Album Details
Title: Touch Artist: Sarah McLachlan Release Date: 1989 Label: Arista, Pinnacle Duration: 47:21 Album Type(s): lyrics/libretto UPCs: 078221859424, 4007192598724, 067003002424 Genre: Rock Styles: Alternative Pop/Rock, Folk-Rock, Adult Alternative Pop/Rock Moods: Elegant, Reflective, Literate, Passionate, Poignant, Soft, Soothing, Amiable/Good-Natured, Bittersweet, Gentle, Sophisticated, Stylish, Calm/Peaceful, Earnest, Intimate, Laid-Back/Mellow, Organic, Refined/Mannered, Romantic, Sensual Total Copies: 27 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Out of the Shadows
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Vox
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Strange World
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Trust
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Touch
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Steaming
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Sad Clown
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Uphill Battle
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Ben's Song
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Vox [Extended Version]
Additional Releases
| Year | Type | Label | Catalog # | | 1999 | CD | Pinnacle | 07822185942 | | 1994 | CD | Arista | 259872 | | ------ | CD | Arista | ARCD-8594 |
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Other Editions
- No other editions were found for this album.
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Album Review
A largely forgotten album in the wake of Sarah McLachlan's mainstream success, Touch was the first album anyone heard from the singer. Only 19 at the time, McLachlan had years to go before she would become the seductive songstress of Fumbling Towards Ecstacy or the sensitive balladeer of Surfacing. Instead, she has more of an ethereal sound, enhanced by keyboards and a lush production that gives it a polished feel. Bringing to mind the '80s incarnations of both Peter Gabriel and Kate Bush, the songs here are moody pop tracks that showcase her incredible range more than anything else. A few tracks, especially "Vox" and "Steaming," are beautiful tracks that have a light sense of yearning that she would later develop into the sensual crooning of her mid-'90s work. And "Ben's Song," a piano ballad, would go on to be included in her live shows long after the other tracks from this album disappeared from them. But Touch is vastly different from the rest of her material (save for maybe a few tracks on Solace), making it a surprise to most curious fans. Her performance is the point where this is most obvious, as her gorgeous voice lacks most of the personality and emotion that she would later develop. But the material isn't bad, just uncharacteristic of the rest of her career. Some fans might be disappointed by the copious amounts of keyboards and McLachlan's restrained performance, but Touch is still a winner. Just a flawed winner, coming from a talented artist who was still searching for her artistic voice. ~ Bradley Torreano, All Music Guide
Credits
| Name | Credits | | Anthony Valcic | Editing, Pre-Production | | Christopher Shaw | Assistant Engineer | | Darren Phillips | Drums, Percussion, Keyboards | | Darryl Neudorf | Pre-Production, Production Assistant | | Dave Kershaw | Bass, Double Bass, Vocals (Background) | | Gary Wright | Engineer, Mixing | | George Maniatis | Editing | | Greg Reely | Producer, Mixing, Drums, Engineer, Percussion | | Jeff Krosse | Bass, Vocals (Background) | | Naomi McLeod | Vocals (Background) | | Ross Hales | Drums | | Rudy | Percussion | | Sarah McLachlan | Hand Tinting, Lyricist, Piano, Main Performer, Keyboards, Photo Tinting, Guitar (12 String), Guitar, Guitar (Classical), Composer, Cover Design, Vocals | | Sarah Phillips | Composer | | Sherri Leigh | Percussion, Drums | | Stephen Nikleva | Guitar (Electric) | | Tippi | Percussion | | Tippi, Steve, Rudy | Percussion |
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