Album Details
Title: Bat Out of Hell Artist: Meat Loaf Release Date: 1977 Re-Released On: 9/16/2008 Label: Sony Music Distribution, Epic , Epic/Legacy, Vox, Sbme Special Mkts., Sanctuary Duration: 46:36 Album Type(s): lyrics/libretto UPCs: 060768472129, 074643497428, 074646440421, 5099746304454, 827969067826, 074641349743, 074645744322, 088697123202, 4024572333973, 5099708241995, 5099746304423, 5099748041128, 5099749521926, 643346008615, 074643497480, 0060768472129 Genre: Rock Styles: Hard Rock, Prog-Rock, Contemporary Pop/Rock, Arena Rock, Album Rock Moods: Bravado, Confident, Dramatic, Freewheeling, Intense, Sprawling, Theatrical, Brassy, Epic, Quirky, Swaggering, Ambitious, Brash, Campy, Elaborate, Energetic, Fiery, Fun, Passionate, Playful, Poignant, Rambunctious, Raucous, Rebellious, Reckless, Rollicking, Rousing, Sentimental, Urgent, Whimsical Total Copies: 56 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Bat out of Hell
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You Took the Words Right Out of My Mouth (Hot Summer Night)
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Heaven Can Wait
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All Revved Up With No Place to Go
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Two Out of Three Ain't Bad
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Paradise by the Dashboard Light
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For Crying out Loud
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Sanctuary | 84721 | | 2007 | CD | Sony Music Distribution | 88697123202 | | 2004 | CD | Sbme Special Mkts. | 463044 | | 2003 | CD | Epic/Legacy | 90678 | | 1994 | CD | Sony Music Distribution | 64404 | | 1992 | CD | Epic | 34974 | | 1991 | CD | Vox | 82419 | | 1990 | CD | Epic | 34974 |
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Album Review
There is no other album like Bat Out of Hell, unless you want to count the sequel. This is Grand Guignol pop -- epic, gothic, operatic, and silly, and it's appealing because of all of this. Jim Steinman was a composer without peer, simply because nobody else wanted to make mini-epics like this. And there never could have been a singer more suited for his compositions than Meat Loaf, a singer partial to bombast, albeit shaded bombast. The compositions are staggeringly ridiculous, yet Meat Loaf finds the emotional core in each song, bringing true heartbreak to "Two out of Three Ain't Bad" and sly humor to "Paradise by the Dashboard Light." There's no discounting the production of Todd Rundgren, either, who gives Steinman's self-styled grandiosity a production that's staggeringly big but never overwhelming and always alluring. While the sentiments are deliberately adolescent and filled with jokes and exaggerated clichés, there's real (albeit silly) wit behind these compositions, not just in the lyrics but in the music, which is a savvy blend of oldies pastiche, show tunes, prog rock, Springsteen-esque narratives, and blistering hard rock (thereby sounding a bit like an extension of Rocky Horror Picture Show, which brought Meat Loaf to the national stage). It may be easy to dismiss this as ridiculous, but there's real style and craft here and its kitsch is intentional. It may elevate adolescent passion to operatic dimensions, and that's certainly silly, but it's hard not to marvel at the skill behind this grandly silly, irresistible album. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Alison Rayner | Violin | | Amy Herot | Reissue Producer | | Andrew Hall | Violin | | Andrew Macleod | Piccolo, Principal | | Andrew Weiss | Cello | | Angela Sargeant | Cello | | Anne Martonyi | Violin | | Betty DAmico | Executive Secretary | | Brett Kelly | Trombone, Principal | | Brock Imison | Principal, Bassoon | | Cameron McCauley | Engineer | | Charlie Conrad | Consultant | | Cheryl Hardwick | Piano | | Chris Turpin | Percussion | | Christine Johnson | Violin | | Christopher Moore | Viola | | Cindy Watkin | Viola | | Cliff Hopson | Assistant Engineer | | Cong Gu | Violin | | David Shafir | Violin | | David Thomas | Clarinet, Principal | | Deborah Goodall | Violin | | Don Hunstein | Photography | | Ed Lee | Design, Illustrations | | Ed Sprague | Engineer, Recorder | | Edgar Winter | Saxophone | | Eleanor Mancini | Violin | | Ellen Foley | Vocals, Vocals (Background), Guest Appearance | | Eric Klay | Trombone (Bass) | | Eric Weaver | Assistant Engineer | | Ern Rose | Engineer | | Fabian Russell | Tuba, Principal | | Fiona Sargeant | Viola | | Frank Laffitte | Photography | | Gene Orloff | Concert Master | | Goeff Lierse | Principal, Horn | | Graeme Evans | Horn, Principal | | Greg Wales | Engineer | | Gretta Bull | Violin | | Helen Ayres | Violin | | Isabel Morse | Viola | | Isin Cakmakcioglu | Violin | | Izia Wasserman | Violin | | James Cadsky | Engineer | | Jim Steinman | Arranger, Sound Effects, Cover Art Concept, Keyboards, Writer, Percussion, Effects, Concept | | Jimmy Iovine | Recorder, Engineer, Remixing | | Joanne Evans | Cello | | Joe Brescio | Mastering | | John Arcaro | Tympani [Timpani] | | John Beverly Jones | Flute | | John Jackson | Project Director | | John Jansen | Recorder, Remixing, Engineer | | John Miceli | Drums | | John Wilcox | Drums | | Jon Wilcox | Drums | | Jonathan Craven | Clarinet (Bass), Principal | | Julie Payne | Trumpet | | Kasim Sulton | Vocals (Background), Vocals, Music Direction, Bass | | Keith Johnson | Cello | | Keith Levenson | Conductor | | Kenny Ascher | String Arrangements | | Kirstin Kenny | Violin | | Kirsty Bremner | Violin | | Mark Alexander | Keyboards | | Mark Mogilevski | Violin | | Mark Thomas | Engineer, Recorder | | Martin Philbey | Photography | | Marvin Lee Aday | Vocals (Background), Percussion, Vocals | | Mary Allison | Violin | | Matthew Tighe | Oboe | | Matthew Tomkins | Violin | | Max Weinberg | Drums | | Meat Loaf | Vocals, Concept | | Mike Cimicata | Packaging Manager | | Miranda Brockman | Cello | | Natasha Thomas | Bassoon | | New York Philharmonic | Orchestra, Orchestration | | Patti Matheny | A&R | | Paul Crook | Guitar | | Paul McMillan | Viola, Assistant Principal | | Pete Edwards | Assistant Principal, Violin | | Peter Exton | Violin | | Peter Fellin | Violin | | Peter Mokran | Mixing, Producer | | Phil Rizzuto | Speech/Speaker/Speaking Part | | Philip Lajta | Violin | | Prue Davis | Principal, Flute | | Randy Flowers | Guitar, Keyboards | | Richard Corben | Illustrations, Artwork | | Richard Maiori | Production Assistant | | Richard Whitehouse | Production Coordination | | Robert Clarke | Percussion, Principal | | Robert Cossom | Percussion | | Robert Jannke | Production Assistant | | Robert Macindoe | Violin, Principal | | Roger Powell | Synthesizer | | Rory Dodd | Vocals, Vocals (Background) | | Rosia Pasteur | Viola | | Roy Bittan | Piano, Soloist, Keyboards | | Rudolf Osadnik | Violin, Principal | | Russell Davis | Horn | | Sam Ellis | Production Coordination | | Sarah Morse | Cello, Principal | | Scott Hull | Mastering | | Simon Collins | Viola | | Stephen Saper | Engineer | | Steve Margoshes | Piano, Orchestral Arrangements, Arranger | | Steve Reeves | Double Bass, Principal | | Suzanne Lee | Double Bass | | Todd Rundgren | Vocals (Background), Mixing, Arranger, Percussion, Engineer, Producer, Keyboards, Vocals, Guitar | | Trevor James | Double Bass | | Trevor Jones | Viola, Principal | | Trinette McClimont | Horn | | Tristram Williams | Trumpet, Principal | | Vic Anesini | Mastering | | Vicki Philipson | Principal, Oboe | | William Evans | Trumpet | | Wilma Smith | Concert Master, Violin |
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