Paul McCartney - Press to Play

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Album Details

Title: Press to Play
Artist: Paul McCartney
Release Date: 9/19/1986
Label: Capitol Records
Duration: 58:55
Album Type(s): lyrics/libretto
UPCs: 077774626927, 762185143520, 077771247545
Genre: Rock
Styles: Adult Contemporary, Soft Rock, Contemporary Pop/Rock
Moods: Amiable/Good-Natured, Cheerful, Earnest, Happy, Playful, Poignant, Sentimental, Whimsical, Bittersweet, Energetic, Exuberant, Gentle, Humorous, Innocent, Intimate, Light, Precious, Rousing, Soothing, Warm, Wistful, Laid-Back/Mellow, Passionate, Quirky, Theatrical, Wry, Calm/Peaceful, Freewheeling, Fun, Irreverent, Rollicking, Romantic, Silly, Raucous, Carefree, Cathartic, Fiery, Organic, Reckless, Reflective, Sweet, Witty
Total Copies: 0
Members Wishing: 2
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Stranglehold
  2. Good Times Coming/Feel the Sun
  3. Talk More Talk
  4. Footprints
  5. Only Love Remains
  6. Press
  7. Pretty Little Head
  8. Move over Busker
  9. Angry
  10. However Absurd
  11. Write Away
  12. It's Not True
  13. Tough on a Tightrope

Additional Releases

YearTypeLabelCatalog #
1986CDCapitol RecordsC2-46269

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Album Review

At the time, Press to Play was occasionally promoted as Macca's response to punk -- which we all better hope is not true, since that means he was responding ten years after the fact, signaling just how out of touch he was. But McCartney wasn't that disconnected from reality (he did talk about punk in interviews from the late '70s), so a more accurate view of Press to Play is to see it as McCartney trying to reconnect with his classic strengths, from orchestral pop and whimsy to driving rockers and sweet love songs. All this is apparent on the record, often in pretty charming fashion. "Stranglehold" has an offhand charm, "Good Times Coming/Feel the Sun" feels like a forgotten Red Rose Speedway medley, "Move Over Busker" has a brisk gait (better than its cousin, "Angry," anyway), and "Press" is a terrific mid-'80s drum machine-driven slice of synth-pop, utterly featherweight in the best possible way. Each of these captures a different side of McCartney, and that's the overriding impression of Press to Play -- McCartney is dabbling in each of his strengths, just to see what works. It doesn't wind up as one of his stronger albums, but it's more interesting than some of his more consistent ones, and those aforementioned cuts demonstrate that he could still cut effective pop records when he put his mind to it. ~ Stephen Thomas Erlewine, All Music Guide

Credits

NameCredits
Anne DudleyOrchestral Arrangements
Bert BevansMixing
Carlos Alomar?, Musician
Dick Morrisey?
Dick MorrisseyMusician, ?
Eddie KleinSpoken Word
Eddie RaynerKeyboards
Eric StewartHarmony, Musician, ?, Vocal Harmony
Gary BarnacleMusician, ?
Gary Barnale?
Gavyn Wright?, Musician
George HurrellPhotography
George MartinMixing
Graham WardMusician, ?
Haydn BendallEngineer
Hugh PadghamEngineer, Producer
James McCartneySpoken Word
Jerry Marotta?, Musician
John Bradbury?
Jon KellyEngineer
Joseph d'AmbrosioProduction Coordination
Kate RobbinsHarmony, Vocal Harmony
Lenny Pickett?
Linda McCartneySpoken Word, Vocal Harmony, Harmony
Matt ButlerEngineer
Matt HoweEngineer, Spoken Word
Neil JasonBass
Nick Glennie-Smith?, Musician
Nigel KennedyViolin
Paul McCartneyGuitar, Vocals, Musician, Producer
Pete TownshendMusician, ?
Peter MewEngineer
Phil CollinsMusician, ?
Phil RamoneMixing, Engineer, Producer
Ray Cooper?, Musician
Ruby JamesHarmony, Vocal Harmony
Simon ChamberlainMusician, ?
Steve ForwardMixing
Steve JacksonEngineer, Spoken Word
Tony ClarkEngineer
Tony ViscontiOrchestral Arrangements