Album Details
Title: Flowers in the Dirt Artist: Paul McCartney Release Date: 5/1989 Re-Released On: 10/25/1990 Label: Capitol Records, Toshiba EMI Duration: 53:20 Album Type(s): lyrics/libretto UPCs: 077779165322, 4988006713178, 077779165315, 077779165346 Genre: Rock Styles: Rock & Roll, Adult Contemporary, Contemporary Pop/Rock, Album Rock Moods: Amiable/Good-Natured, Cheerful, Earnest, Happy, Playful, Poignant, Sentimental, Whimsical, Bittersweet, Energetic, Exuberant, Gentle, Humorous, Innocent, Intimate, Light, Precious, Rousing, Soothing, Warm, Wistful, Laid-Back/Mellow, Passionate, Quirky, Theatrical, Wry, Calm/Peaceful, Freewheeling, Fun, Irreverent, Rollicking, Romantic, Silly, Raucous, Carefree, Cathartic, Fiery, Organic, Reckless, Reflective, Sweet, Witty Total Copies: 10 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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My Brave Face
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Rough Ride
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You Want Her Too
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Distractions
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We Got Married
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Put It There
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Figure of Eight
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This One
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Don't Be Careless Love
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That Day Is Done
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How Many People
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Motor of Love
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Ou Est le Soleil
Additional Releases
| Year | Type | Label | Catalog # | | 1990 | CD | Capitol Records | C2-91653 | | ------ | CD | Toshiba EMI | 3139 |
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Album Review
Paul McCartney must not only have been conscious of his slipping commercial fortunes, he must have realized that his records hadn't been treated seriously for years, so he decided to make a full-fledged comeback effort with Flowers in the Dirt. His most significant move was to write a series of songs with Elvis Costello, some of which appeared on Costello's own Spike and many of which surfaced here. These may not be epochal songs, the way many wished them to be, but McCartney and Costello turn out to be successful collaborators, spurring each other toward interesting work. And, in McCartney's case, that carried over to the album as a whole, as he aimed for more ambitious lyrics, themes, sounds, and productions for Flowers in the Dirt. This didn't necessarily result in a more successful album than its predecessors, but it had more heart, ambition, and nerve, which was certainly welcome. And the moments that did work were pretty terrific. Many of these were McCartney/ McManus collaborations, from the moderate hit "My Brave Face" to the duet "You Want Her Too" and "That Day Is Done," but McCartney also demonstrates considerable muscle on his own, from the domestic journal "We Got Married" to the lovely "This One." This increased ambition also means McCartney meanders a bit, writing songs that are more notable for what they try to achieve than what they do, and at times the production is too fussy and inextricably tied to its time, but as a self-styled comeback affair, Flowers in the Dirt works very well. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Chris Davis | Saxophone | | Chris Hughes | Producer | | Chris White | Saxophone | | Chris Whitten | Drums | | Dave Bishop | Saxophone | | Dave Mattacks | Keyboards | | David Foster | Producer, Keyboards | | David Gilmour | Guitar | | David Rhodes | Guitar | | Eddie Klein | Producer | | Elvis Costello | Producer, Keyboards, Vocals | | Greg Hawkes | Keyboards | | Guy Barker | Trumpet | | Hamish Stuart | Vocal Harmony, Guitar (Acoustic), Guitar (Electric) | | Ian Harper | Horn (Tenor) | | Ian Peters | Euphonium | | Jah Bunny | ? | | John Taylor | Cornet | | Judd Lander | Harmonica | | Linda McCartney | Vocal Harmony | | Mitchell Froom | Keyboards, Producer | | Neil Dorfsman | Producer, Engineer | | Nicky Hopkins | Piano | | Paul McCartney | Guitar (Acoustic), Guitar (Electric), Synthesizer, Guitar (12 String), Tambourine, Bass, Producer, Vocal Harmony, Celeste, Guitar, Percussion, Vocals | | Peter Henderson | Producer | | Robbie McIntosh | Guitar (Electric), Guitar (Acoustic) | | Ross Cullum | Producer | | Steve Lipson | Guitar, Engineer, Bass, Producer | | Tony Goddard | Cornet | | Trevor Horn | Producer, Keyboards |
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