Album Details
Title: Meant to Be Mint
Artist: Mint Condition
Release Date: 1991
Re-Released On: 6/11/1991
Label: Perspective Records
Duration: 60:48
UPCs: 028968100129, 728968100128, 028968100112, 028968100143, 728968100111
Genre: Rhythm & Blues
Styles: Urban, New Jack Swing
Moods: Atmospheric, Bittersweet, Calm/Peaceful, Dramatic, Dreamy, Elegant, Gentle, Intimate, Laid-Back/Mellow, Party/Celebratory, Passionate, Plaintive, Playful, Poignant, Reflective, Rousing, Sensual, Whimsical, Carefree, Refined/Mannered, Relaxed, Soothing, Tender, Warm, Autumnal, Fun, Lively, Street-Smart, Yearning, Amiable/Good-Natured, Earnest, Light, Literate, Nostalgic, Sentimental, Sexy, Summery, Brash, Bright, Confident, Exuberant, Romantic, Slick, Smooth, Soft, Sophisticated, Stylish, Swaggering, Sweet, Wistful, Ambitious, Energetic, Meandering, Theatrical, Intense, Lush
Total Copies: 2
Number of Discs/SwapaCD Credits: 1 |
Track Listings
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True to Thee
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Do U Wanna
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Breakin' My Heart (Pretty Brown Eyes)
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Are You Free
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Here We Go Again
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Try My Love
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Forever in Your Eyes
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She's a Honey
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Single to Mingle
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Sensuous Appeal
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Outta Time, Outta Mind
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I Wonder If She Likes Me
Additional Releases
| Year | Type | Label | Catalog # | | 1991 | CD | Perspective Records | 28968-1001-2 |
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Other Editions
- No other editions were found for this album.
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Album Review
The debut album from the Minneapolis-based sextet featured the lackluster uptempo track "Are You Free," which did manage to secure the number 55 position on the charts. However, this album also featured two heart-wrenching ballads: "Breakin' My Heart (Pretty Brown Eyes)" and "Forever in Your Eyes." Led by Stokley Williams' animated tenor, the former is set in a suspenseful rhythm arrangement; the song builds momentum in the interlude, allowing Williams to explode vocally in an emotional testimony. The single sold over 500,000 copies, pacing the charts 34 weeks and peaking at number three and number six on the Billboard R&B and pop charts, respectively. "Forever in Your Eyes" offers another compassionate vocal delivery by Williams with similar arrangements, but still maintaining its own feeling. It inched its way to the number seven spot on the R&B charts in 17 weeks. The remainder of the album is extremely energized. ~ Craig Lytle, All Music Guide
Credits
| Name | Credits | | Brian Gardner | Mastering | | David Rideau | Mixing | | James Greer | Vocals, Engineer, Vocals (Background) | | Jeff Allen | Vocals (Background), Strings, Saxophone, Vocals, Keyboards, Rap | | Jellybean Johnson | Producer, Guitar | | Jimmy Jam | Executive Producer | | Keith "KC" Cohen | Mixing | | Keith Cohen | Mixing | | Keri Lewis | Vocals, Vocals (Background), Keyboard Bass, Drum Programming, Keyboards, Rhythm Arrangements, Vocal Arrangement | | Lalette LittleJohn | Make-Up | | Lawrence Waddell | Vocal Arrangement, Piano (Grand), Keyboards, Vocals | | Lisa Keith | Vocals (Background) | | Masha Calloway | Stylist | | Mint Condition | Producer | | O'Dell | Vocals, Percussion, Drum Programming, Vocals (Background), Guitar (Rhythm), Keyboards, Rhythm Arrangements, Guitar, Drums, Vocal Arrangement | | Rich Frakel | Art Direction, Design | | Richard Frankel | Art Direction, Design | | Ricky K. | Vocals (Background), Keyboards, Percussion, Guitar (Bass), Bass (Electric), Guitar (Rhythm), Vocals | | Ricky Kinchen | Bass (Electric), Vocals, Rhythm Arrangements, Vocals (Background), Guitar (Bass) | | Rowan Moore | Art Direction, Design | | Steve Hodge | Mixing, Engineer | | Stokely | Rhythm Arrangements, Synthesizer, Keyboards, Vocals (Background), Drums, Vocals, Vocal Arrangement | | Stokley | Rhythm Arrangements, Synthesizer Bass, Percussion, Vocals, Drums, Vocals (Background), Keyboards, Drum Programming, Vocal Arrangement | | Terry Lewis | Executive Producer, Vocal Arrangement | | Todd Gray | Photography |
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