Album Details
Title: To Our Children's Children's Children Artist: The Moody Blues Release Date: 1969 Re-Released On: 7/1/2008 Label: Polydor, Polygram, Japanese Import Duration: 40:24 Album Type(s): lyrics/libretto UPCs: 042282036421, 042284477024, 4988005300256, 4988005532251, 0042284477024, 015775125315, 015775167124, 042282036445, 4988005313737, 766488712124, 600753085790 Genre: Rock Styles: Prog-Rock, Psychedelic, Contemporary Pop/Rock, Psychedelic Pop, Album Rock, British Psychedelia, Art Rock Moods: Dramatic, Earnest, Epic, Poignant, Autumnal, Bittersweet, Cerebral, Dreamy, Elaborate, Elegant, Intimate, Melancholy, Refined/Mannered, Searching, Sentimental, Yearning, Enigmatic, Gentle, Innocent, Nocturnal, Passionate, Plaintive, Reserved, Smooth, Sophisticated, Wistful, Confident, Energetic, Reflective, Romantic, Rousing, Sad, Slick, Tense/Anxious, Urgent, Visceral, Lush, Somber, Sweet, Complex, Theatrical Total Copies: 0 Members Wishing: 7 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Higher and Higher
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Eyes of a Child, Pt. 1
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Floating
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Eyes of a Child, Pt. 2
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I Never Thought I'd Live to Be a Hundred
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Beyond
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Out and In
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Gypsy (Of a Strange and Distant Time)
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Eternity Road
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Candle of Life
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Sun Is Still Shining
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I Never Thought I'd Live to Be a Million
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Watching and Waiting
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Polydor | 0011212 | | 2002 | CD | Japanese Import | 9213 | | 2002 | CD | Japanese Import | 9213 | | 1997 | CD | Polydor | 844770 | | 1990 | CD | Polygram | 820364 | | 1969 | CD | Polydor | 820364-2 |
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Album Review
The 1997 remastering of this disc somewhat improves the sound on the band's most personal album, although the difference is less dramatic than on the other classic seven albums, and fans may miss the lyrics that were formerly included. Oddly enough, this was also the group's poorest-selling album of their psychedelic era, taking a lot longer to go gold -- for all of their presumed connection to their audience, the band was perhaps stretching that link a little thinner than usual here. The material dwells mostly on time and what its passage means, and there is a peculiar feeling of loneliness and isolation to many of the songs. This was also the last of the group's big "studio" sound productions, built up in layer upon layer of overdubbed instruments -- the sound is very lush and rich, but proved impossible to re-create properly on-stage, and after this they would restrict themselves to recording songs that the five of them could play in concert. There are no extended suites on this album, but Justin Hayward's "Watching and Waiting" and "Gypsy" have proved to be among the most popular songs in the group's history. The notes in the new edition also give a good account of how and why the Moody Blues founded their own Threshold label with Children's Children and their growing estrangement from Decca Records. ~ Bruce Eder, All Music Guide
Credits
| Name | Credits | | Adrian Martins | Engineer | | Alberto Parodi | Remastering | | Barry Plummer | Photography | | David Wedgbury | Photography, Original Photography | | Derek Varnals | Engineer, Photography | | Graeme Edge | Drums | | Joe Black | Project Coordinator | | John Lodge | Guitar, Bass, Vocals | | Justin Hayward | Guitar, Vocals, Remastering | | Michael Pinder | Keyboards, Vocals | | Paschal Byrne | Remastering | | Phil Smee | Package Design | | Phil Travers | Artwork, Original Cover Artwork, Art Direction | | Ray Thomas | Bass, Flute, Horn, Vocals | | Robin Thompson | Engineer | | Steven Fallone | Digital Remastering | | The Moody Blues | Multi Instruments, Instrumentation | | Tony Clarke | Producer |
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