Album Details
Title: I Still Believe in You Artist: Vince Gill Release Date: 9/1/1992 Re-Released On: 4/3/1997 Label: MCA Records, MCA Nashville Duration: 36:06 Album Type(s): lyrics/libretto UPCs: 008811063023, 008811063054, 008811935221 Genre: Country Styles: Progressive Bluegrass, Contemporary Country, Bluegrass, New Traditionalist Moods: Amiable/Good-Natured, Laid-Back/Mellow, Refined/Mannered, Bittersweet, Earnest, Gentle, Reflective, Rollicking Total Copies: 115 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Don't Let Our Love Start Slippin' Away
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No Future in the Past
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Nothing Like a Woman
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Tryin' to Get over You
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Say Hello
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One More Last Chance
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Under These Conditions
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Pretty Words
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Love Never Broke Anyone's Heart
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I Still Believe in You
Additional Releases
| Year | Type | Label | Catalog # | | 1997 | CD | MCA Records | 19352 | | 1992 | CD | MCA Nashville | 10630 | | ------ | CD | MCA Records | MCAD-10630 |
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Other Editions
- No other editions were found for this album.
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Album Review
Vince Gill had already enjoyed country success before 1992's I Still Believe in You, but it was the album's four number one singles and almost immediate platinum status that assured the honey-voiced performer's fame and staying power. Gill's delivery is as smooth as the glass surface of a secluded mountain swimming hole, shifting from promise and pain to love and loneliness with easy charm and the occasional touch of his high lonesome background ("No Future in the Past," "Say Hello"). The title track fairly glows with slow-cooked soul, while "Don't Let Our Love Slip Away" nods along on a late-'70s contemporary country vibe. The whole affair is so gosh darn flawless it's impossible not to like. After all, how can you fault a guy with mainstream marketability who's also a talented session guitar player, songwriter, and the owner of one of Nashville's best voices? ~ Johnny Loftus, All Music Guide
Credits
| Name | Credits | | Andrea Zonn | Fiddle, Vocals (Background) | | Billy Thomas | Vocals (Background) | | Bob Bailey | Vocals (Background) | | Carlos Vega | Drums | | Craig White | Engineer | | Dawn Sears | Vocals (Background) | | Delbert McClinton | Harmonica | | Glenn Meadows | Digital Editing, Mastering | | Harry Stinson | Vocals (Background) | | Jessie Noble | Production Coordination | | Jim Kemp | Creative Director | | John Barlow Jarvis | Keyboards | | John Guess | Mixing, Engineer | | John Hughey | Guitar (Steel), ? | | Katherine DeVault | Design, Art Direction | | Kim Fleming | Vocals (Background) | | Lou Reed | Vocals (Background) | | Marty Williams | Engineer | | Pete Wasner | Keyboards | | Randy Scruggs | Guitar (Acoustic) | | Richard Bennett | Guitar (Acoustic) | | Russ Martin | Engineer | | Steuart Smith | Guitar (Electric) | | Steve Nathan | Organ (Hammond) | | Tony Brown | Producer, Producer | | Vicki Hampton | Vocals (Background) | | Victoria Pearson-Cameron | Photography | | Vince Gill | Vocals (Background), Guitar (Acoustic), Guitar, Guitar (Electric), Vocals | | Willie Weeks | Bass | | Yvonne Hodges | Vocals (Background) |
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