Album Details
Title: Press to Play Artist: Paul McCartney Release Date: 9/19/1986 Label: Capitol Records Duration: 58:55 Album Type(s): lyrics/libretto UPCs: 077774626927, 762185143520, 077771247545 Genre: Rock Styles: Adult Contemporary, Soft Rock, Contemporary Pop/Rock Moods: Amiable/Good-Natured, Cheerful, Earnest, Happy, Playful, Poignant, Sentimental, Whimsical, Bittersweet, Energetic, Exuberant, Gentle, Humorous, Innocent, Intimate, Light, Precious, Rousing, Soothing, Warm, Wistful, Laid-Back/Mellow, Passionate, Quirky, Theatrical, Wry, Calm/Peaceful, Freewheeling, Fun, Irreverent, Rollicking, Romantic, Silly, Raucous, Carefree, Cathartic, Fiery, Organic, Reckless, Reflective, Sweet, Witty Total Copies: 0 Members Wishing: 2 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Stranglehold
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Good Times Coming/Feel the Sun
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Talk More Talk
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Footprints
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Only Love Remains
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Press
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Pretty Little Head
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Move over Busker
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Angry
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However Absurd
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Write Away
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It's Not True
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Tough on a Tightrope
Additional Releases
| Year | Type | Label | Catalog # | | 1986 | CD | Capitol Records | C2-46269 |
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Album Review
At the time, Press to Play was occasionally promoted as Macca's response to punk -- which we all better hope is not true, since that means he was responding ten years after the fact, signaling just how out of touch he was. But McCartney wasn't that disconnected from reality (he did talk about punk in interviews from the late '70s), so a more accurate view of Press to Play is to see it as McCartney trying to reconnect with his classic strengths, from orchestral pop and whimsy to driving rockers and sweet love songs. All this is apparent on the record, often in pretty charming fashion. "Stranglehold" has an offhand charm, "Good Times Coming/Feel the Sun" feels like a forgotten Red Rose Speedway medley, "Move Over Busker" has a brisk gait (better than its cousin, "Angry," anyway), and "Press" is a terrific mid-'80s drum machine-driven slice of synth-pop, utterly featherweight in the best possible way. Each of these captures a different side of McCartney, and that's the overriding impression of Press to Play -- McCartney is dabbling in each of his strengths, just to see what works. It doesn't wind up as one of his stronger albums, but it's more interesting than some of his more consistent ones, and those aforementioned cuts demonstrate that he could still cut effective pop records when he put his mind to it. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Anne Dudley | Orchestral Arrangements | | Bert Bevans | Mixing | | Carlos Alomar | ?, Musician | | Dick Morrisey | ? | | Dick Morrissey | Musician, ? | | Eddie Klein | Spoken Word | | Eddie Rayner | Keyboards | | Eric Stewart | Harmony, Musician, ?, Vocal Harmony | | Gary Barnacle | Musician, ? | | Gary Barnale | ? | | Gavyn Wright | ?, Musician | | George Hurrell | Photography | | George Martin | Mixing | | Graham Ward | Musician, ? | | Haydn Bendall | Engineer | | Hugh Padgham | Engineer, Producer | | James McCartney | Spoken Word | | Jerry Marotta | ?, Musician | | John Bradbury | ? | | Jon Kelly | Engineer | | Joseph d'Ambrosio | Production Coordination | | Kate Robbins | Harmony, Vocal Harmony | | Lenny Pickett | ? | | Linda McCartney | Spoken Word, Vocal Harmony, Harmony | | Matt Butler | Engineer | | Matt Howe | Engineer, Spoken Word | | Neil Jason | Bass | | Nick Glennie-Smith | ?, Musician | | Nigel Kennedy | Violin | | Paul McCartney | Guitar, Vocals, Musician, Producer | | Pete Townshend | Musician, ? | | Peter Mew | Engineer | | Phil Collins | Musician, ? | | Phil Ramone | Mixing, Engineer, Producer | | Ray Cooper | ?, Musician | | Ruby James | Harmony, Vocal Harmony | | Simon Chamberlain | Musician, ? | | Steve Forward | Mixing | | Steve Jackson | Engineer, Spoken Word | | Tony Clark | Engineer | | Tony Visconti | Orchestral Arrangements |
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