Search - The Soul of Ben Webster/Gee Baby, Ain't I Good to You/Blues a Plenty

Ben Webster/Harry Edison/Johnny Hodges - The Soul of Ben Webster/Gee Baby, Ain't I Good to You/Blues a Plenty
S

Album Details

Title: The Soul of Ben Webster/Gee Baby, Ain't I Good to You/Blues a Plenty
Artist: Ben Webster/Harry Edison/Johnny Hodges
Release Date: 5/23/1995
Label: Polygram
Album Type(s): Greatest Hits
UPC: 731452747525
Genre: Jazz
Style: Traditional Pop
Moods: Amiable/Good-Natured, Earthy, Exuberant, Joyous, Complex, Elegant, Freewheeling, Passionate, Stylish, Boisterous, Gentle
Total Copies: 0
Members Wishing: 1
Number of Discs/SwapaCD Credits: 2

Track Listings Disc 1

  1. Fajista
  2. Chelsea Bridge
  3. Charlotte's Piccolo
  4. Coal Train
  5. When I Fall in Love
  6. Ev's Mad
  7. Ash
  8. Blues for the Blues
  9. Blues for Piney Brown
  10. Moonlight in Vermont
  11. Taste on the Place
  12. Blues for the Blues [#]

Track Listings Disc 2

  1. Gee, Baby, Ain't I Good to You
  2. Blues for Bill Basie
  3. You're Getting to Be a Habit wth Me
  4. I Didn't Know About You
  5. Reelin' and Rockin'
  6. Gone with the Wind
  7. Honey Hill
  8. Blues-a-Plenty
  9. Don't Take Your Love from Me
  10. Saturday Afternoon Blues
  11. Satin Doll
  12. Cool Your Motor
  13. Reelin' and Rockin' [#]
  14. Don't Take Your Love from Me [#]

Additional Releases

YearTypeLabelCatalog #
1995CDPolygram527475

Other Editions

  • No other editions were found for this album.

Similar CDs

  • No similar CDs were found for this album.

Review

Although tenor saxophonist Ben Webster gets top billing, this two-CD set actually contains an LP apiece by Webster, trumpeter Harry "Sweets" Edison, and altoist Johnny Hodges. Webster is on all of the recordings, but really only stars on the first date, a septet outing with trumpeter Art Farmer and fellow tenor Harold Ashby. The great tenor is at his best on a beautiful version of "Chelsea Bridge" and "When I Fall in Love." The Edison session is a sextet outing with Webster, the Oscar Peterson Trio, and drummer Alvin Stoller mixing blues and swing standards; Edison's usually muted trumpet is quite effective. The final set puts the focus on altoist Hodges, who sounds beautiful on "Don't Take Your Love from Me," although the many blues performances also give solo space to trumpeter Roy Eldridge (literally explosive on "Honey Hill") and trombonist Vic Dickenson. A total of three previously unissued performances have been added to the program, and all three of these sessions had been long out of print; they add to the legacy of Norman Granz's Verve label, showing that many top swing all-stars were actually at their prime in the 1950s. Recommended. ~ Scott Yanow, All Music Guide

Credits

NameCredits
Alvin StollerDrums
Aric Lach MorrisonProduction Coordination
Art FarmerTrumpet
Barney KesselGuitar
Ben WebsterSax (Tenor), Main Performer
Ben YoungResearch
Benny GreenLiner Notes
Billy StrayhornPiano
Chuck StewartPhotography
Dave BaileyDrums
Francis DavisLiner Notes
Gary N. MayoMastering
Harold AshbySax (Tenor)
Harry "Sweets" EdisonTrumpet
Herman LeonardPhotography
Jimmy JonesPiano
Jimmy WoodeBass
Johnny HodgesSax (Alto)
Michael LangSupervisor
Milt HintonBass
Mundell LoweGuitar
Nat HentoffLiner Notes
Nichell DelvailleDesign
Norman GranzProducer
Oscar PetersonPiano
Peter PullmanEditing
Ray BrownBass
Roy EldridgeTrumpet
Sam WoodyardDrums
Vic DickensonTrombone
Wendi Traub-CohenDesign, Art Direction