Album Details
Title: Boats to Build Artist: Guy Clark Release Date: 1992 Re-Released On: 11/1/2005 Label: Asylum, Elektra/Nonesuch, Nonesuch Records Duration: 31:22 Album Type(s): lyrics/libretto UPCs: 075596144223, 075596144247, 603497106967 Genre: Country Styles: Progressive Country, Country-Folk, Outlaw Country, Alt-Country, Alternative/Indie Rock Moods: Bittersweet, Earthy, Melancholy, Reflective, Relaxed, Soothing, Warm, Amiable/Good-Natured, Gentle, Laid-Back/Mellow, Light, Literate, Poignant, Rousing, Sad, Self-Conscious, Sentimental, Sophisticated, Wry, Autumnal, Earnest, Intimate Total Copies: 0 Members Wishing: 3 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Baton Rouge
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Picasso's Mandolin
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How'd You Get This Number
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Boats to Build
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Too Much
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Ramblin' Jack & Mahan
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I Don't Love You Much Do I
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Jack of All Trades
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Madonna w/Child ca. 1969
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Must Be My Baby
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | Nonesuch Records | | | 1992 | CD | Asylum | 61442 | | ------ | CD | Elektra/Nonesuch | 61442 |
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Other Editions
- No other editions were found for this album.
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Album Review
Four years after the release of the tepid Old Friends, Guy Clark signed to the newly revitalized Elektra Asylum label seemingly dedicated to recording and marketing American roots music. Teaming once again with producer Miles Wilkinson, Clark delivered an ambitious, soulful, and state-of-the-art batch of songs. There is an all-star cast here, as per usual. Nonetheless Clark and Wilkinson solidified their vision, and here it works seamlessly, and virtually all of the musical arrangements and sounds serve the songs. Players and singers included Jerry Douglas, Sam Bush, Verlon Thompson, Foster & Lloyd, Marty Stuart, Emmylou Harris, Rodney Crowell, Suzy Ragsdale, Brian Ahern, and drummer Kenny Malone. The opener, a light country shuffle flavored with the blues entitled "Baton Rouge," is catchy in the same way that "Homegrown Tomatoes" was nine years earlier. The tile track, written with Thompson, is an intimate look at what goes on inside a man's mind when he works with his hands and the universe he encounters there. Douglas' slide guitar solo and the gorgeous Thompson harmonies deepen the impact. "Picasso's Mandolin," co-authored with Foster & Lloyd, is a lilting number with hand percussion, Bush's mandolin playing sad and sweet, and three-part harmonies by Clark with Foster & Lloyd. What strikes the listener in the first five tracks is how spare everything is, no matter how many or few instruments are on a given cut. Wilkinson sculpts the sound around Clark's stiletto fine lyrics. Perhaps this is best encountered on "Hey, Where'd You Get This Number." It's a humorous funky country tune with a quartet and no backing vocals, and Clark's wit sizzles in the mix, full of cruelty and irony. But it also comes through in the tender and moving "I Don't Love You Much Do I." Stuart's mandolin and Thompson's guitar wind around one another, framing Clark's creaking and elegant lyrics as he sings them in his usual slow, deliberate manner, getting every ounce of insight and emotion from the syllables. It took four more years to get another record out of Clark, but it's a winner all the way around. ~ Thom Jurek, All Music Guide
Credits
| Name | Credits | | Aimee MacAuley | Design | | Ben Sandmel | Liner Notes | | Bill Caswell | Jaw Harp, Jew's-Harp | | Bill Lloyd | Guitar, Vocals (Background), Vocals | | Brian Ahern | Guitar (Rhythm), Guitar | | Carlos Grier | Mastering, Engineer | | Emmylou Harris | Vocals | | Guy Clark | Guitar, Vocals, Producer, ? | | Jerry Douglas | Slide Guitar, Dobro | | Jim McGuire | Photography | | Kenny Malone | Conga, Drums, Percussion, Snaps | | Lee Roy Parnell | Slide Guitar | | Marty Stuart | Mandolin | | Miles Wilkensen | Producer | | Miles Wilkinson | Producer | | Radney Foster | Vocals (Background), Vocals | | Rodney Crowell | Vocals | | Sam Bush | Mandolin | | Suzy Ragsdale | Vocals, Vocals (Background) | | Travis Clark | Bass | | Verlon Thompson | Vocals, Guitar, Vocals (Background) |
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