer as an artist. At a time when she was being marginalized -- along with nearly all traditional pop singers of a certain age -- by the British Invasion and the resurgence of rock, she broke from her peers by accommodating herself to contemporary trends. "I Go to Sleep" was written by
Ray Davies of
the Kinks, a prominent British Invasion act, and
Lee also felt free to cover the
Willie Dixon blues standard "Seventh Son." Her own lyrics to a
Cy Coleman melody constituted a statement of purpose in the title song, as did "Stop Living in the Past," the B-side to the single release of "I Go to Sleep," included here as a bonus. By 1970, record companies were encouraging all the traditional pop singers on their rosters to record contemporary material, if only the contemporary pop of songwriters like
Paul Simon,
Randy Newman, and the team of
Burt Bacharach and
Hal David. Nobody had to convince
Lee, however, and Bridge Over Troubled Water, her follow-up to her 1969 comeback hit, "Is That All There Is?," found her covering all those songwriters in art pop arrangements by
Mike Melvoin. Unfortunately,
Melvoin doesn't seem to have had time to come up with anything new and interesting on such songs as
Bacharach and
David's "Raindrops Keep Fallin' on My Head," which had just gone to number one for
B.J. Thomas, or
Simon's "Bridge Over Troubled Water," which was still at the top of the charts for
Simon & Garfunkel as the recording sessions were held. And
Lee just followed along, turning in competent but unremarkable readings. She and
Melvoin were better at the uptempo material, such as covering
B.B. King's "The Thrill Is Gone" and the
Newman composition "Have You Seen My Baby." Among the ballads, "You'll Remember Me" (an entry on the Easy Listening chart) sounded like an attempt to follow "Is That All There Is?" with another world-weary performance, and the version of the
Michel Legrand movie song "What Are You Doing the Rest of Your Life?" made a strong album closer. But Bridge Over Troubled Water was not a great
Lee album (or a big seller), which may help explain why it went out of print and was not reissued for almost 40 years. It would have made more sense paired with its immediate predecessor, Is That All There Is?, but even in this package it will be welcome to
Lee fans, even if it doesn't rank with her best work. ~ William Ruhlmann, All Music Guide
